When old friends and enemies suddenly reappear in Ooo, Finn and Jake have to abandon their work building a dungeon and try to save the day, but they might need some help.

Adventure Time and Philosophy is a monster-beating, wild ride of philosophical mayhem. One of the deepest and most thoughtful television shows ever to assault human brain waves, Adventure Time shows us what the world could be like, challenging everything we know about life, meaning, heroism, and even burritos, and it’s time to give the show some serious thought. This book screws open our cranial lids, mucks about in the mess that is our heads, and attempts to come to some answers about the nature of reality. Adventure Time and Philosophy is a chance to put down your broadsword, put your exhausted monster-slaying feet up, and try to figure out why you spend your time rescuing people in distress and fighting for justice. Who better than Finn and Jake to have as companions when taking on Plato, Nietzsche, and Baudrillard or encountering the Slime Princess, the Ice King, and Marceline the Vampire Queen? Filled with chapters written by a colorful cast of characters, Adventure Time and Philosophy enlightens us about the profound and life-affirming spiritual subtext and dark comedic elements of an awesomely fantastic show.

Finn and Jake wander the land of Ooo as bewildered ghosts.

"Originally published in single magazine form as Adventure Time No. 20-24"--Page facing title page.

Collects Star Wars (2015) #73-75, Star Wars: Empire Ascendant (2019) #1. It’s the end of the era of hope! Rebels and rogues take center stage as this volume of Marvel’s STAR WARS comes to a close! Who exactly is Dar Champion, and how far can Leia trust him when Han’s life is on the line? What shocking lesson will Luke learn when Warba finally reveals her true self? When faced with his lost past, can C-3PO seize control of his destiny — and be the hero of his own story? And Chewbacca takes on Darth Vader in vicious hand-to-hand combat! Meanwhile, the Rebellion’s search for a new home — a base safe from the reach of the Empire — leads them to the planet Hoth! Doctor Aphra and Beilert Valance lend a hand as the Rebellion’s fate is set - and the Empire ascends!

"Originally published in single magazine form as Adventure Time No. 30-34"--Page facing title page.

Finn and Jake find themselves in the middle of a secret war when they inadvertently take out Peppermint Butler's secret agent, Candy Bar! There is something amiss with the King of Ooo and the weird bears that he's hanging out with. It's up to Finn and Jake to get to the bottom of the King's dastardly plot! ... If only they weren't being accused of treason in the process.

"Originally published in single magazine form as 'Adventure time' 10-14"--Indicia.

C’mon, grab your friends and head to distant lands in this first-of-its-kind complete collection of award-winning writer Ryan North’s run on the beloved Adventure Time comics! It’s the mathematical and radical adventures of Finn and Jake as they team up with some of Ooo’s most memorable residents to do what they do best—PUNCH THINGS! Er, we mean ADVENTURE! Whether it’s defeating the Lich, inventing time travel, or stopping the flipping robot apocalypse, Finn and Jake—along with Princess Bubblegum, Marceline the Vampire Queen, Ice King, Lumpy Space Princess, BMO, and more—are gonna make it a totally algebraic good time! Discover all these tales and more in the first definitive Adventure Time compendium, collecting the landmark run (issues #1–35) from multiple Eisner Award winner Ryan North (Unbeatable Squirrel Girl) with contributions from acclaimed artists Shelli Paroline & Braden Lamb (Midas), Mike Holmes (Wings of Fire), Jim Rugg (Street Angel), and many more!

This book explores the stupid as it manifests in media—the cinema, television and streamed content, and videogames. The stupid is theorized not as a pejorative term but to address media that “fails” to conform to established narrative conventions, often surfacing at evolutionary moments. The Transformers franchise is often dismissed as being stupid because its stylistic vernacular privileges kinetic qualities over conventional narration. Similarly, the stupid is often present in genre fails like mother!, or in instances of narrative dissonance—joyously in Adventure Time; more controversially in Gone Home— where a story “feels off” It also manifests in “ludonarrative dissonance” when gameplay and narrative seemingly run counter to one another in videogames like Undertale and Bioshock. This book is addressed to those interested in media that is quirky, spectacle-driven, or generally hard to place—stupid!