This is the first genuine etymological dictionary of Old Chinese written in any language. As such, it constitutes a milestone in research on the evolution of the Sinitic language group. Whereas previous studies have emphasized the structure of the Chinese characters, this pathbreaking dictionary places primary emphasis on the sounds and meanings of Sinitic roots. Based on more than three decades of intensive investigation in primary and secondary sources, this completely new dictionary places Old Chinese squarely within the Sino-Tibetan language family (including close consideration of numerous Tiberto-Burman languages), while paying due regard to other language families such as Austroasiatic, Miao-Yao (Hmong-Mien), and Kam-Tai. Designed for use by nonspecialists and specialists alike, the dictionary is highly accessible, being arranged in alphabetical order and possessed of numerous innovative lexicographical features. Each entry offers one or more possible etymologies as well as reconstructed pronunciations and other relevant data. Words that are morphologically related are grouped together into "word families" that attempt to make explicit the derivational or other etymological processes that relate them. The dictionary is preceded by a substantive and significant introduction that outlines the author’s views on the linguistic position of Chinese within Asia and details the phonological and morphological properties, to the degree they are known, of the earliest stages of the Chinese language and its ancestor. This introduction, because it both summarizes and synthesizes earlier work and makes several original contributions, functions as a useful reference work all on its own.

Since the beginning of the twentieth century, hundreds of thousands of documents of all sorts have been unearthed in China, opening whole new fields of study and transforming our modern understanding of ancient China. While these discoveries have necessarily taken place in China, Western scholars have also contributed to the study of these documents throughout this entire period. This book provides a comprehensive survey of the contributions of these Western scholars to the field of Chinese paleography, and especially to study of oracle-bone inscriptions, bronze and stone inscriptions, and manuscripts written on bamboo and silk. Each of these topics is provided with a comprehensive narrative history of studies by Western scholars, as well as an exhaustive bibliography and biographies of important scholars in the field. It is also supplied with a list of Chinese translations of these studies, as well as a complete index of authors and their works. Whether the reader is interested in the history of ancient China, ancient Chinese paleographic documents, or just in the history of the study of China as it has developed in the West, this book provides one of the most complete accounts available to date.

Making one's way through the dense jungle of Old Japanese poetry and prose can be a daunting and discouraging task because of the complex writing systems used during the Asuka (550–710 CE) and Nara (710–789 CE) eras. The intricate script is a bewildering mix of Chinese characters employed for their semantic or phonetic value or as hints to other words—or even for word games. For the first time in English, this dictionary lists all 1,215 Chinese characters used as phonograms (ongana) or vernacular characters (kungana) in Old Japanese texts. It brings together a vast amount of data in relation to Chinese phonology: Old Chinese, Later Han Chinese, Middle Chinese, Sino-Japanese (both Go-on and Kan-on), Sino-Korean, Sino-Vietnamese, and Chu Nom. The entries contain examples from more than twenty Old Japanese texts showing how each character was used and in what context. Data from excavated wooden tablets, or slips (mokkan), is included as well as a chart of all the graphs and where they appear in the cited material. Students and scholars of Old Japanese writing and language and those more widely interested in the culture and history of pre-Heian Japan now have important linguistic and textual data at their fingertips arranged by character to help them decipher material from the ancient past.

Although long out of date, Bernard Karlgren’s (1957) remains the most convenient work for looking up Middle Chinese (ca. A.D. 600) and Old Chinese (before 200 B.C.) reconstructions of all graphs that occur in literature from the beginning of writing (ca. 1250 B.C.) down to the third century B.C. In the present volume, Axel Schuessler provides a more current reconstruction of Old Chinese, limiting it, as far as possible, to those post-Karlgrenian phonological features of Old Chinese that enjoy some consensus among today’s investigators. At the same time, the updating of the material disregards more speculative theories and proposals. Schuessler refers to these minimal forms as "Minimal Old Chinese" (OCM). He bases OCM on Baxter’s 1992 reconstructions but with some changes, mostly notational. In keeping with its minimal aspect, the OCM forms are kept as simple as possible and transcribed in an equally simple notation. Some issues in Old Chinese phonology still await clarification; hence interpolations and proposals of limited currency appear in this update. Karlgren’s Middle Chinese reconstructions, as emended by Li Fang-kuei, are widely cited as points of reference for historical forms of Chinese as well as dialects. This emended Middle Chinese is also supplied by Schuessler. Another important addition to Karlgren’s work is an intermediate layer midway between the Old and Middle Chinese periods known as "Later Han Chinese" (ca. second century A.D.) The additional layer makes this volume a useful resource for those working on Han sources, especially poetry. This book is intended as a "companion" to the original Grammata Serica Recensa and therefore does not repeat other information provided there. Matters such as English glosses and references to the earliest occurrence of a graph can be looked up in Grammata Serica Recensa itself or in other relevant dictionaries. The great accomplishment of this companion volume is to update an essential reference and thereby fulfill the need for an accessible and user-friendly source for citing the various historically reconstructed stages of Chinese.

This pioneering book provides a comprehensive survey of ancient Chinese women’s history, covering thousands of years from the Neolithic era to China’s unification in 221 BCE. For each period—Neolithic, Shang, Western Zhou, and Eastern Zhou—Bret Hinsch explores central aspects of female life: marriage, family life, politics, ritual, and religious roles. Deeply researched, the book draws on a wide range of Chinese scholarship and primary sources, including transmitted texts, inscriptions, and archaeological evidence. The result is a comprehensive view of women’s history from the beginnings of Chinese civilization up to the beginnings of the imperial era. Clear and readable, the book will be invaluable for both students and specialists in gender studies.

