By the early 1900s, virtually all of the rich plantation land in the Red Hills between Thomasville, Georgia, and Tallahassee, Florida, had been converted to quail-hunting land for the pleasure of Northern owners and their guests. To operate these large specialized plantations, a skilled management and talented and industrious work force was needed. Within these pages are the stories of fifteen African Americans who were closely involved in plantation life in the first half of the century. Explored are the unique relationships between the plantation owners and their employees, and between families black and white. Vintage images depict the various tasks performed by the African Americans on the plantation, as well as the recreational activities they enjoyed. Told in the voices of those who lived and worked on the plantations, this unique collection of oral histories will serve as a valuable educational tool for generations to come.

"Drawing on little-used state and county denominational records, privately held research materials, and sources available only in local repositories, W. J. Megginson brings to life African American society before, during, and after the Civil War. He portrays relationships - variously cordial, patronizing, and harsh - between African Americans and whites; the lives of free people of color; the primal place of sharecropping in the post-Civil War world; and the push for education and ownership of property as the only means of overcoming economic dependency."--BOOK JACKET.

Jerrilyn McGregory explores sacred music and spiritual activism in a little-known region of the South, the Wiregrass Country of Georgia, Alabama, and North Florida. She examines African American sacred music outside of Sunday church-related activities, showing that singing conventions and anniversary programs fortify spiritual as well as social needs. In this region African Americans maintain a social world of their own creation. Their cultural performances embrace some of the most pervasive forms of African American sacred music—spirituals, common meter, Sacred Harp, shape-note, traditional, and contemporary gospel. Moreover, the contexts in which they sing include present-day observations such as the Twentieth of May (Emancipation Day), Burial League Turnouts, and Fifth Sunday. Rather than tracing the evolution of African American sacred music, this ethnographic study focuses on contemporary cultural performances, almost all by women, which embrace all forms. These women promote a female-centered theology to ensure the survival of their communities and personal networks. They function in leadership roles that withstand the test of time. Their spiritual activism presents itself as a way of life. In Wiregrass Country, “You don't have to sing like an angel” is a frequently expressed sentiment. To these women, “good” music is God's music regardless of the manner delivered. Therefore, Downhome Gospel presents gospel music as being more than a transcendent sound. It is local spiritual activism that is writ large. Gospel means joy, hope, expectation, and the good news that makes the soul glad.

Under the guidance of Leslie Heaphy and an editorial board of leading historians, this peer-reviewed, annual book series offers new, authoritative research on all subjects related to black baseball, including the Negro major and minor leagues, teams, and players; pre-Negro League organization and play; barnstorming; segregation and integration; class, gender, and ethnicity; the business of black baseball; and the arts.

Giltner's thorough research using slave narratives, sportsmen's recollections, records of fish and game clubs, and sporting periodicals offers a unique perspective on the African-American struggle for independence from the end of the Civil War to the 1920s.

Leisure, Plantations, and the Making of New South investigates the social, architectural, and environmental history of sporting plantations in the South Carolina lowcountry and the Red Hills region of southeast Georgia and northern Florida. Although plantations figure prominently in histories of the post-emancipation South, historians have paid little attention to the redevelopment of plantations for non-agricultural use. By examining the two largest concentrations of sporting plantations on the south Atlantic coast, this collection explores questions about historical memory of slavery, race relations, material culture, and the environment during the first half of the twentieth century.

This work examines patterns of everyday life in the colonial South from European contact to 1770, documenting how they evolved over time and differences across lines of geography, nationality, ethnicity, religion, race, gender, and class. This work provides the first synthesis of daily life in the colonial South from the time of European arrival to 1770—a period that is often overlooked or treated briefly in most surveys on the history of the South. Daily Life in the Colonial South describes how a diverse mix of people created new patterns of living, behaving, and believing across diverse and changing physical, demographic, economic, and social environments by adapting inherited cultures in new settings. The book emphasizes the everyday experiences of ordinary people from the Chesapeake Bay to the Lower Mississippi River, examining aspects of daily life such as work, families, possessions, food, leisure, bodies, and beliefs. It presents balanced coverage of English, French, Spanish, and Native American settlements, describing the lives of both men and women, and making use of quotes from historical documents. An introductory chapter profiles the colonial South at six periods set 50 years apart between 1500 and 1750, while the conclusion discusses colonial southern identities on the eve of the American Revolution.

