Alchemy is a rich and complex esoteric tradition that has flourished world-wide since the beginning of recorded history, if not earlier. There are three main traditions: Western Christian, Indo-tibetan and Chinese Taoist. Within this diversity there are many common features, which are analysed, organized, and brought together in this comprehensive dictionary of terms, symbols, and personalities. This dictionary is the distillation of many years' research into the extensive arcane literature. It is a reference work to guide the readers throught the labyrinth of pre-Newtonian science and philosophy. The dictionary covers not only the materialist dimension of the search for the elixir of life and the transmutation of metals, but also the inner search for the gold of mystical illumination. Jung called alchemy 'the projection of a drama both cosmic and spiritual in laboratorty terms'. This opus alchymicum goes beyond the bare analysis and interpretation of terms to present a harmonic, integrated vision of man and nature, which may help to heal the fragmented world view of modern science.

Entrance to the Alchemical Amphitheatre By Marcus Katz, M.A. (Western esotericism) Learn to live a Transformative life through Magical Alchemy! An Alchemy course in six monthly modules available as a download or paperback book version! In this thoroughly researched course, combining a range of learning styles, you'll experience four simple alchemical experiments using household materials, seven unique praxis meditations, the Ritual of the Dew for transforming your life, and Alchemical Adorations, amongst a range of readings and alchemical exercises. Suitable for beginners and adepts alike, using research of the highest academic level, informed through thirty years practical experience of teaching and western esoteric studies. Find out who wrote the Rosicrucian Manifestos, why Alchemy and Dreaming are related, the secrets of the Emerald Tablet, and much, much more!

Of interest to interdisciplinary historians as well as those in various other fields, this book presents the first publication of 14 poems ranging from 12 to 3,000 lines. The poems are printed in the chronological order of their composition, from Elizabethan to Augustan times, but nine of them are verse translations of works from earlier periods in the development of alchemy. Each has a textual and historical introduction and explanatory note by the Editor. Renaissance alchemy is acknowledged as an important element in the histories of early modern science and medicine. This book emphasises these poems’ expression of and shaping influence on religious, social and political values and institutions of their time too and is a useful reference work with much to offer for cultural studies and literary studies as well as science and history.

This re-examination of alchemical engravings of the late Renaissance uses an innovative semiotic method in analysing their geometrical and optical rhetorical devices. The images are contextualised within contemporary metaphysics, specifically, the discourse of light, and in Protestant reformism.

“Valuable above and beyond a case study because it remarkably grounds what can be very illusive alchemical imagery into psychological experience.” – Margaret Johnson, editor, Psychological Perspectives “A testament to the healing capacities of the imagination, the humble “star in man” that connects us to the unconscious: to unknown and unexpected developments in ourselves.” – Literary Aficionado I suspect that far more would be resolved, and much of the world’s suffering wouldn’t be in vain, if only we could transform the wars in the Middle East and elsewhere in this world into the likes of Randy’s sand trays. War of the Ancient Dragon: Transformation of Violence in Sandplay is a major contribution to Jungian Psychology, Sandplay Therapy, and to the world at large. I urge you to read and to tell others about this powerfully moving book. – Mel Mathews, Publisher, Fisher King Press Six-year-old Randy conducts bloody wars in the sandtray, calling them “World War One,” World War Two, and “The War of the Ancient Dragon.” He burns fires and bombs helpless victims, killing some and saving others. What could possibly be going on in his imagination? The contents of his imagination—what the alchemists call the “realm of subtle bodies”—are revealed in his sandplay from one session to the next, and there we see the raw, autonomous dynamism that motivates Randy, already branded a bully and nearly expelled from first grade. We see fiery, destructive conflict, part his, part his culture’s, part lived, part projected, a conflict of archetypal opposites that engulf Randy’s personality and fuel his violent behavior. But also from Randy’s imaginal world, out of the very war between opposites that drives him, the unknown third possibility unfolds. Allowed to exist and be seen with a paradoxical healing aim, the war fights itself out over time in the safe container of the sandtray, finds its unpredictable resolution, and gradually releases Randy from its grip. He finally emerges, calling himself “king of the bloodfire,” returned to the rule of his own emotional life. He has adapted to school, proud of his achievements, a star student in math. Randy’s lively narratives animate his dramas and reveal the distinct hallmarks of an alchemical opus over the course of 24 therapy sessions. He remarkably echoes the words of the ancient sages such as Zosimos, who centuries ago in his own imagination witnessed the “torture” of transformation in fire. Randy’s process is thoroughly documented and amplified, unveiling the alchemical stages of transformation—nigredo, albedo, and rubedo—in a way that helps us relate to those chapters in our own individuation struggles. Psychological Perspectives editor Margaret Johnson writes that the work is “valuable above and beyond being a case study because it remarkably grounds what can be very illusive alchemical imagery into psychological experience.” War of the Ancient Dragon guides us through the gritty realities of the alchemical process, helping us realize how they can manifest in everyday life, dream images, and fantasy. Above all the book is a testament to the healing capacities of the imagination, the humble “star in man” that connects us to the unconscious: to unknown and unexpected developments in ourselves.

