Ever since human beings first travelled, cities have constituted important material and literary destinations. While the city has formed a key theme for scholars of literary fiction, travellers’ modes of writing the city have been somewhat neglected by travel studies. However, travel writing with its attention to difference provides a rich source for the study of representational ‘strategies’ and ‘tactics’ in the modern city. Tracing spatial practices of French travel writers in London and New York from1851 to the 1980s, this book contributes to a body of work that analyses travel and travel writing beyond the Anglophone context, and engages a variety of travel writing in questions surrounding French modalities for negotiating and establishing a nexus of meanings for life in the modern city. One of the central tenets of the book is that, in the way its spaces are planned, encountered and represented, the city is operational in the formulation of identities and ideologies, and the book’s guiding question is how travel and travel writing allow for the exploration of urban modernity from a perspective of exchange. Bringing together the strands of theory, context and poetic analysis, this book examines travel writing as a spatial practice of the modern city, engaging urban space in questions of nationality, power and legibility and opening avenues for the exploration of urban modernity from a position of alterity, where alternative imaginative geographies of the city might emerge.

Demonstrates how contemporary fiction in French has become a polycentric and transnational field of vibrant and varied experimentation.

Despite the recent increase in scholarly activity regarding travel writing and the accompanying proliferation of publications relating to the form, its ethical dimensions have yet to be theorized with sufficient rigour. Drawing from the disciplines of anthropology, linguistics, literary studies and modern languages, the contributors in this volume apply themselves to a number of key theoretical questions pertaining to travel writing and ethics, ranging from travel-as-commoditization to encounters with minority languages under threat. Taken collectively, the essays assess key critical legacies from parallel disciplines to the debate so far, such as anthropological theory and postcolonial criticism. Also considered, and of equal significance, are the ethical implications of the form’s parallel genres of writing, such as ethnography and journalism. As some of the contributors argue, innovations in these genres have important implications for the act of theorizing travel writing itself and the mode and spirit in which it continues to be conducted. In the light of such innovations, how might ethical theory maintain its critical edge?

Cities Interrupted explores the potential of visual culture – in the form of photography, film, performance, architecture, urban design, and mixed media – to strategically interrupt processes of globalization in contemporary urban spaces. Looking at cities such as Amsterdam, Beijing, Doha, London, New York, and Paris, the book brings together original essays to reveal how the concept of 'interruption' in global cities enables new understanding of the forms of space, experience, and community that are emerging in today's rapidly transforming urban environments. The idea of 'interruption' addressed in this book refers to deliberate interventions in the spaces and communities of contemporary cities – interventions that seek to disrupt or destabilize the experience of everyday urban life through creative practice. Interruption is used as an analytic and conceptual tool to challenge – and explore alternatives to – the narratives of speed, hyper-mobility, rapid growth, and incessant exchange and flow that have dominated critical thinking on global cities. Bringing art and creative practice into the centre of discussions about the future of cities, alongside discussions of development, design, justice, health, sustainability, technology, and citizenship, this book is essential reading for anyone working at the intersections of a range of urban, cultural and visual fields, including urban studies, urban design and architecture, visual studies, cultural studies, media studies, art history, and social and cultural geography.

This collection of essays aims to revise genre theory and studies. Authors in this volume present and discuss different literary genres in transition. They investigate genre hybridization, transformation, reconciliation and evolution. Therefore, the volume reconceptualizes the theory according to novel texts and contexts in, for example, trans-generic film series, feminine poetry, and Arab women writing. It introduces new generic labels in travel literature and new sub-genres in Maghrebean literature. Genre blurs the boundaries between genre hierarchy, labels, and borderlines. We read a gothic text that encompasses trauma, testimony, resistance and history. Moreover, scholars contributing to this collection astutely point out that genres are hybrid yet flexible by nature. They adopt a cross-cultural and interdisciplinary approach to genre theory. The volume targets researchers, theorists and students reading and interpreting literary and historical texts alongside genre theory.

