The transformations in alternative media, journalism and social protest in contemporary Turkey have largely occurred due to the upsurge in use of social media. Some of the most fervent users of social media in the world come from Turkey where forms of social media are frequently banned by the Turkish government. This book looks at the structural, economic and political reasons why the current media system fails urban educated young professionals in Turkey and led them to a month long resistance and protest through the use of social media during OccupyGezi movement. The book outlines the history of alternative media use and the ways in which it has become a tool for the critics of the neoliberal economic system in Turkey. The collection concentrates on social media use within social movements and applies interdisciplinary approaches and research methods, ranging from cinema and visual arts to sociology, political science, content analysis and ethnographic study.

Offering one of the most comprehensive assessments of alternative media to date, Beyond Mainstream Media examines the rise of alternative media over the last decade, analysing their changing content and editorial strategies, and exploring why many people go beyond the mainstream media for news and information. Considering the differences in agenda between alternative and mainstream media coverage, Cushion sheds light on why right-wing alternative media have become a more prominent part of national media systems than left-wing sites in the Western World. In doing so, he argues that alternative left-wing media should place less emphasis on attacking professional journalism and focus more on converging into the world of mainstream news to promote their politics. This book draws on over 3,500 articles and 17,000 social media posts produced by alternative media, extensive interviews with editors and contributors, and a survey of over 2,700 media users. It develops a comparative international perspective by explaining how findings and concepts can be applied to understanding much broader issues, such as public distrust in the mainstream media or the influence different media and political systems have on the production of alternative media. Providing both an introduction to and a critical analysis of the state of alternative media today, this book is written in clear, jargon-free language and is recommended reading for advanced students undertaking courses in Alternative Media and Political Journalism.

Blumhouse Productions is the first book that systematically examines the corpus of Blumhouse’s cinematic output. Individual chapters written by emerging and established scholars consider thematic trends across Blumhouse films, such as the use of found footage, haunted bodies/haunted houses, and toxic masculinity. Blumhouse’s business strategies and funding model are considered – including the company’s high-profile franchises Paranormal Activity, Insidious, The Purge, Happy Death Day, and Halloween – alongside such key standalone films as Get Out and Black Christmas, and nonhorror films like BlackKklansman. Taken together, the chapters provide a thorough primer for one of the most significant drivers behind the contemporary resurgence of horror cinema.

Horror films have traditionally sunk their teeth into straitened times, reflecting, expressing and validating the spirit of the epoch, and capitalising on the political and cultural climate in which they are made. This book shows how the horror genre has adapted itself to the transformation of contemporary American politics and the mutating role of traditional and new media in the era of Donald Trump’s Presidency of the United States. Exploring horror’s renewed potential for political engagement in a socio-political climate characterised by the angst of civil conflict, the deception of ‘alternative facts’ and the threat of nuclear or biological conflict and global warming, Make America Hate Again examines the intersection of film, politics, and American culture and society through a bold critical analysis of popular horror (films, television shows, podcasts and online parodies), such as 10 Cloverfield Lane, American Horror Story, Don’t Breathe, Get Out, Hotel Transylvania 2, Hush, It, It Comes at Night, South Park, The Babadook, The Walking Dead, The Woman, The Witch and Twin Peaks: The Return. The first major exploration of the horror genre through the lens of the Trump era, it investigates the correlations between recent, culturally meaningful horror texts, and the broader culture within which they have become gravely significant. Offering a rejuvenating, optimistic, and positive perspective on popular culture as a site of cultural politics, Make America Hate Again will appeal to scholars and students of American studies, film and media studies, and cultural studies.

This Handbook discusses the new political and social realities in Turkey from a range of perspectives, emphasizing both changes as well as continuities. Contextualizing recent developments, the chapters, written by experts in their fields, combine analytical depth with a broad overview. In the last few years alone, Turkey has experienced a failed coup attempt; a prolonged state of emergency; the development of a presidential system based on the supreme power of the head of state; a crackdown on traditional and new media, universities and civil society organizations; the detention of journalists, mayors and members of parliament; the establishment of political tutelage over the judiciary; and a staggering economic crisis. It has also terminated talks with the Kurdistan Workers Party (PKK); intervened in and occupied mountainous border areas in northern Iraq to fight that organization; occupied Afrin and strips of territory in northern Syria; intervened in Libya; articulated an assertive transnational politics toward “kin” across the world; strained its relations with the European Union and the US, while developing relations with Russia; flirted with China’s intercontinental Belt and Road Initiative; and carved out a presence in Africa, to name just a few of the most recent developments. This volume provides a comprehensive and wide-ranging overview of the making of modern Turkey. It is a key reference for students and scholars interested in political economy, security studies, international relations and Turkish studies.

