This issue features THE BLUE DEMON by Lowell Howard Morrow, THE FLIGHT OF THE EASTERN STAR by Ed Earl Repp, THE PHANTOM OF GALON by J. W. Ruff, FREEDOM OF THE SKIES by Edsel Newton, FLANNELCAKE'S INVENTION by H. McKay, and CITIES IN THE AIR (Part 2) by Edmond Hamilton.

After losing control of Amazing Stories, Hugo Gernsback began AIR WONDER STORIES in 1929. Stories in this issue are: THE SILENT DESTROYER by Henrik Dahl Juve, BEYOND GRAVITY by Ed Earl Repp, THE ARK OF THE COVENANT (Part 2) by Victor MacClure, and THE PLANET'S AIR MASTER by Edward E. Chappelow.

Contents: CITIES IN THE AIR (Part I) by Edmond Hamilton, WHEN SPACE RIPPED OPEN by Ralph W. Wilkins, SUITCASE AIRPLANES by E. D. Skinner, BEYOND THE AURORA by Ed Earl Repp, THE SECOND SHELL by Jack Williamson, and THE CRYSTAL RAY by Raymond Gallun.

This third issue of Phenomenal Stories features the conclusion of the three-part cyberpunk short novel, 'Closer, ' and continues the science fiction end of the world novel, 'After.' In the short story department, Richard H. Nilsen tells the odd tale of "The Quick & the Curious," and the saga of Robert & Cara continues in the Robert W. Chambers-inspired tale, "The House of the Sign." The editor takes a look at "That Lovecraft Bunch," and 'Gosh! Wow! A Personal History of the Pulps' continues with part 3. Phenomenal Stories is a modern-day tribute to the science fiction/horror/fantasy/speculative pulp magazines of the 1920s, 1930s and 1940s.

I have collected many, many pulps over the years, but at the back of my mind, I always hoped to edit one.My first job, as editor of two trade newspapers, deluded me. I created a presentation and went to the publisher. He listened, but he never spoke about it.I worked at many newspapers and magazines, but no one was interested.I founded a few magazines: The Antediluvian Levee, The Game's Afoot, Different Deaths, Ride of the Horsemen, etc. I then tried to start the kind of magazine you hold. It didn't work then, though. I just didn't have time to do it.Finally, in late 2018, I started working on it, pulling writers and artists together, doing some preliminary designs, etc. The first few issues came together so fast that I pressed on. I didn't hesitate, but got the first issue into print as soon as possible.This book is a collection of nearly everything that appeared in the four issues of Phenomenal Stories, Volume 1. There's also a best of collection magazine titled Lost Carcosa available.

This third issue of Phenomenal Stories features the conclusion of the three-part cyberpunk short novel, 'Closer, ' and continues the science fiction end of the world novel, 'After.' In the short story department, Richard H. Nilsen tells the odd tale of "The Quick & the Curious," and the saga of Robert & Cara continues in the Robert W. Chambers-inspired tale, "The House of the Sign." The editor takes a look at "That Lovecraft Bunch," and 'Gosh! Wow! A Personal History of the Pulps' continues with part 3. Phenomenal Stories is a modern-day tribute to the science fiction/horror/fantasy/speculative pulp magazines of the 1920s, 1930s and 1940s.

Complementing Science-Fiction: The Early Years, which surveys science-fiction published in book form from its beginnings through 1930, the present volume covers all the science-fiction printed in the genre magazines--Amazing, Astounding, and Wonder, along with offshoots and minor magazines--from 1926 through 1936. This is the first time this historically important literary phenomenon, which stands behind the enormous modern development of science-fiction, has been studied thoroughly and accurately. The heart of the book is a series of descriptions of all 1,835 stories published during this period, plus bibliographic information. Supplementing this are many useful features: detailed histories of each of the magazines, an issue by issue roster of contents, a technical analysis of the art work, brief authors' biographies, poetry and letter indexes, a theme and motif index of approximately 30,0000 entries, and general indexes. Science-Fiction: The Gernsback Years is not only indispensable for reference librarians, collectors, readers, and scholars interested in science-fiction, it is also of importance to the study of popular culture during the Great Depression in the United States. Most of its data, which are largely based on rare and almost unobtainable sources, are not available elsewhere.

'Partners in Wonder' explores our knowledge of women and science fiction between 1936 and 1965. It describes the distinctly different form of science fiction that females produced, one that was both more utopian and more empathetic than that of their male counterparts.

Death rays! Absurd idea peddled by con artists and amateurs and promoted by a sensationalist press? Not quite. Government and military leaders and mainstream scientists endorsed the possibility of such a fantastic weapon in the years before World War II. A concept born out of research with electricity and other energy sources, the death ray or "directed energy weapon" was widely reported for nearly five decades. Claims for its invention appeared as early as 1876, and increased thereafter, until the "death-ray craze" of the 1920s and 1930s. The idea influenced fiction, making its way from newspapers and magazines into novels, short stories, films, theatrical productions and other media. This book takes a first-ever look at the historical death ray and its impact on fiction and popular culture.

No one starts a magazine more than two decades into the 21st century.No one!It's only an adled brain that would even toy with the idea. Print publications are on their way out. The few surviors are frightened, huddled, waiting silently for the long night to come.Well, not here at Phenomenal Stories!We never expected to have any readers, so how could we be disappointed?And we're not!OK, OK, there may be one or two readers who, ironically, are reading Phenomenal Stories on their Kindles.Other than that, though, it's safe to say that after the first four issues we are very nearly 100%% reader-free!So why are we doing this?I put it to you as a question: Why wouldn't we be doing this?OK, plenty of reasons, but we're doing it anyway.Come on along!