Welcome to the world of the Alley Cats, they are just trying to get a break for their band, but with opposition from the locals they are having a hard time. You can sing, dance and play your saxophone and piano like a master, but sometimes you still have to scratch your way to the top.

Welcome to the first book of the Alley Cats Series. These books although fictional are based loosely on some of the actual occurrences that happened in our lives. Our neighborhood was the save haven for most of the area children. The alley, tracks, factories and apartment buildings behind our house were the perfect play ground for these boys to play. When a game of sand lot baseball was the start of their day and a place to meet and grow friendships. They will encounter numerous challenges and adventures that they will overcome. Please come with me as we explore their adventures together.

Experiencing Alice Cooper: A Listener’s Companion takes a long overdue look at the music and stage act of rock music’s self-styled arch-villain. A provocateur from the very start of his career in the mid-1960s, Alice Cooper, aka Vince Furnier, son of a lay preacher in the Church of Jesus Christ, carved a unique path through five decades of rock’n’roll. Despite a longevity that only a handful of other artists and acts can match, Alice Cooper remains a difficult act and artist to pin down and categorize. During the last years of the 1960s and the heydays of commercial success in the 1970s, Cooper's groundbreaking theatricality, calculated offensiveness, and evident disregard for the conventions of rock protocols sowed confusion among his critics and evoked outrage from the public. Society’s watchdogs demanded his head, and Cooper willingly obliged at the end of each performance with his on-stage self-guillotining. But as youth anthem after youth anthem - “I’m Eighteen,” “School’s Out,” “Elected,” “Department of Youth”—rang out in his arena concerts the world over and across airwaves, fans flocked to experience Cooper’s unique brand of rock. Critics searched for proper descriptions: “pantomime,” “vaudeville,” “retch-rock,” “Grand Guignol.” In 1973 Cooper headlined in Time magazine as “Schlock Rock’s Godzilla.” In Experiencing Alice Cooper: A Listener’s Companion, Ian Chapman surveys Cooper’s career through his twenty-seven studio albums (1969-2017). While those who have written about Cooper have traditionally kept their focus on the stage spectacle, too little attention has been paid to Cooper’s recordings. Throughout, Chapman argues that while Cooper may have been rock’s most accomplished showman, he is first and foremost a musician, with his share of gold and platinum albums to vouch for his qualifications as a musical artist.

From ancient times cats have occupied a special place in many cultures around the world. They have generated a fascinating array of words and expressions, as well as poems, books, movies, cartoons and artworks. Max Cryer celebrates cats and all they have given to us. Explores their attributes, night vision, sense of smell, sleep requirements, life expectancy and more. Everything you ever wanted to know about cats can be enjoyed in this magnificent miscellany. To be read with one on your lap.

For Broadway audiences of the 1980s, the decade was perhaps most notable for the so-called “British invasion.” While concept musicals such as Nine and Stephen Sondheim's Sunday in the Park with George continued to be produced, several London hits came to New York. In addition to shows like Chess, Me and My Girl, and Les Miserables,the decade’s most successful composerAndrew Lloyd Webberwas also well represented by Cats, The Phantom of the Opera, Song & Dance, and Starlight Express. There were also many revivals (such as Show Boat and Gypsy), surprise hits (The Pirates of Penzance), huge hits (42nd Street), and notorious flops (Into the Light, Carrie, and Annie 2: Miss Hannigan's Revenge). In The Complete Book of 1980s Broadway Musicals, Dan Dietz examines in detail every musical that opened on Broadway during the 1980s. In addition to including every hit and flop that debuted during the decade, this book highlights revivals and personal-appearance revues with such performers as Sid Caesar, Barry Manilow, Jackie Mason, and Shirley MacLaine. Each entry includes the following information Opening and closing dates Plot summaries Cast members Number of performances Names of all important personnel including writers, composers, directors, choreographers, producers, and musical directors Musical numbers and the names of performers who introduced the songs Production data, including information about tryouts Source material Critical commentary Tony awards and nominations Details about London and other foreign productions Besides separate entries for each production, the book offers numerous appendixes, including a discography, filmography, and published scripts, as well as lists of Gilbert and Sullivan operettas, black-themed shows, and Jewish-themed productions. A treasure trove of information, The Complete Book of 1980s Broadway Musicals provides readers with a comprehensive view of each show. This significant resource will be of use to scholars, historians, and casual fans of one of the greatest decades in musical theatre history.

