A collection of essays in which every contributor focuses upon some aspect of slave emancipation with the aim of assessing to what extent the outcome met with expectation. The hopes and disappointments that characterized the transition from slavery to freedom are depicted.

In this fascinating title, readers will learn all about life for African Americans in the United States after the abolition of slavery. The stunning photos and images work in conjunction with the engaging facts and sidebars to create a captivating reading experience for children as they discover the great impact that African American contributions to art, music, and literature made on the world we know today as well as important issues like discrimination, segregation, racism, and civil rights. Through the supportive text and accessible glossary and index, readers will be able to navigate their way through the book and better understand the content.

With the abolition of the slave trade in 1807 and the Emancipation Act of 1833, Britain seemed to wash its hands of slavery. Not so, according to Marika Sherwood, who sets the record straight in this provocative new book. In fact, Sherwood demonstrates that Britain continued to contribute to the slave trade well after 1807, even into the twentieth century. Drawing on government documents and contemporary reports as well as published sources, she describes how slavery remained very much a part of British investment, commerce and empire, especially in funding and supplying goods for the trade in slaves and in the use of slave-grown produce. The nancial world of the City in London also depended on slavery, which - directly and indirectly - provided employment for millions of people. "After Abolition" also examines some of the causes and repercussions of continued British involvement in slavery and describes many of the apparently respectable villains, as well as the heroes, connected with the trade - at all levels of society. It contains important revelations about a darker side of British history, previously unexplored, which will provoke real questions about Britain's perceptions of its past

Narrative Innovation and Cultural Rewriting undertakes a systematic study of postmodernism's responses to the polarized ideologies of the postwar period that have held cultures hostage to a confrontation between rival ideologies abroad and a clash between champions of uniformity and disruptive others at home. Considering a broad range of narrative projects and approaches (from polysystemic fiction to surfiction, postmodern feminism, and multicultural/postcolonial fiction), this book highlights their solutions to ontological division (real vs. imaginary, wordly and other-worldly), sociocultural oppositions (of race, class, gender) and narratological dualities (imitation vs. invention, realism vs. formalism). A thorough rereading of the best experimental work published in the US since the mid-1960s reveals the fact that innovative fiction has been from the beginning concerned with redefining the relationship between history and fiction, narrative and cultural articulation. Stepping back from traditional polarizations, innovative novelists have tried to envision an alternative history of irreducible particularities, excluded middles, and creative intercrossings.

In this bold book, Samuel Cohen asserts the literary and historical importance of the period between the fall of the Berlin wall and that of the Twin Towers in New York. With refreshing clarity, he examines six 1990s novels and two post-9/11 novels that explore the impact of the end of the Cold War: Pynchon's Mason & Dixon, Roth's American Pastoral, Morrison's Paradise, O'Brien's In the Lake of the Woods, Didion's The Last Thing He Wanted, Eugenides's Middlesex, Lethem's Fortress of Solitude, and DeLillo's Underworld. Cohen emphasizes how these works reconnect the past to a present that is ironically keen on denying that connection. Exploring the ways ideas about paradise and pastoral, difference and exclusion, innocence and righteousness, triumph and trauma deform the stories Americans tell themselves about their nation’s past, After the End of History challenges us to reconsider these works in a new light, offering fresh, insightful readings of what are destined to be classic works of literature. At the same time, Cohen enters into the theoretical discussion about postmodern historical understanding. Throwing his hat in the ring with force and style, he confronts not only Francis Fukuyama’s triumphalist response to the fall of the Soviet Union but also the other literary and political “end of history” claims put forth by such theorists as Fredric Jameson and Walter Benn Michaels. In a straightforward, affecting style, After the End of History offers us a new vision for the capabilities and confines of contemporary fiction.

For almost four thousand years, men and women with power have exploited vulnerable populations for cheap or free labor. These slaves, serfs, helots, tenants, peons, bonded or forced laborers, etc., built pyramids and temples, dug canals and mined the earth for precious metals and gemstones. They built the palaces and mansions in which the powerful lived, grown the food they ate, spun the cloth that clothed them. This second edition of Historical Dictionary of Slavery and Abolition relates the long and brutal history of slavery and the struggle for abolition using several key features: Chronology Introductory essay Appendixes Extensive bibliography Over 500 cross-referenced entries on forms of slavery, famous slaves and abolitionists, sources of slaves, and current conditions of modern slavery around the world This book is an excellent access point for students, researchers, and anyone wanting to know more about slavery and abolition.

In this examination of the practical and ethical implications of slave redemption the authors deal with questions such as: Does redeeming slaves actually increase the demand for -and so the number of- slaves? And what about cases where it is far from clear that redemption will improve the material condition or increase the real freedom, of a slave?

As technology makes the world more accessible, it is increasingly important to develop a wide perspective on social issues as well as political, environmental, and health issues of global significance. This book provides a truly global perspective on the topic of slavery. Primary sources, including speeches and government documents, join essays from international sources to offer a truly panoramic view. Readers will examine the legacy of slavery, what it is like in modern times, the global problem of sex slavery, and the unfortunate but very real existence of child slavery. Essay sources include the U.S. Department of State and the Integrated Regional Information Network. Essayists include Deep Kisor Datta-Ray, Norimitsu Onishi, Barbara Gunnell, Rosemary Regello, and C. Nana Derby.

First published in 1990. This collection of essays examines the position of immigrants and minorities in Caribbean creóle society which, as M.G. Smith and Edward Brathwaite have pointed out, originated from the interaction between Europeans and Africans in the New World context during the period of slavery.

Challenging the traditional interpretation that the years between Reconstruction and World War I were a period when Blacks made only marginal advances in religion, politics, and social life, John Giggie contends that these years marked a critical turning point in the religious history of Southern Blacks.