When town undertaker Gus Wright accepts delivery of a client's fancy casket, he certainly doesn't expect to find a beautiful young woman hidden inside. And when she throws herself on his mercy, his gentlemanly nature kicks in. He offers assistance despite his suspicion there's trouble brewing. On the run from a heist, Phoebe Corbet has a fortune in jewels following her, along with just a few pesky problems. If she can use Gus Wright as a refuge until her accomplice turns up, she'll do so. If she finds herself seduced by his unassuming manners and gentle kindliness, who could blame a girl? The tricky part will be convincing him there's a reason destiny has thrown them together.

Nartan Sagebrush's name may mean "to dance" in Arapaho, but he dances in secret. Forced to abandon his Shamanic apprenticeship, he is overwhelmed with homesteader life, and even his spirit guides are at their wit's end. Nartan takes fate into his own hands. Instead of divine intervention, a wife will help with his responsibilities and in assimilating into the Wylder community. Olive Muegge answers Nartan's "wife wanted" advertisement. Wildly independent she has secretly dreamed of a family to call her own. The secret she carries inside makes her an outcast and her wild ways don't fit the quiet wife Nartan thinks he desires. Despite their differences, they are drawn to each other but a mistake may drive them apart. Will Nartan embrace his Shamanic past to save them both or will he choose to rid himself of Olive forever?

Newly retired, Earl Hanson wishes he felt happier about it. He's built a cabin up in the hills and has free time on his hands. He also has the most obnoxious widow in town eyeing him up as a possible husband. What's a beleaguered former sheriff to do? Fleeing an ugly scandal, spinster Victoria Major takes a job playing piano at the Trail's End Saloon. But it's the roughest watering hole in Wylder, and when the customers turn rowdy, Earl Hanson steps in to protect her. In return, it seems only right she should shield him from the predatory widow, by pretending he's her beau. Of course, it's only make-believe…

Daughter of a Viking berserker and a Celtic slave, Gyda Tolljursdottir is part warrior and part Seer. When her Sight gives warning of darkness and danger coming from the sea, she vows to defend her Faroe Island home, whatever it takes. Norse shaman, Lodvar Haraldsson has come from Iceland seeking his destiny, and the woman who has long whispered to his heart. Though he neither trusts nor respects the jarl he follows, he'll trade far more than his conscience to find her. When old hatreds flare, can their love endure? Will Lodvar choose to make the ultimate sacrifice for Gyda's sake?

Joseph Thomas Sheridan Le Fanu (1814 –1873) was an Irish writer of Gothic novels, one of the most infl uential ghost story writers of the nineteenth century. “Wylder’s Hand” tells the story of the Wilders and the Brandon, two families sharing a story of rivalry and intermarriage. The Wedding of Mark Wylder and his rich cousin Dorcas Brendon is about to happen. Although everyone understands, there is no love involved. However, everything changes when right before the wedding Mark suddenly disappears.

It was late in the autumn, and I was skimming along, through a rich English county, in a postchaise, among tall hedgerows gilded, like all the landscape, with the slanting beams of sunset. The road makes a long and easy descent into the little town of Gylingden, and down this we were going at an exhilarating pace, and the jingle of the vehicle sounded like sledge-bells in my ears, and its swaying and jerking were pleasant and life-like. I fancy I was in one of those moods which, under similar circumstances, I sometimes experience still—a semi-narcotic excitement, silent but delightful. An undulating landscape, with a homely farmstead here and there, and plenty of old English timber scattered grandly over it, extended mistily to my right; on the left the road is overtopped by masses of noble forest. The old park of Brandon lies there, more than four miles from end to end. These masses of solemn and discoloured verdure, the faint but splendid lights, and long filmy shadows, the slopes and hollows—my eyes wandered over them all with that strange sense of unreality, and that mingling of sweet and bitter fancy, with which we revisit a scene familiar in very remote and early childhood, and which has haunted a long interval of maturity and absence, like a romantic reverie.

This eBook features the unabridged text of ‘Wylder’s Hand by Sheridan Le Fanu - Delphi Classics (Illustrated)’ from the bestselling edition of ‘The Complete Works of Sheridan Le Fanu’. Having established their name as the leading publisher of classic literature and art, Delphi Classics produce publications that are individually crafted with superior formatting, while introducing many rare texts for the first time in digital print. The Delphi Classics edition of Fanu includes original annotations and illustrations relating to the life and works of the author, as well as individual tables of contents, allowing you to navigate eBooks quickly and easily. eBook features: * The complete unabridged text of ‘Wylder’s Hand by Sheridan Le Fanu - Delphi Classics (Illustrated)’ * Beautifully illustrated with images related to Fanu’s works * Individual contents table, allowing easy navigation around the eBook * Excellent formatting of the textPlease visit www.delphiclassics.com to learn more about our wide range of titles

Reproduction of the original. The publishing house Megali specialises in reproducing historical works in large print to make reading easier for people with impaired vision.

Wylder's Hand is a novel from Gothic and mystery writer Sheridan Le Fanu. "There was a little fair-haired child playing on the ground before the steps as I whirled by. The old rector had long passed away; the shorts, gaiters, and smile -- a phantom; and nature, who had gathered in the past, was providing for the future. The pretty mill-road, running up through Redman's Dell, dank and dark with tall romantic trees, was left behind in another moment; and we were now traversing the homely and antique street of the little town, with its queer shops and solid steep-roofed residences. Up Church-street I contrived a peep at the old gray tower where the chimes hung; and as we turned the corner a glance at the "Brandon Arms." How very small and low that palatial hostelry of my earlier recollections had grown! There were new faces at the door. It was only two-and-twenty years ago, and I was then but eleven years old. A retrospect of a score of years or so, at three-and-thirty, is a much vaster affair than a much longer one at fifty. The whole thing seemed like yesterday; and as I write, I open my eyes and start and cry, "can it be twenty, five-and-twenty, aye, by Jove! five-and-thirty, years since then?" How my days have flown! And I think when another such yesterday shall have arrived, where shall I be?"