The general view of scholars is that the Kabbalah had no meaningful influence on Leibniz's thought. } But on the basis of new evidence I am convinced that the question must be reopened. The Kabbalah did influence Leibniz, and a recognition of this will lead to both a better understanding of the supposed "quirkiness,,2 of Leibniz's philosophy and an appreciation ofthe Kabbalah as an integral but hitherto ignored factor in the emergence of the modem secular and scientifically oriented world. During the past twenty years there has been increasing willingness to recognize the important ways in which mystical and occult thinking contributed to the development of science and the emergence 3 of toleration. However, the Kabbalah, particularly the Lurianic Kabbalah with its monistic vitalism and optimistic philosophy of perfectionism and universal salvation, has not yet been integrated into the new historiography, although it richly deserves to be. On the basis of manuscripts in libraries at Hanover and Wolfenbiittel, it is clear that Leibniz's relationship with Francis Mercury van Helmont (1614- 1698) and Christian Knorr von Rosenroth (1636-1689), the two leading Christian Kabbalists of the period, was much closer than previously imagined and that his direct knowledge of their writings, especially the collection of 4 kabbalistic texts they published in the Kabbala Denudata, was far more detailed than most scholars have realized. During 1688 Leibniz spent more than a month at Sulzbach with von Rosenroth.

On the Spirit and the Self: The Religious Art of Marc Chagall compliments and extends the scholarship surrounding Chagall’s place in the History of 20th Century Art as a Religious artist. Central to this study is the psychic process of individuation and the ways in which images appear to depict the deeper changes in our collective human existence. A new perspective on Chagall’s creative output is presented through the application of Jungian theory: Jung identifies a separation between the cultural and historical underpinnings of natal faith, or creed, and the presence of an internal, personal spirituality, or religious attitude. This theoretical approach helps to define Chagall’s creative connection to his own natal Hasidic faith whilst clarifying the interiority of his religious experiences on a universal level. That creative development may be explored through the visual patterns of sacred transformative imagery is a new approach in Chagallian scholarship, elevating two key concepts: the Chagallian sacred-secular binary, and the Chagallian temenos sites. Primary source materials reflecting the Artist’s voice are illuminated by more than seventy colour reproductions to support the perspective that, like Jung, Chagall was among the most prolific and significant religious communicators of the 20th Century.

Shortlisted for the Templeton Foundation Prize for Outstanding Books in Theology and Natural Sciences John Brooke and Geoffrey Cantor discuss exciting developments in the sciences, whether in Big Bang cosmology, chaos theory or genetic engineering, in relation to moral and spiritual questions. Contemporary discussion can, however, be blind if it ignores previous forms of engagement between science and religion. In their Gifford Lectures the authors argue that not one but several historical approaches are required to achieve critical perspective and balanced understanding. Accordingly, each chapter demonstrates the value of a particular historical method. Ranging from alchemy to new-age philosophies, from the Galileo affair to the Darwinian controversies, this is an indispensable and highly accessible book for all interested in science and religion.

Winner of the 2021 American Board & Academy of Psychoanalysis Annual Book Prize for Best Theoretical Book in Psychoanalysis! Stanton Marlan brings together writings which span the course of his career, examining Jungian psychology and the alchemical imagination as an opening to the mysteries of psyche and soul. Several chapters describe a telos that aims at the mysterious goal of the Philosophers’ Stone, a move replete with classical and postmodern ideas catalysed by prompts from the unconscious: dreams, images, fantasies, and paradoxical conundrums. Psyche and matter are seen with regards to soul, light and darkness in terms of illumination, and order and chaos as linked in the image of chaosmos. Marlan explores the richness of the alchemical ideas of Carl Jung, James Hillman, and others and their value for a revisioning of psychology. In doing so, this volume challenges any tendency to literalism and essentialism, and contributes to an integration between Jung’s classical vision of a psychology of alchemy and Hillman’s Alchemical Psychology. C.G. Jung and the Alchemical Imagination will be a valuable resource for academics, scholars, and students of Jungian and post-Jungian studies, Jungian analysis, and psychotherapy. It will also be of great interest to Jungian psychologists and Jungian analysts in practice and in training.