Acts of Media seeks to consolidate a field of multidisciplinary work around media technologies that intersects with legal scholarship. This volume brings together contributions from leading academics, lawyers, researchers and policy experts about contemporary India and Sri Lanka. The approaches to law and media taken in this volume challenge us to think outside of traditional disciplinary descriptions. Rather than approaching the law as being outside of, and constantly catching up with the media, the contributors of this book view law and media as being deeply intertwined. The chapters in this volume address the relationship between law and media through different entry points---disputes over media and information systems shaping law, theories of law that incorporate media forms, and law and media co-producing trials. The multidisciplinary nature of this book has facilitated a rich and productive conversation among legal scholars, researchers and lawyers from disciplines such as constitutional law, law and technology, media and cinema studies, legal anthropology and political science.

Poetic Acts & New Media advances the fields of literary and new media studies by clarifying boundaries between competing genres and media through the creation of a new artistic genre, "media poetry." This aesthetic mode of expression/becoming seeks to transform mass culture (our codes of communication) by self-consciously acknowledging how textual, audio, and/or visual signs are constructed according to their simulation and not their representation. This study draws heavily upon literary media theories that intersect with Gilles Deleuze's philosophy of 'Sense' as a simulated power of sensory transformations. Media poetry becomes a complex power of 'Sense' by blending conventional mass-media codes with poetic simulations that provide alternative forms of creating meaning. Poetic Acts & New Media specifically examines the works of several poets that exemplify this multi-sensory approach to printed-text poetry, especially: -Langston Hughes -Tony Medina -David Wojahn -John Kinsella -David Trinidad. It also analyzes several contemporary films that embody the multi-modal logic of media poetry: -David Lynch's Mullholland Drive -Cameron Crowe's Vanilla Sky -Spike Jonze's Being John Malkovich. In addition, this study interprets two influential primetime TV shows as exemplars of media poetry: Twin Peaks and Buffy the Vampire Slayer. All media poetry, regardless of genre or medium, allows readers/viewers to envision "reality production" as a rewriteable and poetic enterprise that can productively remediate any transparent abstraction or common-sense realism.