Age is a missing category in Irish literary criticism and this book is the first to explore a range of familiar and not so familiar Irish texts through a gerontological lens. Drawing on the latest writing in humanistic, critical and cultural gerontology, this study examines the portrayal of ageing in fiction by Elizabeth Bowen, Molly Keane, Deirdre Madden, Anne Enright, Iris Murdoch, John Banville, John McGahern, Norah Hoult and Edna O’Brien, among others. The chapters follow a logical thematic progression from efforts to hold back time, to resisting the decline narrative of ageing, solitary ageing versus ageing in the community, and dementia and the world of the bedbound and dying. One chapter analyses the changing portrayal of older people in the Irish short story. Recent demographic shifts in Ireland have focused attention on an increasing ageing population, making this study a timely intervention in the field of literary gerontology.

This book engages with ageing masculinities in Irish literature and visual culture, including fiction, drama, poetry, painting, and documentary. Exploring the shifting representations of older men from the early twentieth century to the present, the contributors analyse how a broad range of literary and visual texts construct, reinscribe, or challenge perceptions of older age. In doing so, they trace a shift from depictions of authority figures - often symbolising patriarchal dominance and oppression - to more nuanced, complex, and heterogeneous explorations of older men’s embodied subjectivities and vulnerabilities. Exploring artists and writers such as Seán Keating, J.M. Synge, Teresa Deevy, Marina Carr, Seamus Heaney, Paul Muldoon, Derek Mahon, Kate O’Brien, John Banville, Colm Tóibín, Bernard MacLaverty, Mike McCormack, Anne Griffin, and Claire Keegan, the chapters in this book attend to the symbolic as well as social significance of older men in Irish cultural expression.

This text is a comprehensive study of fiction written by Irish authors during the Victorian age. James Murphy analyses the development of the novel in Ireland and examines the work of authors including William Carleton, Charles Lever, Somerville and Ross, and Bram Stoker in the social and literary contexts of their times.

This timely collection engages with representations of women and ageing in literature and visual culture. Acknowledging that cultural conceptions of ageing are constructed and challenged across a variety of media and genres, the editors bring together experts in literature and visual culture to foster a dialogue across disciplines. Exploring the process of ageing in its cultural reflections, refractions and reimaginings, the contributors to Ageing Women in Literature and Visual Culture analyse how artists, writers, directors and performers challenge, and in some cases reaffirm, cultural constructions of ageing women, as well as give voice to ageing women’s subjectivities. The book concludes with an afterword by Germaine Greer which suggests possible avenues for future research.

Since 1900, the average life expectancy in the developed world has almost doubled, from 45 to 80. "We are almost a new species," declared the English writer V.S. Pritchett, while pointing out that this means "most of us have to face the prospect of a long old age before we die." Pritchett is one of five great writers--along with Stanley Kunitz, Doris Lessing, Mavis Gallant and Russell Baker--whose novels, short stories, poems and essays about old age, written in old age, are examined in this book. Born between 1900 (Pritchett) and 1925 (Baker), these writers are members of the first generation of the 20th century, and of the first generation of writers able to write about old age from experience. In their later works we read about growing old as reported by the old, not as imagined by the young and middle-aged. They wrote about old age not as a discrete stage of life, but as a continuation--another context in which to pursue the themes of their earlier poems, novels, stories and essays. And those who had written about love--a central theme of fiction and poetry--now wrote about love in old age.

Was Whitby in Yorkshire the home of the earliest English woman writer? Did Roman Britain see Christians martyred at Leicester? Was St Patrick born in Somerset, not far from Bath? How in the age of Arthur did a saint rid Cornwall of a troublesome dragon? How were a Dark-Age Scottish queen and her lover saved from ignominy by a ring, miraculously found in the belly of a fish? These and other questions are answered in this book. Breaking spectacular new ground on Christianity in early Britain and beyond, it will be essential reading for both historians and the general reader concerned with writing by women, as its demonstration of an eighth-century life of Pope Gregory as the work of an unidentified nun underlines the perennial difficulties of female writers in a world dominated by men.

The second edition of Steven Ellis's formidable work represents not only a survey, but also a critique of traditional perspectives on the making of modern Ireland. It explores Ireland both as a frontier society divided between English and Gaelic worlds, and also as a problem of government within the wider Tudor state. This edition includes two major new chapters: the first extending the coverage back a generation, to assess the impact on English Ireland of the crisis of lordship that accompanied the Lancastrian collapse in France and England; and the second greatly extending the material on the Gaelic response to Tudor expansion.

¿Se puede llegar a concebir el envejecimiento como un proceso diferencial según el género? Aspectos analizados en diferentes narraciones sobre el envejecimiento femenino demuestran que así es. Miradas al espejo, revisiones de vida y la expresión de la sexualidad son rasgos distintivos del proceso vital femenino. En este libro se revelan los sentimientos, las preocupaciones, las prioridades y las aspiraciones que moldean las distintas fases de las vidas de las mujeres.

Across more than 30 chapters spanning migration, queerness, and climate change, this handbook captures how the interdisciplinary and intersectional endeavor of Age(ing) studies has shaped contemporary literary and film studies. In the early 21st century, the literary study of age and ageing in its cultural context has 'come of age': it has come to supplement and challenge a public discourse on ageing seen mainly as a political and demographic 'problem' in many countries of the world. Following a tripartite structure, it looks first at literary and film genres and how they have been shaped by knowledge about age and ageing, incorporating both narrative genres as well as poetry, drama and imagery. The second section includes chapters on key themes and concepts in Age(ing) Studies with examples from film and literature. The third section brings together case studies focussing on individual artists, national traditions and global ageing. Containing original contributions by pioneers in the field as well as new scholars from across the globe, it brings together current scholarship on ageing in literary and film studies, and offers new directions and perspectives.

The Seventh Age of Man: Issues, Challenges, and Paradoxes is a collection of academic essays on Old Age. The contributors come from a wide range of fields of expertise, which accounts for the originality of the book. Depending on their respective disciplines, the authors resort to various methodological approaches, from sociological case studies to discourse analysis, and from historical and political theories to media criticism, but they often address similar questions – when are people to be considered as old, what does it mean to be old, how do we deal with ageing – and reach similar conclusions about the paradoxical representations of the elderly, whether in Renaissance Europe or in contemporary China. Although men and women are sometimes treated differently, in most societies, the older generation is alternately perceived as a threat and a burden, or as financial and moral support. If they are often criticized or ridiculed, especially when they try to retain their youthful looks long after their prime, the elderly also trigger a feeling of nostalgia as representatives of a past usually seen as more desirable than the present. Their resilience and independence are regularly emphasized, as well as their wisdom, as a result of their long experience, which helps them to contemplate their ends more serenely and which might turn them into models for their contemporaries.