The Handbook of Media and Culture in the Middle East The Handbook of Media and Culture in the Middle East is an invaluable resource for anyone seeking to understand the profound and complex changes shaping the 21st century. With trans-regional contributions from established and emerging scholars, this ground-breaking volume offers conceptual essays and in-depth chapters that present rich analyses grounded in historical and geopolitical contexts, as well as key theory and empirical research. Rather than viewing the Middle East as a monolithic culture, this Handbook examines the diverse and multi-local characteristics of the region’s knowledge production, dynamic media, and rich cultures. It addresses a wide range of topics, including the evolving mainstream and alternative media, competing histories in the region, and pressing socio-economic and media debates. Additionally, the Handbook explores the impact of regional and international politics on Middle Eastern cultures and media. Designed to serve as a foundation for the next era of research in the field, The Handbook of Media and Culture in the Middle East is essential reading for all academics, scholars, and media practitioners. Its comprehensive scope makes it an excellent primary or supplementary textbook for undergraduate or graduate courses in global studies, media and communication, journalism, anthropology, sociology, economics, political science, and history.

Drawing on the words and stories of queer Turkish activists, this book aims to unravel the complexities of queer lives in Turkey. In doing so, it challenges dominant conceptualizations of the queer Turkish experience within critical security discourses. The book argues that while queer Turks are subjected to ceaseless forms of insecurity in their governance, opportunities for emancipatory resistance have emerged alongside these abuses. It identifies the ways in which the state, the family, Turkish Islam and other socially-mediated processes and agencies can expose or protect queers from violence in the Turkish community.

This book presents selected international research on journalism and safety with a focus on digital threats against journalists and their professional practices. It offers an overview of ongoing developments in the field of journalism and safety from diverse regions around the world. From various theoretical, conceptual and empirical perspectives, the chapters address the escalating global concern of pervasive phenomena such as cyber-surveillance, orchestrated attacks, trolling and online harassment and underscore the precariousness of journalists' work in various geographical locations. A section of the book examines the safety conditions of female journalists, focusing on their responses to gendered online attacks and hate speech, whereas another section analyses and discusses institutional and cultural responses to journalists’ safety. The chapters draw on data from diverse geo-cultural regions globally, and collectively the volume provides a comprehensive overview of recent research on digital threats to journalists’ safety and responses to some of the challenges. Additionally, it presents valuable concepts for further scholarly reflection on these issues. The second of two volumes, this book will be a key resource for scholars, practitioners and researchers of journalism, media and cultural studies, communication studies, and sociology. The chapters in the book were originally published in Digital Journalism, Journalism Studies, and Journalism Practice.

This book assesses the interplay between social media, political polarization, and civic engagement, focusing on countries with differing media environments, cultural specifics, and degrees of democratization. Taken from a variety of disciplinary perspectives and based on innovative theoretical interventions and empirically grounded research, the contributions to this volume share a common aspiration to understand the democratic character of the new, and thus far largely unknown, media regime. Such a regime has the potential to both enhance and undermine democracy, in a time where the vulnerability of democracy is more obvious than ever before. Featuring research from the USA, Western Europe, the Middle East, and East Asia, this book will be of interest to those studying recent political events in these regions, as well as to those scholars of media studies whose research focuses on the inter-relation of politics, communication and the media. This book was originally published as a special issue of Information, Communication & Society.

This book puts contemporary Turkish media under the microscope. It sheds light on current trends and debates in the fields of cinema, television and new media in Turkey, and considers different aspects of communications and mass media in the country in relation to up-to-date issues, ranging from film aesthetics and televised ideologies to new tendencies in marketing and journalism in a digitalized world. While the book is a collection of original research studies obtaining their data within different methodological approaches varying from content analysis to semiotics, the collection presents a critical and holistic view. As such, it provides a valuable source for readers who are interested in the current conditions of the field of communications in Turkey.