Dark-eyed and distant Alma Rubens was one of the first female stars of the early feature film industry in the 1910s. She was a major star by 1920, but before the decade was over her screen career was marked and marred by cocaine abuse. She died in 1931 at age 33--a Hollywood beauty, a casualty of Hollywood "snow," yet much more. As an actress she was versatile, demonstrating a talent that was ahead of its time with her gentle and subtle expressions. This book contains Rubens's autobiography, a text titled This Bright World Again that was serialized in newspapers in 1931. Ghost-written or not or somewhere in between, this long forgotten document deals with Rubens's addiction and despair. In addition, a new biography of Rubens takes the reader from her birth in San Francisco through an impoverished upbringing, three short-lived marriages, and her career in pictures for Triangle Film, Cosmopolitan, Fox and other production companies. The story of her film career mingles with a tale of desperate drug addiction that led to hospital stays, violence and deception. A filmography lists her credits from 1913 to 1929.

This book explores the political, legal, medical, and social battles that led to the widespread institutionalization of Californians with disabilities from the gold rush to the 1970s. By the early twentieth century, most American states had specialized facilities dedicated to both the care and the control of individuals with disabilities. Institutions reflect the lived historical experience of many Americans with disabilities in this era. Yet we know relatively little about how such state institutions fit into specific regional, state, or local contexts west of the Mississippi River; how those contexts shaped how institutions evolved over time; or how regional institutions fit into the USA’s contentious history of care and control of Americans with mental and developmental disabilities. This book examines how medical, social, and political arguments that individuals with disabilities needed to be institutionalized became enshrined in state law in California through the creation of a “bureaucracy of disability.” Using Los Angeles County as a case study, the book also considers how the friction between state and county policy in turn influenced the treatment of individuals within such facilities. Furthermore, the book tracks how the mission and methods of such institutions evolved over time, culminating in the 1960s with the birth of the disability rights movement and the complete rewriting of California’s laws on the treatment and rights of Californians with disabilities. This book is a must-read for those interested in the history of California and the American West and for anyone interested in how the intersections of disability, politics, and activism shaped our historical understanding of life for Americans with disabilities.

In 1926 Silent Film Icon, Rudolph Valentino, died unexpectedly at the age of 31. That same year, he had finalized a bitter divorce from his wife of four years, Natacha Rambova. Valentino had been madly in love with the gorgeous and very talented designer, yet they had been unable to make their marriage work. Since their first marriage in 1922, the public had been critical of Rambova, blaming her for any mistakes in Valentino's career or life. As Valentino laid on his deathbed in New York, Rambova was in Paris. The two exchanged telegrams to the very end, with both sides believing they would soon reunite and a reconciliation had taken place. Upon hearing the news of his death, Rambova was so distraught she locked herself in her room for three days. With many estate issues to fulfill, Valentino's manager George Ullman took the reigns. To help keep Valentino's name in the spotlight, Ullman wrote a book detailing his time with the gifted actor. Ullman and Rambova had never gotten along, fighting for control of Valentino's career. Feeling she had been unfairly portrayed not only by Ullman, but also by the press, Rambova decided to write her own book. First published in the UK in 1927, "Rudy: An Intimate Portrait by His Wife," presented Rambova's side of the story, providing many amusing stories and anecdotes about her time with Valentino. Both Valentino and Rambova had been firm believers in the practice of Spiritualism. Rambova decided to utilize her beliefs for this book, adding a section titled "Revelations," consisting of things supposedly told to her by Valentino's soul, through seances. Rambova felt the need to publish these 'messages', believing these were things his soul wished to communicate with the world. However things soon got out of hand, with boisterous fans and attention seekers bombarding the legacy of Rudolph Valentino with their own claims. Rambova would remain firm in her beliefs, eventually becoming a renowned Egyptologist. After the publication of this book, she never spoke of her time with Valentino again. "Rudolph Valentino: An Intimate Portrait by his wife" is proudly reprinted by The Rudolph Valentino Society for the first time in over 80 years, under a new title, "Rudolph Valentino: A Wife's Memories of an Icon." In addition to the original text there is a new section containing biographies, filmographies, bibliographies, notes, and new forwards. This section also contains groundbreaking biographies on screenwriter and film executive June Mathis; as well as silent film vamp Nita Naldi. 70% of proceeds from this book benefit The Rudolph Valentino Society and Film Festival.

Dark-eyed and distant Alma Rubens was one of the first female stars of the early feature film industry in the 1910s. She was a major star by 1920, but before the decade was over her screen career was marked and marred by cocaine abuse. She died in 1931 at age 33--a Hollywood beauty, a casualty of Hollywood "snow," yet much more. As an actress she was versatile, demonstrating a talent that was ahead of its time with her gentle and subtle expressions. This book contains Rubens's autobiography, a text titled This Bright World Again that was serialized in newspapers in 1931. Ghost-written or not or somewhere in between, this long forgotten document deals with Rubens's addiction and despair. In addition, a new biography of Rubens takes the reader from her birth in San Francisco through an impoverished upbringing, three short-lived marriages, and her career in pictures for Triangle Film, Cosmopolitan, Fox and other production companies. The story of her film career mingles with a tale of desperate drug addiction that led to hospital stays, violence and deception. A filmography lists her credits from 1913 to 1929.

Horror movies have always found receptive audiences in their home countries. Finally, the genre's most colourful and least familiar directors and stars are given their due in this wide-ranging collection of articles and interviews from a fine assembly of renowned world horror experts. sDiscover such hidden treasures of world cinematic horror as Singapore's pontianak cycle, 1930s Mexican vampire movies, Austrian serial killer flicks, Germany's Edgar Wallace krimis, Bollywood ghost stories, Indonesia's penanggalan tales, the Chinese take on Phantom of the Opera, and the Turkish versions of Dracula and The Exorcist. s24 pulse-pounding chapters with selected filmographies and scores of images from the movies under discussion, including a stunning 16-page full-colour section! Book jacket.