Selected as an Outstanding Academic Title by Choice Selected as an Outstanding Reference Source by the Reference and User Services Association of the American Library Association There are many anthologies of southern literature, but this is the first companion. Neither a survey of masterpieces nor a biographical sourcebook, The Companion to Southern Literature treats every conceivable topic found in southern writing from the pre-Columbian era to the present, referencing specific works of all periods and genres. Top scholars in their fields offer original definitions and examples of the concepts they know best, identifying the themes, burning issues, historical personalities, beloved icons, and common or uncommon stereotypes that have shaped the most significant regional literature in memory. Read the copious offerings straight through in alphabetical order (Ancestor Worship, Blue-Collar Literature, Caves) or skip randomly at whim (Guilt, The Grotesque, William Jefferson Clinton). Whatever approach you take, The Companion’s authority, scope, and variety in tone and interpretation will prove a boon and a delight. Explored here are literary embodiments of the Old South, New South, Solid South, Savage South, Lazy South, and “Sahara of the Bozart.” As up-to-date as grit lit, K Mart fiction, and postmodernism, and as old-fashioned as Puritanism, mules, and the tall tale, these five hundred entries span a reach from Lady to Lesbian Literature. The volume includes an overview of every southern state’s belletristic heritage while making it clear that the southern mind extends beyond geographical boundaries to form an essential component of the American psyche. The South’s lavishly rich literature provides the best means of understanding the region’s deepest nature, and The Companion to Southern Literature will be an invaluable tool for those who take on that exciting challenge. Description of Contents 500 lively, succinct articles on topics ranging from Abolition to Yoknapatawpha 250 contributors, including scholars, writers, and poets 2 tables of contents — alphabetical and subject — and a complete index A separate bibliography for most entries

This book brings a variety of fresh perspectives to bear on the diverse people and settlements of the eighteenth- and early-nineteenth-century southern backcountry. Reflecting the growth of interdisciplinary studies in addressing the backcountry, the volume specifically points to the use of history, archaeology, geography, and material culture studies in examining communities on the southern frontier. Through a series of case studies and overviews, the contributors use cross-disciplinary analysis to look at community formation and maintenance in the backcountry areas of Virginia, North Carolina, South Carolina, and Tennessee. These essays demonstrate how various combinations of research strategies, conceptual frameworks, and data can afford a new look at a geographical area and its settlement. The contributors offer views on the evolution of backcountry communities by addressing such topics as migration, kinship, public institutions, transportation and communications networks, land markets and real estate claims, and the role of agricultural development in the emergence of a regional economy. In their discussions of individuals in the backcountry, they also explore the multiracial and multiethnic character of southern frontier society. Yielding new insights unlikely to emerge under a single disciplinary analysis, The Southern Colonial Backcountry is a unique volume that highlights the need for interdisciplinary approaches to the backcountry while identifying common research problems in the field. The Editors: David Colin Crass is the archaeological services unit manager at the Historic Preservation Division, Georgia Department of Natural Resources. Steven D. Smith is the head of the Cultural Resources Consulting Division of the South Carolina Institute of Archaeology and Antrhopology. Martha A. Zierden is curator of historical archaeology at The Charleston Museum. Richard D. Brooks is the administrative manager of the Savannah River Archeological Research Program, South Carolina Institute of Archaeology and Antrhopology. The Contributors: Monica L. Beck, Edward Cashin, Charles H. Faulkner, Elizabeth Arnett Fields, Warren R. Hofstra, David C. Hsiung, Kenneth E. Lewis, Donald W. Linebaugh, Turk McCleskey, Robert D. Mitchell, Michael J. Puglisi, Daniel B. Thorp.