Alexandria is a city which has haunted and inspired its visitors for over 2,000 years. Here, two of its best-known celebrants provide a view of Alexandria's present through the window of its past. Written during World War I, and later revised, this is Forster's tribute to Alexandria--a combined history of the city and a practicaql guide for the visitor. This annotated edition contains not only the first translation of Constantine Cavafy's famous poem "The God Abandons Antony" but also a specially commissioned introduction by Lawrence Durrell, who recounts his recent return to the city that served as a backdrop for the Alexandria Quartet.

The aim of the Abinger Editions is to provide a new, properly edited library of the literary works of E.M. Forster that does justice to his literary genius. The latest in the series is Alexandria, written while Forster was in Egypt during the First World War. This edition collates and compares all the existing editions of the work to provide the definitive version of the text. It also contains the subsequent work by Forster, Pharos and Pharillon.

E.M. Forster's study of Alexandria, which he wrote while stationed in the city during the First World War, has appeared only once in the United States and has long been out of print. This new edition will add the essays "Pharos" and "the Pharillon" which were published in 1923 and which completed his attempt, "after the fashion of a pageant, to marshal the activities of Alexandria during two thousand two hundred and fifty years of her existence."Forster was a great admirer of Baedeker and Murray's guides and Alexandria: A History and a Guide is cross-referenced to help the reader and the traveler "link the present and the past." Beautifully illustrated, this is both a guide to one of the great city-centers of the Mediterranean and a subtle work of history, comparative civilization, and religion.

An original, authoritative, and lively cultural history of the first modern city, from pre-Homeric times to the present day. Islam Issa’s father had always told him about their city's magnificence, and as he looked at the new library in Alexandria it finally hit home. This is no ordinary library. And Alexandria is no ordinary city. Combining rigorous research with myth and folklore, Alexandria is an authoritative history of a city that has shaped our modern world. Soon after being founded by Alexander the Great, Alexandria became the crucible of cultural exchange between East and West for millennia and the undisputed global capital of knowledge. It was at the forefront of human progress, but it also witnessed brutal natural disasters, plagues, crusades and violence. Major empires fought over Alexandria, from the Greeks and Romans to the Arabs, Ottomans, French, and British. Key figures shaped the city from its eponymous founder to Aristotle, Cleopatra, Saint Mark the Evangelist, Napoleon Bonaparte and many others, each putting their own stamp on its identity and its fortunes. And millions of people have lived in this bustling seaport on the Mediterranean. From its humble origins to its dizzy heights and its latest incarnation, Islam Issa tells us the rich and gripping story of a city that changed the world.

E.M. Forster's study of Alexandria, which he wrote while stationed in the city during the First World War, has appeared only once in the United States and has long been out of print. This new edition will add the essays Pharos and the Pharillon which were published in 1923 and which completed his attempt, after the fashion of a pageant, to marshal the activities of Alexandria during two thousand two hundred and fifty years of her existence.Forster was a great admirer of Baedeker and Murray's guides and Alexandria: A History and a Guide is cross-referenced to help the reader and the traveler link the present and the past. Beautifully illustrated, this is both a guide to one of the great city-centers of the Mediterranean and a subtle work of history, comparative civilization, and religion.

Interrogating how Alexandria became enshrined as the exemplary cosmopolitan space in the Middle East, this book mounts a radical critique of Eurocentric conceptions of cosmopolitanism. The dominant account of Alexandrian cosmopolitanism elevates things European in the city's culture and simultaneously places things Egyptian under the sign of decline. The book goes beyond this civilization/barbarism binary to trace other modes of intercultural solidarity. Halim presents a comparative study of literary representations, addressing poetry, fiction, guidebooks, and operettas, among other genres. She reappraises three writers--C. P. Cavafy, E. M. Forster, and Lawrence Durrell--whom she maintains have been cast as the canon of Alexandria. Attending to issues of genre, gender, ethnicity, and class, she refutes the view that these writers' representations are largely congruent and uncovers a variety of positions ranging from Orientalist to anti-colonial. The book then turns to Bernard de Zogheb, a virtually unpublished writer, and elicits his Camp parodies of elite Levantine mores in operettas one of which centers on Cavafy. Drawing on Arabic critical and historical texts, as well as contemporary writers' and filmmakers' engagement with the canonical triumvirate, Halim orchestrates an Egyptian dialogue with the European representations.

In the autumn of 1915, in a "slightly heroic mood", E.M. Forster arrived in Alexandria, full of lofty ideals as a volunteer for the Red Cross. Yet most of his time was spent exploring "the magic, antiquity and complexity" of the place in order to cope with living in what he saw as a "funk-hole". With a novelist's pen, he brings to life the fabled, romantic city of Alexander the Great, capital of Graeco-Roman Egypt, beacon of light and culture symbolised by the Pharos, where the doomed love affair of Antony and Cleopatra was played out and the greatest library the world has ever known was built. Threading 3,000 years of history with vibrant strands of literature and punctuating the narrative with his own experiences, Forster immortalised Alexandria, painting an incomparable portrait of the great city and, inadvertently, himself.

This encyclopaedia will be an indispensable resource and recourse for all who are thinking about cities and the urban, and the relation of cities to literature, and to ways of writing about cities. Covering a vast terrain, this work will include entries on theorists, individual writers, individual cities, countries, cities in relation to the arts, film and music, urban space, pre/early and modern cities, concepts and movements and definitions amongst others. Written by an international team of contributors, this will be the first resource of its kind to pull together such a comprehensive overview of the field.

Alexandria, Real and Imagined offers a complex portrait of an extraordinary city, from its foundation in the fourth century BC up to the present day: a city notable for its history of ethnic diversity, for the legacies of its past imperial grandeur - Ottoman and Arab, Byzantine, Roman and Greek - and, not least, for the memorable images of 'Alexandria' constructed both by outsiders and by inhabitants of the city. In this volume of new essays, Alexandria and its many images - the real and the imagined - are illuminated from a rich variety of perspectives. These range from art history to epidemiology, from social and cultural analysis to re-readings of Cavafy and Callimachus, from the impressions of foreign visitors to the evidence of police records, from the constructions of Alexandria in Durrell and Forster to those in the twentieth-century Arabic novel.

This comprehensive and insightful book brings scientific rigor to the problems of reconstructing the Pharos Lighthouse, one of the Seven Wonders of the Ancient World, and understanding how it functioned as the archetypal lighthouse in antiquity, when it was described as a “second Sun”. Conceived by Alexander the Great and designed by Sostratus, the Pharos lighthouse stood as an iconic landmark of Alexandria for sixteen centuries until felled by a calamitous earthquake in the fourteenth century. The study of this great lighthouse has been neglected relative to other ancient Wonders such as the Great Pyramid of Giza. This book reconstructs the tower, its lustrous light, stunning statues and astounding story in diligent detail through archaeological evidence and surviving antique texts and images, providing a fresh evaluation of the Pharos, its history, and its legacy. The Roman writer Achilles Tatius termed the Pharos a “second Sun”; this expression is explained and explored here for the first time, and has dramatic implications for the nature of the Pharos’ light. The volume also explores how the creation of the Pharos was a key stimulus for Alexandrian science and astronomy in antiquity. The Pharos Lighthouse in Alexandria provides a fascinating new study of this monument of interest to students and scholars of Hellenistic art, architecture, and science, and readers seeking to learn more about one of the Seven Wonders of the Ancient World.