This book argues that COVID-19 revives a much deeper climate of terror which was instilled by terrorism and the War on Terror originally declared by Bush's administration in 2001. It discusses critically not only the consequences of COVID-19 on our daily lives but also “the end of hospitality”, at least as we know it. Since COVID-19 started spreading across the globe, it affected not only the tourism industry but also ground global trade to a halt. Governments adopted restrictive measures to stop the spread of the virus, including the closure of borders, and airspace, the introduction of strict lockdowns and social distancing, much of which led to large-scale cancellations of international and domestic flights. This book explores how global tourists, who were largely considered ambassadors of democratic and prosperous societies in the pre-pandemic days, have suddenly become undesired guests.

Written by leading scholars, this collection provides a comprehensive and authoritative overview of modern empires. Spanning the era of modern imperial history from the early sixteenth century to the present, it challenges both the rather insular focuses on specific experiences, and gives due attention to imperial formations outside the West including the Russian, Japanese, Mughal, Ottoman and Chinese. The companion is divided into three broad sections. Part I - Times - surveys the three main eras of modern imperialism. The first was that dominated by the settlement impulse, with migrants - many voluntarily and many more by force - making new lives in the colonies. This impulse gave way, most especially in the nineteenth century, to a period of busy and rapid expansion which was less likely to promote new settlement, and in which colonists more frequently saw their sojourn in colonial lands as temporary and related to the business mostly of governance and trade. Lastly, in the twentieth century in particular, empires began to fail and to fall. Part II - Spaces - studies the principal imperial formations of the modern world. Each chapter charts the experience of a specific empire while at the same time placing it within the complex patterns of wider imperial constellations. The individual chapters thus survey the broad dynamics of change within the empires themselves and their relationships with other imperial formations, and reflect critically on the ways in which these topics have been approached in the literature. In Part III - Themes - scholars think critically about some of the key features of imperial expansion and decline. These chapters are brief and many are provocative. They reflect the current state of the field, and suggest new lines of inquiry which may follow from more comparative perspectives on empire. The broad range of themes captures the vitality and diversity of contemporary scholarship on questions of empire and colonialism, encompassing political, economic and cultural processes central to the formation and maintenance of empires as well as institutions, ideologies and social categories that shaped the lives both of those implementing and those experiencing the force of empire. In these pages the reader will find the slave and the criminal, the merchant and the maid, the scientist and the artist alongside the structures which sustained their lives and their livelihoods. Overall, the companion emphasises the diversity of imperial experience and process. Comprehensive in its scope, it draws attention to the particularities of individual empires, rather than over-generalising as if all empires, at all times, and in all places, behaved in a similar manner. It is this contingent and historical specificity that enables us to explore in expansive ways precisely what constituted the modern empire.

This book explores the reverberating impacts between historical and contemporary imperial laboratories and their metropoles through three case studies concerning violence, surveillance and political economy. The invasions of Afghanistan in 2001 and Iraq in 2003 forced the United States to experiment and innovate in considerable ways. Faced with growing insurgencies that called into question its entire mission, the occupation authorities engaged in a series of tactical and technological innovations that changed the way it combated insurgents and managed local populations. The book presents new material to develop the argument that imperial and colonial contexts function as a laboratory in which techniques of violence, population control and economic principles are developed which are subsequently introduced into the domestic society of the imperial state. The text challenges the widely taken for granted notion that the diffusion of norms and techniques is a one-way street from the imperial metropole to the dependent or weak periphery. This work will be of great interest to scholars of international relations, critical security studies and international relations theory.

Who was Alexander von Humboldt? Was he really a lone genius? Was he another European apologist for colonialism in the Americas or the father of Latin American independence? Was he a roving Romanticist, or did his sensibilities belong to the Enlightenment? Naturalist, philosopher, historian, and proto-sociologist--to name just some of the fields to which he contributed--, Humboldt is impossible to contain in a single identity or definition. His voluminous writings range across so many different fields of knowledge that his scholarly-scientific personae multiplied even during his lifetime, and they have continued to proliferate since his death in 1859. A household word throughout the nineteenth century, Humboldt was eventually eclipsed by Charles Darwin (whose own travels had been motivated by Humboldt’s) and disappeared from view for much of the twentieth century, notably in the United States. The essays in this collection testify to the renewed interest that Alexander von Humboldt’s multi-faceted work is inspiring in the twenty-first century, especially among cultural and literary historians from both sides of the Atlantic. This book was originally published as a special issue of Atlantic Studies.