A Zombie Nation: Walking with the Dead unveils the anatomy of radicalization and how a radical ideology can inspire young minds to become an extremist people. Randy Oakley comes face-to-face with gangsters who threaten freedom and democracy. He must choose how he will live his life—in fear or freedom. Randy struggles against the pressure to adopt a radical view of the world or accept his identity as an American citizen. He finds the most dangerous people are ones who walk among us, who are educated in the best universities, but who hate the freedom that America stands for. Randy must decide if he will stay loyal to his country and keep his freedom or be enslaved to a radical identity.

After the outbreak of the zombie apocalypse, an elderly Swiss tourist finds himself stranded in America. Unable to go home, he and other survivors set up a small agricultural settlement in Alabama and defend it against marauders. After more than one year he discovers that a few European countries, although severely affected by the zombie pandemic, had managed to hang on, and he manages to return to Europe thanks to the French navy. Months later he returns to America as advisor to a French scientific expedition. Their road trip takes them to the Gulf coast, West Texas, Kansas and the Appalachians. They return with important information about the zombies and about the few survivors in America. An alarming incident with a zombie brought back from this expedition leads to one more trip across the ocean, this time as advisor to a battalion-sized French army unit. In the end the scientists succeed in finding the origin of the zombie pandemic.

1500 years ago, General Xuanyuan died on the battlefield. In order to meet her several times in the cycle of reincarnation, Princess Nalan Shui had paid any price to establish her own country of corpses, and she had sealed herself in an ancient tomb. 1500 years later, a youth with the same appearance as General Xuanyuan opened the ancient tomb to solve the tragic case of the Hu family village, but he fell into a conspiracy ... The truth of eternal life, the love that spans thousands of years, everything is in the legend of Corpse Country. "

National Identity in 21st-Century Cuban Cinema tours early 21st-century Cuban cinema through four key figures—the monster, the child, the historic icon, and the recluse—in order to offer a new perspective on the relationship between the Revolution, culture, and national identity in contemporary Cuba. Exploring films chosen to convey a recent diversification of subject matters, genres, and approaches, it depicts a changing industrial landscape in which the national film institute (ICAIC) coexists with international co-producers and small, ‘independent’ production companies. By tracing the reappearance, reconfiguration, and recycling of national identity in recent fiction feature films, the book demonstrates that the spectre of the national haunts Cuban cinema in ways that reflect intensified transnational flows of people, capital, and culture. Moreover, it shows that the creative manifestations of this spectre screen—both hiding and revealing—a persistent anxiety around Cubanness even as national identity is transformed by connections to the outside world.

The zombie apocalypse hasn't happened—yet—but zombies are all over popular culture. From movies and TV shows to video games and zombie walks, the undead stalk through our collective fantasies. What is it about zombies that exerts such a powerful fascination? In Not Your Average Zombie, Chera Kee offers an innovative answer by looking at zombies that don't conform to the stereotypes of mindless slaves or flesh-eating cannibals. Zombies who think, who speak, and who feel love can be sympathetic and even politically powerful, she asserts. Kee analyzes zombies in popular culture from 1930s depictions of zombies in voodoo rituals to contemporary film and television, comic books, video games, and fan practices such as zombie walks. She discusses how the zombie has embodied our fears of losing the self through slavery and cannibalism and shows how "extra-ordinary" zombies defy that loss of free will by refusing to be dehumanized. By challenging their masters, falling in love, and leading rebellions, "extra-ordinary" zombies become figures of liberation and resistance. Kee also thoroughly investigates how representations of racial and gendered identities in zombie texts offer opportunities for living people to gain agency over their lives. Not Your Average Zombie thus deepens and broadens our understanding of how media producers and consumers take up and use these undead figures to make political interventions in the world of the living.

