The Archon Of Boston sends Adorned necromancer Anastasia and Samuel's Chamberlain Rachel to catacombs beneath France to recover a hidden grimoire. An implacable hidden adversary stands ready to stop them at any cost.

OVER 100,000 COPIES SOLD! Winner of the 2018 Christian Book Award® (Bible Study Category) Known for her wisdom, warmth, and knowledge of Scripture, Nancy DeMoss Wolgemuth has encouraged millions through her books, radio programs, and conferences. Now she’s back with a legacy work on Titus 2 and its powerful vision for women: Woman to woman. Older to younger. Day to day. Life to life. This is God’s beautiful plan. The Titus 2 model of older women living out the gospel alongside younger women is vital for us all to thrive. It is mutually strengthening, glorifies God, and makes His truth believable to our world. Imagine older women investing themselves in the lives of younger women, blessing whole families and churches. Imagine young wives, moms, and singles gaining wisdom and encouragement from women who’ve been there and have found God’s ways to be true and good. Imagine all women—from older women to young girls—living out His transforming gospel together, growing the entire body of Christ to be more beautiful. This is Christian community as God designed it. Read this book and take your relationships to new depths, that your life might find its fullest meaning as you adorn the gospel of Christ.

The phrase "like a bride adorned" is one of the ways Revelation describes the new Jerusalem which descends from heaven. This phrase can also be read as describing one of the ways interpreters historically have understood the relationship between Revelation and its metaphorical language. In contrast to views that suggest Revelation's metaphorical language is simple adornment, Huber argues that Revelation's persuasive power resides within the text's metaphorical nature and she articulates a method for exploring how Revelation employs metaphor to shape an audience's thought. In order to gain a sense of how metaphorical language works in Revelation's highly metaphorical text,"Like a Bride Adorned:" Reading Metaphor in John's Apocalypse engages one set of conceptual metaphors in relation to Revelation's literary and social-historical milieu. Specifically, Huber explores the conceptual metaphors undergirding Revelation's nuptial or bridal imagery. Positioned at the culmination of the text's, nuptial imagery serves as one the text's final and arguably one of its most important characterizations of the Christian community. Examining the function of Revelation's nuptial imagery involves investigating how the text redeploys conventional metaphorical constructions used in the writings of the Hebrew prophets and how its imagery engages Greco-Roman depictions of women, weddings, and brides. Discourse about marriage and family was such an important part of Revelation's historical context, especially as it was shaped by the Roman Empire, that any discussion of the text's nuptial imagery must examine how it reflects and responds to this discourse. By addressing these questions, we see that Revelation's nuptial imagery serves to further the text's goal of shaping Christian identity in opposition to the social demands of the Roman Empire. Moreover, exploration of the conceptual metaphors undergirding Revelation's "bride adorned" reveals how John seeks to shape Christian identity as a transitional identity. Through metaphor, Revelation encourages its audience to envision the Christian community as a bride who constructs "her" own identity as she transitions into a new role in relation to God and the Lamb. Through the process of exploring Revelation's nuptial imagery with insights gained from conceptual metaphor theory, we uncover the ways that John employs metaphorical language to persuade his audience's thought about themselves and about others. Consequently, this work contributes both to our understanding of the text's nuptial imagery and to our knowledge of how Revelation employs metaphor as tool for persuasion.

Originally published in 1952, this book, profusely illustrated, describes the various styles of wall decoration that have been used in England from the time of Henry VII up to the reign of Queen Victoria. The houses illustrated are mainly the smaller English houses where economics of various sorts have been a greater factor in their original decoration than the actual fashions of the time. The ingenuity with which such contemporary fashion has been adapted to the smaller home makes a fascinating study. All forms of contemporary design are discussed: from the single panel and post partition wall of the late 15th century to the fascinating imitation of Classic and Oriental design in the 18th. The book closes with the Industrial Revolution when printed wall papers were manufactured for the millions and the craftsman was no longer required in the smaller home.

The Adorned Body is the first truly comprehensive book on what the ancient Maya wore, a systematic survey of dress and ornaments, from head to toe and everything in between.

FROM EXCITING AUTHOR OF LGBTQ+ YOUNG ADULT ROMANCE Once Jenna, now Michael...soaked in blood but cleansed by love. I sink my teeth into the pulsating artery. Crimson red blood sprays across the misty fog. Michael is a transgender teenager who is well on his way with his gender transition and finding a life path that better suits him. And as if that weren't enough of a freak-out for the teen, he's been turned into a vampire...a Nosferatu! Luckily, Michael has a group of good friends to help him through his struggles, and who would think that this would be when he'd find love for the first time? But just to keep his already-interesting life in a wee bit more turmoil, a murder leads to a discovery that could change not only his life but the lives of everyone he knows...and loves.

When Adorned in Dreams was first published in 1985, Angela Carter described the book as "the best I have read on the subject, bar none." From haute couture to haberdashery, "deviant" dress to Dior, Elizabeth Wilson traces the social and cultural history of fashion and its complex relationship to modernity. She also discusses fashion's vociferous opponents, from the "dress reform" movement to certain strands of feminism. Wilson delights in the power of fashion to mark out identity or subvert it. This brand new edition of her book follows recent developments to bring the story of fashionable dress up to date, exploring the grunge look inspired by bands like Nirvana, the "boho chic" of the mid 90's, retro-dressing, and the meanings of dress from the veil to soccer player David Beckham's pink-varnished toenails.

Barbara thought she finally had it all. She was living her dream life in paradise, in Chiang Mai, Thailand, when disaster struck without warning. Her beautiful new home, her devoted Thai husband, her exotic lifestyle and all that went with it, were in peril. Pancreatic Cancer! How could this be happening? This true account of Barbara's final journey which is filled with laughter, grief and above all, great love, poses perplexing questions, as Barbara, her sister Rene, her husband and her niece, bound by love and tragedy, seek solace and understanding in the face of learning how to say goodbye.

This book marks the life experiences of one Pastors wife to another as I share my personal story. May it bless your soul and encourage you in your walk with Christ. This life can be most challenging at times therefore, you must know that you are a significant heir and joint heir with Christ, a Royal Priesthood and citizen of a Holy Nation Adorned for Christ himself! May the peace and blessings of God rest upon you! Lady, Helen R. Gill "Thou shalt also be a crown of glory in the hand of the Lord, and a royal diadem in the hand of thy God."(Isaiah 62:3)

These essays are the revised and updated version of four lectures given in the Yarshater Lecture Series, at SOAS in London in 2013. They concern some aspects of the arts from pre-modern Iran and India, namely, the “making of” of Persian illustrated manuscripts, the iconography of Kashan wares, the use and re-use of luster tiles in Ilkhanid Iran, and the glazed tiles made in three Indian sultanates (Delhi, Bengal and Malwa). These four topics share concepts of influence and impact, although inflected on different modes. The productions they embody represent many poles of influence, even if working on different scales, from the extensive diffusion of products, techniques, and systems to almost isolated productions.