A Year of the Haiku features 365 new haiku poems by James Maxfield written as a year-long experiment of composing one haiku poem each day during the year 2013 using only the words provided by Haikubes(c)-a set of sixty-three die pieces with five words on each piece. The book includes a detailed preface about the author's process and experience writing this collection as well as a brief but scholarly introduction to haiku poetry suitable for the beginner or the experienced haiku poet.

"A Year in Haiku: Daily Reflections" Discover the beauty and depth of haiku with "A Year in Haiku: Daily Reflections." This bilingual English-Latin edition invites you to embark on a journey through life, nature and the human spirit offering a moment of introspection for each day of the year. Experience the evocative power of haiku as it captures fleeting moments, profound insights and the delicate balance of our world. Each poem is paired with its Latin translation, bridging ancient and modern, allowing readers to appreciate the timeless nature of these reflections. Interactive Elements: Engage more deeply with each haiku through thoughtfully crafted questions and prompts for reflection, encouraging you to explore your own thoughts and feelings inspired by the poems. Supplementary Content: Enrich your understanding with occasional background information about the poems and the translation process, offering an educational layer to your reading experience. Whether you are a long-time lover of haiku or new to its charm, "A Year in Haiku: Daily Reflections" provides a serene and thought-provoking companion for your daily meditations. Allow the simplicity and elegance of these verses to resonate with you, as you explore the beauty of life in both English and Latin.

The first anthology to map the full range of haiku in the English tradition. Haiku in English is an anthology of more than 800 brilliantly chosen poems that were originally written in English by over 200 poets from around the world. Although haiku originated as a Japanese art form, it has found a welcome home in the English-speaking world. This collection tells the story for the first time of Anglophone haiku, charting its evolution over the last one hundred years and placing it within its historical and literary context. It features an engaging introduction by former U.S. poet laureate Billy Collins and an insightful historical overview by leading haiku poet, editor, and publisher Jim Kacian. The selections range from the first fully realized haiku in English, Ezra Pound’s “In a Station of the Metro,” to plentiful examples by haiku virtuosos such as John Wills, Marlene Mountain, Nick Virgilio, and Raymond Roseliep, and to investigations into the genre by eminent poets like John Ashbery, Allen Ginsberg, and Seamus Heaney. The editors explore the genre’s changing forms and themes, highlighting its vitality and its breadth of poetic styles and content. Among the many poems on offer are organic form experiments by E. E. Cummings and Michael McClure, evocations of black culture by Richard Wright and Sonia Sanchez, and the seminal efforts of Jack Kerouac.

“There's a fresh coating of snow on the ground outside our cabin as I look to see who's coming to the fourteen feeders, we keep filled with black oil sunflower seeds year-round.” So begins A Year of Moons: Stories from the Adirondack Foothills, a collection of essays by award winning author Joeseph Bruchac. The collection is a reflection on the rhythms of the land, the lunar cycles of the year, the plants and animals that surround us, and the connections that link humans, animals and the land. With one foot rooted firmly in the inheritance of nature essays, and another rooted firmly in Bruchac's Abenaki heritage, the collection is an artifact of a beautiful landscape and the changes it encounters throughout the year. In his thoughtful and perceptive way, Bruchac contemplates the changing of the seasons, his relationship with the creatures and plant life that share his home, and a vision of stewardship. Bruchac's curiosity and reverence for the earth shines through on every page as he looks at the place he calls home with new eyes, reflected by the changing of each season's moon.

Have a haiku momentwhen your mind stops and your heart moves. Writing haiku offers the chance to honor, hold, and fully experience a fleeting moment that takes you out of yourself, a moment that hints at the deeper unity that lies beneath the surface of things. from Chapter One In this encouraging guide for both beginning and experienced haiku writers, Margaret D. McGee shows how writing haiku can be a consciously spiritual practice for seekers of any faith tradition or no tradition. Drawing from her experience as a spiritual retreat leader and published haiku writer, McGee takes the mystery and intimidation out of beginning to write haiku. For those already on their way, she provides helpful hints and exercises to broaden and deepen both your haiku artistry and your appreciation of haiku as part of your spiritual life. With humor and encouragement, she offers step-by-step exercises for both individuals and writing groups, and shows how haiku can help you: Pay attention to the world around you to connect with sacred moments Overcome fear and self-doubt to access your innate creativity Explore and use haiku together with spiritual practices in your own faith tradition Make haiku a spiritual part of your daily routine

