The preparation of this book has been a joint labor during the spare moments of the two authors, whose time has been occupied with subjects to which pearls are not wholly foreign—one as a gem expert, and the other in the fisheries branch of the American government. For many years the writers have collected data on the subject of pearls, and have accumulated all the obtainable literature, not only the easily procurable books, but likewise manuscripts, copies of rare volumes, original edicts, and legislative enactments, thousands of newspaper clippings, and interesting illustrations, many of them unique, making probably the largest single collection of data in existence on this particular subject. It was deemed advisable to present the results of these studies and observations in one harmonious volume, rather than in two different publications. While the book is a joint work in the sense that each writer has contributed material to all of the chapters and has critically examined and approved the entire work, the senior author has more closely applied himself to the latter half of the text, covering antiquity values, commerce, wearing manipulation, treatment, famous collections, aboriginal use, and the illustrations, while the junior author has attended to the earlier half of the book, with reference to history, origin, sources, fisheries, culture, mystical properties, and the literature of the pearl.

This book surveys the intersections between water systems and the phenomenology of visual cultures in early modern, colonial and contemporary South Asia. Bringing together contributions by eminent artists, architects, curators and scholars who explore the connections between the environmental and the cultural, the volume situates water in an expansive relational domain. It covers disciplines as diverse as literary studies, environmental humanities, sustainable design, urban planning and media studies. The chapters explore the ways in which material cultures of water generate technological and aesthetic acts of envisioning geographies, and make an intervention within political, social and cultural discourses. A critical interjection in the sociologies of water in the subcontinent, the book brings art history into conversation with current debates on climate change by examining water’s artistic, architectural, engineering, religious, scientific and environmental facets from the 16th century to the present. This is one of the first books on South Asia’s art, architecture and visual history to interweave the ecological with the aesthetic under the emerging field of eco art history. The volume will be of interest to scholars and general readers of art history, Islamic studies, South Asian studies, urban studies, architecture, geography, history and environmental studies. It will also appeal to activists, curators, art critics and those interested in water management.