Are You Making These Mistakes In Your Writing? Amusing and thought-provoking, this A-to-Z compendium outlines common oral and written gaffes. Ambrose Bierce, a celebrated literary wit, assembled his informative compilation in 1909 from many years of observations and notes. He advocates precision in language, offering alternatives to grammatical lapses and inaccurate word choices. Times and usages have changed considerably in the past century. Bierce's strict rules remain, however, a timeless source of interest for wordsmiths and lovers of language. Bierce wrote this little book as a guide to improving writing. He states that precision is the key. Choosing the exact word and using it correctly is essential. Colloquialisms and vulgar language have no place is serious writing. A writer must use his values in determining what is appropriate. The lessons Bierce gives in this book are as appropriate today as they were a century ago. Get Your Copy Now

Not all locutions blacklisted herein are always to be reprobated as universal outlaws. Excepting in the case of capital offenders—expressions ancestrally vulgar or irreclaimably degenerate—absolute proscription is possible as to serious composition only; in other forms the writer must rely on his sense of values and the fitness of things. While it is true that some colloquialisms and, with less of license, even some slang, may be sparingly employed in light literature, for point, piquancy or any of the purposes of the skilled writer sensible to the necessity and charm of keeping at least one foot on the ground, to others the virtue of restraint may be commended as distinctly superior to the joy of indulgence.

In 1893, Ambrose Bierce declared "I am for preserving the ancient, primitive distinction between right and wrong." In Write it Right, originally published in 1909, Bierce turned this considerable zeal on the English language. The result revealed that the satirical author of The Devil's Dictionary had a keen ear for the vernacular--and that he hated it. This slim volume of his 300 or so reviled words and expressions contains many we use today with no hesitation at all. (Of "electrocution" he says, "To one having even an elementary knowledge of Latin grammar this word is no less than disgusting, and the thing meant by it is felt to be altogether too good for the word's inventor.") Jan Freeman, author of the weekly column "The Word" for the Boston Globe, annotates Bierce's rulings with style, humor, and in-depth research, revealing what Bierce got right--and what he didn't--and giving insight into how the language has changed over the past century. Write it Right, with its incisive wit and insight into the history of American English, is the perfect gift for word curmudgeons everywhere.

DigiCat Publishing presents to you this special edition of "Write It Right: A Little Blacklist of Literary Faults" by Ambrose Bierce. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.

The author's main purpose in this book is to teach precision in writing; and of good writing (which, essentially, is clear thinking made visible) precision is the point of capital concern. It is attained by choice of the word that accurately and adequately expresses what the writer has in mind, and by exclusion of that which either denotes or connotes something else. As Quintilian puts it, the writer should so write that his reader not only may, but must, understand. Few words have more than one literal and serviceable meaning, however many metaphorical, derivative, related, or even unrelated, meanings lexicographers may think it worth while to gather from all sorts and conditions of men, with which to bloat their absurd and misleading dictionaries. This actual and serviceable meaning—not always determined by derivation, and seldom by popular usage—is the one affirmed, according to his light, by the author of this little manual of solecisms. Narrow etymons of the mere scholar and loose locutions of the ignorant are alike denied a standing.

Excerpt from Write It Right: A Little Blacklist of Literary Faults The author's main purpose in this book is to teach precision in writing; and of good writing (which, essentially, is clear thinking made visible) precision is the point of capital concern. It is attained by choice of the word that accurately and adequately expresses what the writer has in mind, and by exclusion of that which either denotes or connotes something else. As Quintilian puts it, the writer should so write that his reader not only may, but must, understand. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

Several hundred of Bierce's pet peeves. Bierce's list includes some distinctions still familiar today-the which-that rule, less vs. fewer, lie and lay - but it also abounds in now-forgotten shibboleths: Ovation, the critics of his time agreed, meant a Roman triumph, not a round of applause. Reliable was an ill-formed coinage, not for the discriminating. Donate was pretentious, jeopardize should be jeopard, demean meant "comport oneself," not "belittle." And Bierce made up a few peeves of his own for good measure. We should say "a coating of paint," he instructed, not "a coat." We are delighted to publish this classic book as part of our extensive Classic Library collection. Many of the books in our collection have been out of print for decades, and therefore have not been accessible to the general public. The aim of our publishing program is to facilitate rapid access to this vast reservoir of literature, and our view is that this is a significant literary work, which deserves to be brought back into print after many decades. The contents of the vast majority of titles in the Classic Library have been scanned from the original works. To ensure a high quality product, each title has been meticulously hand curated by our staff. Our philosophy has been guided by a desire to provide the reader with a book that is as close as possible to ownership of the original work. We hope that you will enjoy this wonderful classic work, and that for you it becomes an enriching experience

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Write It Right: Large Print By Ambrose Bierce The author's main purpose in this book is to teach precision in writing; and of good writing (which, essentially, is clear thinking made visible) precision is the point of capital concern. It is attained by choice of the word that accurately and adequately expresses what the writer has in mind, and by exclusion of that which either denotes or connotes something else. As Quintilian puts it, the writer should so write that his reader not only may, but must, understand.

Write It Right: A Little Blacklist of Literary Faults is a classic English language usage guide by the great American author and humorist, Ambrose Bierce. Bierce writes: "The author's main purpose in this book is to teach precision in writing; and of good writing (which, essentially, is clear thinking made visible) precision is the point of capital concern. It is attained by choice of the word that accurately and adequately expresses what the writer has in mind, and by exclusion of that which either denotes or connotes something else. As Quintilian puts it, the writer should so write that his reader not only may, but must, understand. Few words have more than one literal and serviceable meaning, however many metaphorical, derivative, related, or even unrelated, meanings lexicographers may think it worth while to gather from all sorts and conditions of men, with which to bloat their absurd and misleading dictionaries. This actual and serviceable meaning--not always determined by derivation, and seldom by popular usage--is the one affirmed, according to his light, by the author of this little manual of solecisms. Narrow etymons of the mere scholar and loose locutions of the ignorant are alike denied a standing."