Imagine sitting with an esteemed writer on his or her front porch somewhere in the world and swapping life stories. Dr. Wayne Flynt got the opportunity to do just this with Nelle Harper Lee. In a friendship that blossomed over a dozen years starting when Lee relocated back to Alabama after having had a stroke, Flynt and his wife Dartie became regular visitors at the assisted living facility that was Lee’s new home. And there the conversation began. It began where it always begins with Southern storytellers, with an invitation to “Come in, sit down, and stay a while." The stories exchanged ranged widely over the topics of Alabama history, Alabama folklore, family genealogy, and American literature, of course. On the way from beginning to end there were many detours: talks about Huntingdon College; The University of Alabama; New York City; the United Kingdom; Garden City, Kansas; and Mobile, Alabama, to name just a few. Wayne and his wife were often joined by Alice Lee, the oldest Lee sister, a living encyclopedia on the subject of family genealogy, and middle sister Louise Lee Conner. The hours spent visiting, in intimate closeness, are still cherished by Wayne Flynt. They yielded revelations large and small, which have been shaped into Afternoons with Harper Lee. Part memoir, part biography, this book offers a unique window into the life and mind and preoccupations of one of America’s best-loved writers. Flynt and Harper Lee and her sisters learned a great deal from each other, and though this is not a history book, their shared interest in Alabama and its history made this extraordinary work possible.

Hoffman recounts his personal visits with writer Mary Ward Brown in her library in Hamburg, with photographer William Christenberry in a field in Newbern, and with storyteller Kathryn Tucker Windham and folk artist Charlie ?Tin Man? Lucas at their neighboring houses in Selma. Also highlighted are the lives of numerous alumni of The University of Alabama?among them Mel Allen, the ?Voice of the Yankees? from 1939 to 1964; Forrest Gump author Winston Groom; and Vivian Malone and James Hood, the two students who entered the schoolhouse door in 1963. Hoffman profiles distinguished Auburn University alumni as well, including Eugene Sledge, renowned World War II veteran and memorist, and Neil Davis, the outspoken, nationally visible editor of the Lee County Bulletin.

This book takes the reader where only brave souls dare to compete--the world of bullfighting. Matadors risk serious injury or death to compete in their art, one that has been a part of Spanish and Latin American culture for centuries. Beginning with an introduction to bullfighting as it relates to American culture (not overlooking the negative views it often attracts), the book profiles 21 American matadors in detail, including women bullfighters, and novilleros (beginners). Chapters within each section are devoted to individual bullfighters. A major feature of this work are the numerous action photographs, many of which were taken by the author himself and impressively portray the flair, skill, emotion, and faces of bullfighting.

An extensively revised and updated edition of the bestselling biography of Harper Lee, reframed from the perspective of the recent publication of Lee's Go Set a Watchman To Kill a Mockingbird—the twentieth century's most widely read American novel—has sold thirty million copies and still sells a million yearly. In this in-depth biography, first published in 2006, Charles J. Shields brings to life the woman who gave us two of American literature's most unforgettable characters, Atticus Finch and his daughter, Scout. Years after its initial publication—with revisions throughout the book and a new epilogue—Shields finishes the story of Harper Lee's life, up to its end. There's her former agent getting her to transfer the copyright for To Kill a Mockingbird to him, the death of Lee's dear sister Alice, a fuller portrait of Lee’s editor, Tay Hohoff, and—most vitally—the release of Lee's long-buried first novel and the ensuing public devouring of what has truly become the book of the year, if not the decade: Lee's Go Set a Watchman.

‘You come away from Murphy’s book with a renewed amazement at what Lee was able to achieve with a single perfect novel’ Entertainment Weekly First published in 1960, To Kill a Mockingbird is not only a beloved classic, but also a touchstone in literary and social history. This book commemorates more than half a century of To Kill a Mockingbird, and explores how it has left its indelible mark. Contributions come from Oprah Winfrey, James Patterson, Adriana Trigiani, Scott Turow, Richard Russo, Anna Quidlen and Wally Lamb among others, and they reflect upon what the book means to them, and how it has affected their lives and careers.

New, carefully focused essays providing a thorough examination of Hemingway's groundbreaking non-fictional work. Published in 1932, Death in the Afternoon reveals its author at the height of his intellectual and stylistic powers. By that time, Hemingway had already won critical and popular acclaim for his short stories and novels of the late twenties. A mature and self-confident artist, he now risked his career by switching from fiction to nonfiction, from American characters to Spanish bullfighters, from exotic and romantic settings to the tough world of theSpanish bullring, a world that might seem frightening and even repellant to those who do not understand it. Hemingway's nonfiction has been denied the attention that his novels and short stories have enjoyed, a state of affairs this Companion seeks to remedy, breaking new ground by applying theoretical and critical approaches to a work of nonfiction. It does so in original essays that offer a thorough, balanced examination of a complex, boundary-breaking, and hitherto neglected text. The volume is broken into sections dealing with: the composition, reception, and sources of Death in the Afternoon; cultural translation, cultural criticism, semiotics, and paratextual matters; and the issues of art, authorship, audience, and the literary legacy of Death in the Afternoon. The contributors to the volume, four men and seven women, lay to rest the stereotype of Hemingway as a macho writer whom women do not read; and their nationalities (British, Spanish, American, and Israeli) indicate that Death in the Afternoon, even as it focuses on a particular national art, discusses matters of universal concern. Contributors: Miriam B. Mandel, Robert W. Trogdon, Lisa Tyler, Linda Wagner-Martin, Peter Messent, Beatriz Penas Ibáñez, Anthony Brand, Nancy Bredendick, Hilary Justice, Amy Vondrak, and Keneth Kinnamon. MiriamB. Mandel teaches in the English Department of Tel Aviv University.

sequel to Teds memoir of growing up in Botcherby, boyhood to manhood, good and bad, happy and sad. life is here in all its forms, tall tales, home truths, you name it, its all in there.

An in-depth analysis of Harper Lee, his writings, and the historical time period in which they were written.

Marriages between Americans and Mexican society women and membership in such organizations as Masonic brotherhoods brought the foreigners into the most important social circles.".

Dramatization of the story about the explosion of racial hate in an Alabama town as viewed by a little girl whose father defends a black man accused of rape.