"After Poststructuralism is an accessible account of the past and present fortunes of theory, suitable for anyone researching, teaching or studying in the field. However, it offers much more than this, by tracing the real contribution of poststructuralist thought to core philosophical and critical issues. Most importantly, Colin Davis's study offers a way forward for the humanities - a way forward in which theory will play a crucial part."--BOOK JACKET.

The end of the Cold War revitalised continental philosophy and, more particularly, interest in it from outside philosophy. "After Poststructuralism: Transitions and Transformations" analyses the main developments in continental philosophy between 1980-1995, a time of great upheaval and profound social change. The volume ranges across the birth of postmodernism, the differing traditions of France, Germany and Italy, third generation critical theory, radical democracy, postcolonial philosophy, the turn to ethics, feminist philosophies, the increasing engagement with religion, and the rise of performativity and post-analytic philosophy. Analyses of the major figures are integrated within the discussion. After Poststructuralism reveals how continental philosophy - fuelled by an intense ethical and political desire to reflect changing social and political conditions - responded to the changing world and to the key issues of the time, notably globalisation, technology and ethnicity.

The present era of economic devastation, legacies of colonization and imperialism, climate change and habitat loss, calls for a new understanding of ethics. These essays on otherness, responsibility and hospitality raise urgent questions. Contributors range from the prominent--including Levinas, Michel Foucault, Jacques Derrida and Giorgio Agamben--to recent theorists such as Judith Butler, Enrique Dussell and Rosi Braidotti. The essays emphasize the always vulnerable status of a radically different Other, even as they question what responsibility to that Other might mean.

What would political thought look like without the foundation of ethics? Drawing on the work of Emmanuel Levinas, Jacques Derrida and Jean-Luc Nancy, Madeleine Fagan puts forward a radical and far-reaching refusal of foundational ethics. Instead, she proposes an account of the inseparability of ethics and politics. The 'ethical' should not be understood as a label; it does not mean 'good' or 'right', it is not an evaluation or guide. Rather, both the ethical and the political are descriptions of the context in which we find ourselves. The book highlights the necessity of a practice-based rethinking of the relationship between ethics and politics and so denaturalises a series of commonplaces about poststructuralist ethics.

This book articulates the key theoretical assumptions of poststructuralism, but also probes its limits, evaluates rival approaches and elaborates new concepts. Building on the work of Derrida, Foucault, Heidegger, Lacan, Laclau, Lévi–Strauss, Marx, Saussure and Žižek, the book also provides a distinctive version of the poststructuralist project.

After Poststructuralism: Interdisciplinary and Literary Theory challenges the premises of and suggests new alternatives to the more extreme approaches in current literary theory. The essays collected here examine the trend of "theorizing" in interdisciplinary studies from the perspective of more rigorous research methodologies, with the aim of establishing the validity of interdisciplinary literary studies and broadening the field of inquiry. The collection is divided into three groups. The first examines the question of what "interdisciplinarity" has meant in literary studies in the last twenty years, the reasons for its ascension as a trend, and the inherent theoretical flaws in certain poststructuralist positions. The second explores the relationship of theory and practice, while the third group looks ahead to the rich possibilities for thinking and working in practical new directions.

Ideology was proposed by Count de Tracy in 1796 as "a unified science of ideas" and has lived on as a theoretical concept among many social and political theorists, but has spurred the opprobrium of poststructuralist theorists. Malesevi'c (political science and sociology, NUI, UK) and MacKenzie (politics, Queen's U. of Belfast, Northern Ireland) present eight contributions from equal numbers of poststructural and ideology theorists. Efforts are made to critique ideology theory from a poststruc tural standpoint without a blanket rejection of the theory. Other chapters attempt to integrate some poststructural criticisms in order to maintain ideology theory as a relevant analytical concept. Distributed by Stylus. Annotation copyrighted by Book News, Inc., Portland, OR

In this important new book, Diana Coole shows how existential phenomenology illuminates and enlivens our understanding of politics. Merleau-Ponty’s focus on embodied experience allows us to approach political life in a manner that is both critical and engaged. With breadth of vision and penetrating insight, Coole demonstrates that political questions were always central to Merleau-Ponty’s philosophical project. Her examination of his complete body of work presents us with a rigorous philosophy that maintains our capacities for agency despite moving beyond a philosophy of the subject. Merleau-Ponty and Modern Politics after Anti-humanism is the first major work on Merleau-Ponty’s political philosophy in over two decades. Coole presents his later philosophy of flesh as the outline for a new understanding of the political, which forms the basis for reconsidering humanism after, but also through, anti-humanism. She also shows how Merleau-Ponty’s concern with contingency anticipated arguments by thinkers such as Derrida, Foucault and Deleuze, while sustaining a robust sense of politics as the domain of collective life. The result is a philosophical analysis that speaks to our contemporary concerns in which we seek a coherent account of our actions, our environment and ourselves, such that we might become exemplary political actors within a complex and uncertain world.

In the final stages of his career, Roland Barthes abandoned his long-standing suspicion of photographic representation to write Camera Lucida, at once an elegy to his dead mother and a treatise on photography. In Writing the Image After Roland Barthes, Jean-Michel Rabaté and nineteen contributors examine the import of Barthes's shifting positions on photography and visual representation and the impact of his work on current developments in cultural studies and theories of the media and popular culture.