The significance of Japanese-language scholarship on China cannot be overstated. Yet much of it is largely untapped by China scholars in both the West and China, in part because they are unfamiliar with the Japanese pronunciation of Chinese characters. Even those who know Japanese are frequently frustrated when seeking an obscure reading of a personal or place name. The purpose of this volume is to enable Sinologists and others involved in Chinese studies to access entries in Japanese reference works dealing with China without going through the time-consuming process of looking up characters by radical and stroke. For users of this dictionary, it is a simple matter to find a character by looking it up by its alphabetical pinyin pronunciation. Having located it, the user can go directly to the item in Japanese reference works. The Dictionary includes more than 13,072 entries not only in Chinese characters and their Sino-Japanese (ondoku/onyomi) readings, but also the Japanese (kundoku/kunyomi) readings. The romanized Japanese readings will assist in correctly transcribing Japanese names, such as the names of Japanese publishers and authors, and the technical terms employed by Japanese in their writings on China. These features will also give those familiar with pinyin greater access to material on Japanese history and culture. The ABC Dictionary of Sino-Japanese Readings will be a boon to Sinologists and others interested in the study of China.

This book on Chinese characters features a number of unique characteristics. It introduces a revolutionary way to master Chinese characters. With exhaustive coverage of the most frequently used characters, this book is based on the etymology and evolution of characters, while organizing them into families to make them easier to memorize. The key points of this method are: Etymology and evolution: Dive into the history of Chinese characters by exploring their origin and evolution. Our etymological approach will help you understand how characters have evolved over time, enriching your overall understanding. Character Families: We've grouped characters into families based on their components and similarities. This strategic organization facilitates memorization by helping you to see the links and patterns between characters, optimizing your learning. Structured Analysis: Each character is carefully analyzed, highlighting key elements such as radicals, traits and components. This detailed analysis reinforces your understanding and ability to break down complex characters. Advanced Memorization Method: Our unique memorization approach uses visual associations to anchor characters in your mind. You'll discover how to learn by understanding the relationships between characters, accelerating your progress. Practical examples: Each character is illustrated in practical examples, showing how it is used in real-life contexts. This immersive approach reinforces your ability to use characters in your everyday communication. Accessible to All: Whether you're a beginner or want to deepen your knowledge, our book is suitable for all levels of expertise. Clear explanations and an organized presentation make learning enjoyable and progressive.

This volume provides concise, authoritative accounts of the approaches and methodologies of modern lexicography and of the aims and qualities of its end products. Leading scholars and professional lexicographers, from all over the world and representing all the main traditions andperspectives, assess the state of the art in every aspect of research and practice. The book is divided into four parts, reflecting the main types of lexicography. Part I looks at synchronic dictionaries - those for the general public, monolingual dictionaries for second-language learners, andbilingual dictionaries. Part II and III are devoted to the distinctive methodologies and concerns of the historical dictionaries and specialist dictionaries respectively, while chapters in Part IV examine specific topics such as description and prescription; the representation of pronunciation; andthe practicalities of dictionary production. The book ends with a chronology of the major events in the history of lexicography. It will be a valuable resource for students, scholars, and practitioners in the field.

Goldin thus begins the book by asking the basic question "What are we reading?" while also considering why it has been so rarely asked. Yet far from denigrating Chinese philosophy, he argues that liberating these texts from the mythic idea that they are the product of a single great mind only improves our understanding and appreciation. By no means does a text require single and undisputed authorship to be meaningful; nor is historicism the only legitimate interpretive stance. The first chapter takes up a hallmark of Chinese philosophy that demands a Western reader's cognizance: its preference for non-deductive argumentation. Chinese philosophy is an art (hence the title) he demonstrates, more than it is a rigorous logical method. Then comes the core of the book, eight chapters devoted to the eight philosophical texts divided into three parts: Philosophy of Heaven, Philosophy of the Way, and Two Titans at the End of an Age. .

Phags-pa Chinese is the earliest form of the Chinese language to be written in a systematically devised alphabetic script. It is named after its creator, a brilliant thirteenth-century Tibetan scholar-monk who also served as political adviser to Kublai Khan. 'Phags-pa's invention of an alphabet for the Mongolian language remains an extraordinarily important accomplishment, both conceptually and practically. With it he achieved nothing less than the creation of a unified script for all of the numerous peoples in the Mongolian empire, including the Central Asian Turks and Sinitic-speaking Chinese. 'Phags-pa is of immense importance for the study of premodern Chinese phonology. However, the script is difficult to read and interpret, and secondary materials on it are scattered and not easily obtained. The present book is intended as a practical introduction to 'Phags-pa Chinese studies and a guide for reading and interpreting the script. It consists of two parts. The first part is an introductory section comprising four chapters. This is followed by a glossary of 'Phags-pa Chinese forms and their corresponding Chinese characters, together with pinyin and stroke order indexes to those characters.The first introductory chapter outlines the invention of the 'Phags-pa writing system, summarizes the major types of material preserved in it, and describes the historical and linguistic contexts in which this invention occurred. Following chapters detail the history of 'Phags-pa studies, the alphabet and its interpretation, and the salient features of the underlying sound system represented by the script, comparing it with those of various later forms of Chinese that have been recorded in alphabetic sources. A Handbook of 'Phags-pa Chinese will be of special interest to Chinese historical phonologists and scholars concerned with the history and culture of China and Central Asia during the Yuan period (A.D. 1279–1368).