Providing a firsthand history of the sport, this book takes a detailed look at all aspects of drag racing: the sport, the business, and tracks the innovations that permitted racers to disprove the "laws of physics". 147 halftones.

Please note this is a Short Discount publication. LANs have gone through stages. Early LANs connected asychronous terminals to minicomputers. With the advent of the IBM PC the focus on technology changed to that of PCs connected to some type of 'file server'. After a number of years, the battle over file servers turned into a battle of network operating systems. With the advent of the client server model, and high performance workstations, one direction the battle has been taking is to develop a high performance server engine. The general strategy in this arena is to attempt to remove bottlenecks in the processing of service requests to the various networks operating. Several consortiums of venture capitalists have poured amounts of money in the range of $20m into developing the ultimate high performance server. With Novell shipping thousands of copies of NetWare 386 per month, this lucrative market is about to undergo intense long term competition. This report describes the general approaches that can be used to develop a high performance server and several of the key products in the area including products from several start up ventures.

This title provides a thorugh overview of the issues high-tech marketers must address, and provides a balance between conceptual discussions and examples; small and big business; products and services; and consumer and business-to-business marketing contexts.

A new concept for understanding the history of the American popular music industry. Blacksound explores the sonic history of blackface minstrelsy and the racial foundations of American musical culture from the early 1800s through the turn of the twentieth century. With this namesake book, Matthew D. Morrison develops the concept of "Blacksound" to uncover how the popular music industry and popular entertainment in general in the United States arose out of slavery and blackface. Blacksound as an idea is not the music or sounds produced by Black Americans but instead the material and fleeting remnants of their sounds and performances that have been co-opted and amalgamated into popular music. Morrison unpacks the relationship between performance, racial identity, and intellectual property to reveal how blackface minstrelsy scripts became absorbed into commercial entertainment through an unequal system of intellectual property and copyright laws. By introducing this foundational new concept in musicology, Blacksound highlights what is politically at stake--for creators and audiences alike--in revisiting the long history of American popular music.