Understanding distributed computing is not an easy task. This is due to the many facets of uncertainty one has to cope with and master in order to produce correct distributed software. Considering the uncertainty created by asynchrony and process crash failures in the context of message-passing systems, the book focuses on the main abstractions that one has to understand and master in order to be able to produce software with guaranteed properties. These fundamental abstractions are communication abstractions that allow the processes to communicate consistently (namely the register abstraction and the reliable broadcast abstraction), and the consensus agreement abstractions that allows them to cooperate despite failures. As they give a precise meaning to the words "communicate" and "agree" despite asynchrony and failures, these abstractions allow distributed programs to be designed with properties that can be stated and proved. Impossibility results are associated with these abstractions. Hence, in order to circumvent these impossibilities, the book relies on the failure detector approach, and, consequently, that approach to fault-tolerance is central to the book. Table of Contents: List of Figures / The Atomic Register Abstraction / Implementing an Atomic Register in a Crash-Prone Asynchronous System / The Uniform Reliable Broadcast Abstraction / Uniform Reliable Broadcast Abstraction Despite Unreliable Channels / The Consensus Abstraction / Consensus Algorithms for Asynchronous Systems Enriched with Various Failure Detectors / Constructing Failure Detectors

Maggie Nelson provides the first extended consideration of the roles played by women in and around the New York School of poets, from the 1950s to the present, and offers unprecedented analyses of the work of Barbara Guest, Bernadette Mayer, Alice Notley, Eileen Myles, and abstract painter Joan Mitchell as well as a reconsideration of the work of many male New York School writers and artists from a feminist perspective.

It is not the who or how or what, it is only, when you are ready.No matter what you think, you will find an echo in this; not an expression of hubris, an admission of our collective humanity, acknowledgement of the exhaustible nature of existance. Abstractions: Creatures of the Mind, is a timely point-meditation on some of the most pressing issues for individuals, political structure, economies and science. Philosophical reflections on our times and some eternal questions. Abstractions is a book that has emereged over a decade, an attempt to experience life in all its colours and it’s inhibition to interact only in moments. A book that should resonate with most thinking people as we deal with the ever-increasing pace of modern life.

Cutting-edge historians explore ideas, communities, and technologies around modern computing to explore how computers mediate social relations. Computers have been framed both as a mirror for the human mind and as an irreducible other that humanness is defined against, depending on different historical definitions of "humanness." They can serve both liberation and control because some people's freedom has historically been predicated on controlling others. Historians of computing return again and again to these contradictions, as they often reveal deeper structures. Using twin frameworks of abstraction and embodiment, a reformulation of the old mind-body dichotomy, this anthology examines how social relations are enacted in and through computing. The authors examining "Abstraction" revisit central concepts in computing, including "algorithm," "program," "clone," and "risk." In doing so, they demonstrate how the meanings of these terms reflect power relations and social identities. The section on "Embodiments" focuses on sensory aspects of using computers as well as the ways in which gender, race, and other identities have shaped the opportunities and embodied experiences of computer workers and users. Offering a rich and diverse set of studies in new areas, the book explores such disparate themes as disability, the influence of the punk movement, working mothers as technical innovators, and gaming behind the Iron Curtain. Abstractions and Embodiments reimagines computing history by questioning canonical interpretations, foregrounding new actors and contexts, and highlighting neglected aspects of computing as an embodied experience. It makes the profound case that both technology and the body are culturally shaped and that there can be no clear distinction between social, intellectual, and technical aspects of computing. Contributors: Janet Abbate, Marc Aidinoff, Troy Kaighin Astarte, Ekaterina Babinsteva, André Brock, Maarten Bullynck, Jiahui Chan, Gerardo Con Diaz, Liesbeth De Mol, Stephanie Dick, Kelcey Gibbons, Elyse Graham, Michael J. Halvorson, Mar Hicks, Scott Kushner, Xiaochang Li, Zachary Loeb, Lisa Nakamura, Tiffany Nichols, Laine Nooney, Elizabeth Petrick, Cierra Robson, Hallam Stevens, Jaroslav Švelch

An approach to software design that introduces a fully automated analysis giving designers immediate feedback, now featuring the latest version of the Alloy language. In Software Abstractions Daniel Jackson introduces an approach to software design that draws on traditional formal methods but exploits automated tools to find flaws as early as possible. This approach—which Jackson calls “lightweight formal methods” or “agile modeling”—takes from formal specification the idea of a precise and expressive notation based on a tiny core of simple and robust concepts but replaces conventional analysis based on theorem proving with a fully automated analysis that gives designers immediate feedback. Jackson has developed Alloy, a language that captures the essence of software abstractions simply and succinctly, using a minimal toolkit of mathematical notions. This revised edition updates the text, examples, and appendixes to be fully compatible with Alloy 4.

CONCRETE ABSTRACTIONS offers students a hands-on, abstraction-based experience of thinking like a computer scientist. This text covers the basics of programming and data structures, and gives first-time computer science students the opportunity to not only write programs, but to prove theorems and analyze algorithms as well. Students learn a variety of programming styles, including functional programming, assembly-language programming, and object-oriented programming (OOP). While most of the book uses the Scheme programming language, Java is introduced at the end as a second example of an OOP system and to demonstrate concepts of concurrent programming.

In this book, Joseph Dane critiques the use of material evidence in studies of manuscript and printed books by delving into accepted notions about the study of print culture. He questions the institutional and ideological presuppositions that govern medieval studies, descriptive bibliography, and library science. This volume is an important contribution to debates about the nature of bibliography and the critical institutions that have shaped its current practice.

LC copy bound in 2 v.: v. 1, p. 1-509; v. 2, p. [509]-1153.

ETAPS'99 is the second instance of the European Joint Conferences on Theory and Practice of Software. ETAPS is an annual federated conference that was established in 1998 by combining a number of existing and new conferences. This year it comprises ve conferences (FOSSACS, FASE, ESOP, CC, TACAS), four satellite workshops (CMCS, AS, WAGA, CoFI), seven invited lectures, two invited tutorials, and six contributed tutorials. The events that comprise ETAPS address various aspects of the system - velopment process, including speci cation, design, implementation, analysis and improvement. The languages, methodologies and tools which support these - tivities are all well within its scope. Dieren t blends of theory and practice are represented, with an inclination towards theory with a practical motivation on one hand and soundly-based practice on the other. Many of the issues involved in software design apply to systems in general, including hardware systems, and the emphasis on software is not intended to be exclusive.