Beginning with her earliest, uncollected stories, W.R. Martin critically examines Alice Munro's writing career. He discusses influences on Munro and presents an overview of the prominent features of her art: the typical protagonist, the development of her narrative technique, and the dialectic that involves paradoxes and parallels.

Alice Munro is Canada’s greatest short story writer. This book, the first full length study of her work published in Britain, explores the appeal of Munro’s fictions of small-town Canadian life with their precise attention to social surfaces and their fascination with local gossip and scandal. This is a world of open secrets, and Howells highlights Munro’s distinctive storytelling methods which combine the familiar and the unfamiliar, slipping between realism and fantasy to make visible what is usually hidden within everyday life. These are women’s narratives, full of silent female knowledge--of female bodies, love stories and romantic fantasies as well as female casualties. Munro takes up the traditional subjects of women’s fiction through her stories’ significantly female plots, stories of entrapment and escape attempts, where secrecy and silence become strategies of resistance. Munro’s enthusiasm for the work of other women writers from Emily Brontë and L. M. Montgomery to Eudora Welty is emphasized as Munro continues to experiment with the short story form, creating worlds which are both "touchable and mysterious."

Through the years, this Canadian writer has emerged as a master of the short story. The compressed and encapsulated energies of the form allow Alice Munro to peel away at the smooth and mundane surfaces that contain her characters' lives to reveal harsher truths within. This acclaimed writer is profiled for the first time in this indispensable series through full-length critical essays that plumb the depths of her rich, fictive worlds. In this new work, a chronology of her life, a bibliography of Munro's work, and an index provide valuable information for student researchers.

This is the book about one of the world’s great authors, Alice Munro, which shows how her life and her stories intertwine. For almost thirty years Robert Thacker has been researching this book, steeping himself in Alice Munro’s life and work, working with her co-operation to make it complete. The result is a feast of information for Alice Munro’s admirers everywhere. By following “the parallel tracks” of Alice Munro’s life and Alice Munro’s texts, he gives a thorough and revealing account of both her life and work. “There is always a starting point in reality,” she once said of her stories, and this book reveals just how often her stories spring from her life. The book is chronological, starting with her pioneer ancestors, but with special attention paid to her parents and to her early days growing up poor in Wingham. Then all of her life stages—the marriage to Jim Munro, the move to Vancouver, then to Victoria to start the bookstore, the three daughters, the divorce, the return to Huron County, and the new life with Gerry Fremlin—leading to the triumphs as, story by story, book by book, she gains fame around the world, until rumours of a Nobel Prize circulate . . .

The awarding of the Nobel Prize in Literature to the Canadian writer Alice Munro in 2013 confirmed her position as a master of the short story form. This book explores Munro's work from a full range of critical perspectives, focussing on three of her most popular and important published collections: Hateship, Friendship, Courtship, Loveship, Marriage (2001), Runaway (2004), and her final collection Dear Life (2012). With chapters written by the world's leading critics of Munro's work, the short story form and contemporary Canadian writing, this book explores such themes as love and marriage, sex, fate, gender and humor in her writings as well as her approaches to narrative form and autobiography. In these three late collections Munro sharply articulates, again and again, the mysteries of being itself.

As a short-story writer, Alice Munro has achieved high critical and popular regard in both her native Canada and in the United States. Indeed, Munro has been adopted by the entire English-speaking world as one of its own, and her work has received many awards and honors. In the U.S., she is roundly regarded as one of the best—if not the best—contemporary writers of the short story, and one of the greatest living fiction writers. Here, Brad Hooper takes readers through her fiction, work by work, discussing the themes, forms, techniques, and styles she employs to make her work come alive. Munro has founded her own brand of the short story: longer than traditionally practiced in the short-story form and encompassing broader time frames. Her stories are primarily character studies that explore the impact of physical and mental isolation in adolescence, middle age, and into elder years. Hooper traces Munro's evolving definition of the short story form and surveys the fiction in an effort to elucidate the works for newcomers and enthusiasts alike.

Taking its cue from medieval bestiaries, this alphabet book is composed of 63 entries ranging from ADDER to WOLFHOUNDS, with each entry juxtaposing an image, an excerpt from a story by Alice Munro, and a commentary. The images are reproduced from original medieval illuminations, the excerpts feature an animal, or a human being depicted through animal comparison, and the commentaries highlight the way Munro suggests relationality between the human and the non-human. Munro troubles the boundaries between good and evil as she troubles the boundaries between human and non-human. Through the mask of the animal, she effects a release from strict morality and proposes an uncommon and undomesticated representation of human life, revolving on simultaneous transcendence and derision. The volume will appeal to Munro scholars and to lovers of Alice Munro alike because it solves some of the enigmas set by her stories but suggests other riddles and more secrets.

This Companion is a complete introduction to the fictional and non-fictional writings of the Nobel Prize winner Alice Munro.

Among the first critical works on Alice Munro's writing, this study of her short fiction is informed by the disciplines of narratology and literary linguistics. Through examining Munro's narrative art, Isla Duncan demonstrates a rich understanding of the complex, densely layered, often unsettling stories.

Focusing on Alice Munro's last three collections, this book examines the differences between these volumes and the rest of her work to analyse the emergence and the difference of her 'late style'. Alice Munro has effectively reshaped the short story as a form. This book focuses on Munro's art of recursion - an approach that has been evident throughout her career but came to the fore in her last three books, The View from Castle Rock (2006), Too Much Happiness (2009) and, especially, Dear Life (2012). This recursion and return manifest themselves not only in Munro's return to previously published pieces, but also to her discovery and meditations on her Scottish heritage, which can be read as entrance to her own understanding of herself and her life. Its provenance, displayed through archival evidence, is complex yet reveals a writer intent on a precise late style. Munro's final works serve as a coda to both her late style and to her entire career as arguably one of the finest short story writers ever to put pen to paper.