Why have zombies resonated so pervasively in the popular imagination and in media, especially films? Why have they proved to be one of the most versatile and popular monster types in the growing video game industry? What makes zombies such widespread symbols of horror and dread, and how have portrayals of zombies in movies changed and evolved to fit contemporary fears, anxieties, and social issues? Zombies have held a unique place in film and popular culture throughout most of the 20th century. Rare in that this enduring monster type originated in non-European folk culture rather than the Gothic tradition from which monsters like vampires and werewolves have emerged, zombies have in many ways superseded these Gothic monsters in popular entertainment and the public imagination and have increasingly been used in discussions ranging from the philosophy of mind to computer lingo to the business press. Zombie Culture brings together scholars from a variety of fields, including cinema studies, popular culture, and video game studies, who have examined the living dead through a variety of lenses. By looking at how portrayals of zombies have evolved from their folkloric roots and entered popular culture, readers will gain deeper insights into what zombies mean in terms of the public psyche, how they represent societal fears, and how their evolving portrayals continue to reflect underlying beliefs of The Other, contagion, and death.

The Citizen Army is a collection of contributions by members of the online Illuminist community who were brave enough to take part in Project Spartacus. Their work is accompanied by an extensive commentary by the AC/GS team. This book shows that the online Illuminist community has enough talent and energy to form the vanguard of a genuine Citizen Army to carry forward the great cause of bringing about a Second and Final meritocratic Enlightenment, a true Age of Reason, based on the Principle of Sufficient Reason, expressed through ontological mathematics.

Our most modern monster and perhaps our most American, the zombie that is so prevalent in popular culture today has its roots in African soul capture mythologies. The Transatlantic Zombie provides a more complete history of the zombie than has ever been told, explaining how the myth’s migration to the New World was facilitated by the transatlantic slave trade, and reveals the real-world import of storytelling, reminding us of the power of myths and mythmaking, and the high stakes of appropriation and homage. Beginning with an account of a probable ancestor of the zombie found in the Kongolese and Angolan regions of seventeenth-century Africa and ending with a description of the way, in contemporary culture, new media are used to facilitate zombie-themed events, Sarah Juliet Lauro plots the zombie’s cultural significance through Caribbean literature, Haitian folklore, and American literature, film, and the visual arts. The zombie entered US consciousness through the American occupation of Haiti, the site of an eighteenth-century slave rebellion that became a war for independence, thus making the figuration of living death inseparable from its resonances with both slavery and rebellion. Lauro bridges African mythology and US mainstream culture by articulating the ethical complications of the zombie as a cultural conquest that was rebranded for the American cinema. As The Transatlantic Zombie shows, the zombie is not merely a bogeyman representing the ills of modern society, but a battleground over which a cultural war has been fought between the imperial urge to absorb exotic, threatening elements, and the originary, Afro-diasporic culture’s preservation through a strategy of mythic combat.

Following up his hit 505 Unbelievably Stupid Web Pages, Dan Crowley again takes on the Web's weirdest and wildest in 505 Weirdest Online Stores. This is the ultimate guide to the Internet's strangest stores, where you can spend your time and money in pursuit of dehydrated water, duct tape fashion and a corporate hairball. For all those who love eBay but are tired of products that have actual uses, check out these sites: The Childhood Goat Trauma Foundation (www.goat-trauma.org) Political Talking Action Figures (www.prankplace.com/politics.htm) Lunar Land Owner (www.lunarlandowner.com) Air Sickness Bags (www.airsicknessbags.com) Michael Jackson Artwork (www.helenakadlcikova.com/michael_jackson.htm)

This is a comprehensive overview of zombie movies in the first 11 years of the new millennium, the most dynamic and vital period yet in the history of the zombie genre. It serves not only as a follow-up to its predecessor (The Zombie Movie Encyclopedia, McFarland 2001), which covered movies from 1932 up until the late 1990s, but also as a fresh exploration of what uniquely defines the genre in the 2000s. In-depth entries provide critical analysis of the zombie as creature in more than 280 feature-length movies, from 28 countries and filmed on six continents. An appendix offers shorter entries for more than 100 shorts and serials.