Vols. for 1957-61 include an additional (mid-January) no. called Directory issue, 1st-5th ed. The 6th ed. was published as the Dec. 1961 issue.

What weve got here, is failure to communicate! One of my favorite phrases from the 1967 movie, Cool Hand Luke, brought home to me the importance of learning life lessons through cross-generational story-telling. Passing down the stories from one generation to the next is a rich tradition getting lost these days in a sea of tweets and texts. One cant truly know where one is heading, without knowing where one has come from so, fasten your seat belts, and learn more about: struggles of the early settlers in Iowa kid adventures of the 1950s fighting in the Civil War neighborhood battles with BB guns chasing after horse thieves slinging snowballs at trucks Teachings from Pop is a collection of stories, glimpses of time, from the original settlers in Iowa, to childhood in the fifties. The historical characters and circumstances portrayed in this book are based on real people and events. Combining the stories of several generations in the same location, the reader is transported from log cabins and Civil War days to hare-brained adventures in the 1950s. Boomers will remember these experiences as some of the best times ever, even though many were simply the stupid things kids dream up. Hopefully, this book will help people of today understand how life was back in the old days for the pioneers, through the mind-boggling changes that occurred during the next hundred-plus years.

From the silver screen to the Great White Way, small community theatres to television sets, the musical has long held a special place in America's heart and history. Now, in The Oxford Companion to the American Musical, readers who flocked to the movies to see An American in Paris or Chicago, lined up for tickets to West Side Story or Rent, or crowded around their TVs to watch Cinderella or High School Musical can finally turn to a single book for details about them all. For the first time, this popular subject has an engaging and authoritative book as thrilling as the performances themselves. With more than two thousand entries, this illustrated guide offers a wealth of information on musicals, performers, composers, lyricists, producers, choreographers, and much more. Biographical entries range from early stars Fred Astaire, Bing Crosby, Mary Martin, and Mae West to contemporary show-stoppers Nathan Lane, Savion Glover, and Kristin Chenoweth, while composers Irving Berlin, George Gershwin, Richard Rodgers, and Andrew Lloyd Webber all have articles, and the choreography of Bob Fosse, Tommy Tune, and Debbie Allen receives due examination. The plays and films covered range from modern hits like Mamma Mia! and Moulin Rouge! to timeless classics such as Yankee Doodle Dandy and Show Boat. Also, numerous musicals written specifically for television appear throughout, and many entries follow a work-Babes in Toyland for example-as it moves across genres, from stage, to film, to television. The Companion also includes cross references, a comprehensive listing of recommended recordings and further reading, a useful chronology of all the musicals described in the book, plus a complete index of Tony Award and Academy Award winners. Whether you are curious about Singin' in the Rain or Spamalot, or simply adore The Wizard of Oz or Grease, this well-researched and entertaining resource is the first place to turn for reliable information on virtually every aspect of the American musical.

A Melbourne sound that is at once both rakish and debonair. So what specifically is it about Melbourne that, according to the Sydney Morning Herald, it’s able to support around 465 live music venues as compared to 453 in New York, 385 in Tokyo and 245 in London despite its population being a fraction of those major world cities? Despite the flaky weather, the footy and Netflix, Melbournians are committed to going out at night and in great numbers in heat or hail to listen to live music and to find those bands and singers they’ve heard on Spotify or discovered on Soundcloud.