Presenting more than two hundred of the greatest haiku ever written about the game. There are moments in every baseball game that make fans catch their breath: the pause while a pitcher looks in for the sign, the moment a cocksure rookie gets picked off first, or the instant a batter lashes a game-winning homer into the night sky, just before the sell-out crowd explodes onto its feet. Haiku captures these moments like no other poetic form, and Baseball Haiku captures the sights, the sounds, the smells, and the emotions of the game like no previous collection. Some of the most important haiku poets of both America and Japan are featured in this anthology; including Jack Kerouac, a longtime baseball fan who pioneered English-language haiku; Alan Pizzarelli, one of the top American haiku and senryu poets of the last thirty years; and Masaoka Shiki, one of the four great pillars of Japanese haiku—a towering figure—who was instrumental in popularizing baseball in Japan during the 1890s. With over two hundred poems spanning more than a century of ball playing, Baseball Haiku reveals the intricate ways in which this enduring and indelible sport—which is played on a field, under an open sky—has always been linked to nature and the seasons. And just as a haiku happens in a timeless now, so too does Baseball Haiku evoke those unforgettable images that capture the actions and atmospheres of the national pastime: each poem resonates like the lonely sound of cleats echoing in the tunnel as a grizzled veteran leaves his final game. The largest collection of haiku and senryu on baseball ever assembled, Baseball Haiku is an extraordinary treasure for any true baseball fan.

American Haiku, Eastern Philosophies, and Modernist Poetics traces the genesis and development of haiku in Japan as it transformed over the years and eventually made its way to the Western world. Yoshinobu Hakutani analyzes the prominent Eastern philosophies expressed through haiku, such as Confucianism and Zen, and the aesthetic principles of yugen, sabi, and wabi. Hakutani discusses several reinventions of haiku, from Matsuo Basho’s transformation of the classic haiku, to Masaoka Shiki’s modernist perspectives expressing subjective thoughts and feelings, and eventually to Yone Noguchi’s introduction of haiku to the Western world through W. B. Yeats and Ezra Pound. Hakutani argues that the adoption and transformation of haiku is one of the most popular East-West artistic, cultural, and literary exchanges to have taken place in modern and postmodern times.

Haiku, Other Arts, and Literary Disciplines investigates the genesis and development of haiku in Japan and determines the relationships between haiku and other arts, such as essay writing, painting, and music, as well as the backgrounds of haiku, such as literary movements, philosophies, and religions that underlie haiku composition. By analyzing the poets who played major roles in the development of haiku and its related genres, these essays illustrate how Japanese haiku poets, and American writers such as Emerson and Whitman, were inspired by nature, especially its beautiful scenes and seasonal changes. Western poets had a demonstrated affinity for Japanese haiku which bled over into other art mediums, as these chapters discuss.

Knitting and haiku, together at last! The soft clacking of needles, the repetitive looping of yarn…you’ve fallen under the spell of knitting. For you, and for knitters the world over, this ancient craft is more than just a hobby, it’s a soothing practice with a rhythm and mystery that echoes its sister in poetry, the haiku. Written for the passionate knitter, Knit One, Haiku Too is a tribute to all there is to love about knitting: the creativity, the meditation, and the contemplation.

This book examines the genesis and development of haiku in Japan and traces its impact on modernist poetics. This study shows that the most pervasive East-West artistic, cultural, and literary exchange that has taken place in modern and postmodern times was in the reading and writing of haiku in the West. Hakutani roots Y.B Yeats symbolism in cross cultural visions; reveals Ezra Pound s imagism to have originated in haiku; and discusses some of the finest haiku written by Jack Kerouac, Richard Wright, Sonia Sanchez, and James Emanuel.