Africa's traditional beliefs - including ancestor worship, divination and witchcraft - continue to dominate its spiritual influences. Readers in search of a better understanding of the continent will be enriched by this book's timely exploration of sub-Saharan Africa's natural philosophy. The author's meticulous research reveals that, whereas technology-driven Western societies prefer to rely largely on logical explanations, many Africans continue to obey their intuition - trusting in images, dreams and divination to rationalise misfortune and illness. African Magic explains why so many Africans understand the relationship between people and unfortunate events not through the Western concept of chance in the case of accidents, or germ theory in the case of illness, but through belief in witchcraft. The book records a collection of true stories which illustrate this traditional belief system. Included are the famous Malawian diviner whose prophecies were considered so accurate that people flocked from neighbouring countries to consult him; a group of Western-trained Mozambican psychologists who successfully refined cross-cultural therapy by working with traditional healers to combat post-traumatic stress syndrome among child soldiers; Ghanaian and Zimbabwean 'witches' living in a nightmare world where popular belief becomes their reality; and a Zambian archbishop whose attempt to embrace traditional African beliefs provoked serious conflict within his Christian church.

Black Magic looks at the origins, meaning, and uses of Conjure—the African American tradition of healing and harming that evolved from African, European, and American elements—from the slavery period to well into the twentieth century. Illuminating a world that is dimly understood by both scholars and the general public, Yvonne P. Chireau describes Conjure and other related traditions, such as Hoodoo and Rootworking, in a beautifully written, richly detailed history that presents the voices and experiences of African Americans and shows how magic has informed their culture. Focusing on the relationship between Conjure and Christianity, Chireau shows how these seemingly contradictory traditions have worked together in a complex and complementary fashion to provide spiritual empowerment for African Americans, both slave and free, living in white America. As she explores the role of Conjure for African Americans and looks at the transformations of Conjure over time, Chireau also rewrites the dichotomy between magic and religion. With its groundbreaking analysis of an often misunderstood tradition, this book adds an important perspective to our understanding of the myriad dimensions of human spirituality.

You were born to be the best of you; otherwise, you wouldn't have been born at all. Your Creator has more important things to do than creating wasted humans that will fail Him in accomplishing the best He had set for them and had prepared for them even before the foundation of the world. To now see that in today's world only less than 10 percent of us actually attain the best of us not only saddens me, but it creates in me a heavy burden and an agonizing pain far beyond the one that any word can describe. I am a work in progress myself. I have messed up so much and failed so many times that I have even stopped counting. This book narrates all the areas of my life where I have failed and what I would have done differently to bring out the best of me. This book gives you all the practical ways of becoming the best of you. It is a ten-volume series designed and written to help you become the best, and nothing but the best.

Jack the Ripper is a gothic tale of Victorian conspiracies, the supernatural, secret societies and the police. Scotland Yard hunted a serial killer shrouded in politics as the mutilator of East End prostitutes. This book uses historic sources and rare official reports to reveal dark and supernatural aspects of the Ripper case.

• Explains how Kimbanda’s presiding deity Eshu embodies both masculine and feminine principles, both god and devil, and thus represents human nature itself with all its vices and virtues • Discusses Kimbanda’s magical practices, initiation rites, sacred knives, and sacrificial offerings • Details the seven realms and the entities that inhabit and govern each of them Although it has been demonized as a form of Satanic cult, Kimbanda--the tradition of Afro-Brazilian black magic--is a spiritual practice that embraces both the light and dark aspects of life through worship of the entities known as Eshu and Pombajira. Exploring the history and practice of Kimbanda, also known as Quimbanda, Diego de Oxóssi builds a timeline from the emergence of Afro-Brazilian religions in the 17th century when African slaves were first brought to Brazil, through the development of Orisha cults and the formation of Candomblé, Batuque, Macumba, and Umbanda religious practices, to the modern codification of Kimbanda by Mãe Ieda do Ogum in the 1960s. He explains how Kimbanda’s presiding deity Eshu Mayoral embodies both masculine and feminine principles, both god and devil, and thus represents human nature itself with all its vices and virtues. Discussing the magical practices, initiation rites, and spiritual landscape of Kimbanda, the author explains how there are seven realms, each with nine dominions, and he discusses the entities that inhabit and govern each of them. The author explores spirit possession and Kimbanda’s sacrificial practices, which are performed in order to honor and obtain the blessing of the entities of the seven realms. He discusses the sacred knives of the practice and the role each plays in it. He also explores the 16 zimba symbols and sigils used to attract the spirits most apt to realizing the magician’s will as well as traditional enchantment songs to summon and work with those spirits. Offering an accessible guide to Kimbanda, the author shows that this religion of the people is popular because it recognizes the dark and light sides of human morality and provides a way to interact with the deities to produce direct results. DIEGO DE OXÓSSI is a Chief of Kimbanda and Orishas Priest. For more than 20 years he has been researching and presenting courses, lectures, and workshops on pagan and African-Brazilian religions. He writes a weekly column at CoreSpirit.com and is the publisher at Arole Cultural. He lives in São Paulo, Brazil.

Monteiro.--John A. Coleman "Theological Studies"

Explores the many manifestations of African religious belief and their expressions, in the past and in the present, as well as the hopes for the future.

Focusing on the three leading religious traditions in Africa (African Traditional Religion, Islam, and Christianity), this book shows how belief in the supremacy of sacred words compels actions and influences practices in contemporary Africa. "Sacred words” are taken to mean holy texts as in divination, the Quran and the Bible. Toyin Falola evaluates how religious leaders engage with sacred words, both orals and texts, engendering practices that reveal the expression of religious beliefs, the impact of those beliefs, and the knowledge contained in them. Attention is given to the key ideas in the words chosen by religious leaders, and how they form a continuous knowledge system, impacting the politics of managing society and people.

During the final years of the apartheid era and the subsequent transition to democracy, South African literary writing caught the world's attention as never before. Writers responded to the changing political situation and its daily impact on the country's inhabitants with works that recorded or satirised state-enforced racism, explored the possibilities of resistance and rebuilding, and creatively addressed the vexed question of literature's relation to politics and ethics. Writing South Africa offers a window on the literary activity of this extraordinary period that conveys its range (going well beyond a handful of world-renowned names) and its significance for anyone interested in the impact of decolonisation and democratisation on the cultural sphere. It brings together for the first time discussions by some of the most distinguished South African novelists, poets, and dramatists, with those of leading commentators based in South Africa, Britain and North America.

The Palgrave Handbook of African Traditional Religion interrogates and presents robust and comprehensive contributions from interdisciplinary experts and scholars. Offering a range of perspectives and opinions through the prism of understanding the past about African Traditional religions and, more importantly, capturing their dynamics in the present and projecting their sustainability and relevance for the future, this volume is an essential resource for knowledge and understanding of African Traditional religions in the global space of religious traditions.