The Civil War fascinates Americans like no other war in their history. Many Americans are still fighting some of the war’s issues in an Odyssey that stretches back to the first settlement and will persist until the end of time. The war itself was an Iliad of brilliant generals like Grant, Sherman, and Sheridan for the Union, or Lee, Jackson, and Forrest for the Confederacy; epic battles like Gettysburg and Chickamauga; epic sieges like Vicksburg and Petersburg; and epic naval combats such as Monitor versus Merrimack, or Kearsarge versus Alabama. It was America’s most horrific war, with more dead than all others combined. Around 625,000 soldiers and 125,000 civilians died from various causes, bringing the total to 750,000 people. Of 31 million Americans, 2.1 million northerners and 880,000 southerners donned uniforms. Why did eleven states eventually ban together to rebel against the United States? President Jefferson Davis began an answer when he said: ‘If the Confederacy falls, there should be written on its tombstone, Died of a Theory.’ That theory justified the enslavement of blacks by whites as a natural right and duty of a superior race over an inferior race; a theory, it was believed, that morally and economically elevated both races. Although slavery was the Civil War’s core cause, there were related chronic conflicts over the nature of government, citizenship, liberty, property, equality, wealth, race, identity, justice, crime, voting, power, and history – some of which issues have never entirely gone away. America’s Unending Civil War is unique among thousands of books on the subject. None before has explored the Civil War’s related and enduring conflicts of ideas and principles through four centuries of a nation’s history.

Finalist for the Pulitzer Prize in History Winner of the Gov. John Andrew Award (Union Club of Boston) An acclaimed, groundbreaking, and “powerful exploration” (Washington Post) of the fate of Union veterans, who won the war but couldn’t bear the peace. For well over a century, traditional Civil War histories have concluded in 1865, with a bitterly won peace and Union soldiers returning triumphantly home. In a landmark work that challenges sterilized portraits accepted for generations, Civil War historian Brian Matthew Jordan creates an entirely new narrative. These veterans— tending rotting wounds, battling alcoholism, campaigning for paltry pensions— tragically realized that they stood as unwelcome reminders to a new America eager to heal, forget, and embrace the freewheeling bounty of the Gilded Age. Mining previously untapped archives, Jordan uncovers anguished letters and diaries, essays by amputees, and gruesome medical reports, all deeply revealing of the American psyche. In the model of twenty-first-century histories like Drew Gilpin Faust’s This Republic of Suffering or Maya Jasanoff ’s Liberty’s Exiles that illuminate the plight of the common man, Marching Home makes almost unbearably personal the rage and regret of Union veterans. Their untold stories are critically relevant today.

The first thorough analysis of Scandinavian Americans, examining citizenship, settler colonialism and whiteness in the Civil War era.

Winner of the Lincoln Prize A landmark Civil War history told from a fresh, deeply researched ground-level perspective. At the crux of America’s history stand two astounding events: the immediate and complete destruction of the most powerful system of slavery in the modern world, followed by a political reconstruction in which new constitutions established the fundamental rights of citizens for formerly enslaved people. Few people living in 1860 would have dared imagine either event, and yet, in retrospect, both seem to have been inevitable. In a beautifully crafted narrative, Edward L. Ayers restores the drama of the unexpected to the history of the Civil War. From the same vantage point occupied by his unforgettable characters, Ayers captures the strategic savvy of Lee and his local lieutenants, and the clear vision of equal rights animating black troops from Pennsylvania. We see the war itself become a scourge to the Valley, its pitched battles punctuating a cycle of vicious attack and reprisal in which armies burned whole towns for retribution. In the weeks and months after emancipation, from the streets of Staunton, Virginia, we see black and white residents testing the limits of freedom as political leaders negotiate the terms of readmission to the Union. With analysis as powerful as its narrative, here is a landmark history of the Civil War.

The 6th Michigan Volunteer Infantry first deployed to Baltimore, where the soldiers' exemplary demeanor charmed a mainly secessionist population. Their subsequent service along the Mississippi River was a perfect storm of epidemic disease, logistical failures, guerrilla warfare, profiteering, martinet West Pointers and scheming field officers, along with the doldrums of camp life punctuated by bloody battles. The Michiganders responded with alcoholism, insubordination and depredations. Yet they saved the Union right at Baton Rouge and executed suicidal charges at Port Hudson. This first modern history of the controversial regiment concludes with a statistical analysis, a roster and a brief summary of its service following conversion to heavy artillery.

In this never before published diary, 29-year-old surgeon James Fulton transports readers into the harsh and deadly conditions of the Civil War as he struggles to save the lives of the patients under his care. Fulton joined a Union army volunteer regiment in 1862, only a year into the Civil War, and immediately began chronicling his experiences in a pocket diary. Despite his capture by the Confederate Army at Gettysburg and the confiscation of his medical tools, Fulton was able to keep his diary with him at all times. He provides a detailed account of the next two years, including his experiences treating the wounded and diseased during some of the most critical campaigns of the Civil War and his relationships with soldiers, their commanders, civilians, other health-care workers, and the opposing Confederate army. The diary also includes his notes on recipes for medical ailments from sore throats to syphilis. In addition to Fulton's diary, editor Robert D. Hicks and experts in Civil War medicine provide context and additional information on the practice and development of medicine during the Civil War, including the technology and methods available at the time, the organization of military medicine, doctor-patient interactions, and the role of women as caregivers and relief workers. Civil War Medicine: A Surgeon's Diary provides a compelling new account of the lives of soldiers during the Civil War and a doctor's experience of one of the worst health crises ever faced by the United States.

How are we to comprehend, diagnose, and counter a system of racist subjugation so ordinary it has become utterly asymptomatic? Challenging the prevailing literary critical inclination toward what makes texts exceptional or distinctive, Genre and White Supremacy in the Postemancipation United States underscores the urgent importance of genre for tracking conventionality as it enters into, constitutes, and reproduces ordinary life. In the wake of emancipation's failed promise, two developments unfolded: white supremacy amassed new mechanisms and procedures for reproducing racial hierarchy; and black freedom developed new practices for collective expression and experimentation. This new racial ordinary came into being through new literary and cultural genres--including campus novels, the Ladies' Home Journal, Civil War elegies, and gospel sermons. Through the postemancipation interplay between aesthetic conventions and social norms, genre became a major influence in how Americans understood their social and political affiliations, their citizenship, and their race. Travis M. Foster traces this thick history through four decades following the Civil War, equipping us to understand ordinary practices of resistance more fully and to resist ordinary procedures of subjugation more effectively. In the process, he provides a model for how the study of popular genre can reinvigorate our methods for historicizing the everyday.

The American Civil War left indelible marks on America’s imagination, collectively and as individuals. In the century and a half since the war, musicians have written songs, writers have crafted histories and literature, and filmmakers recreated scenes from the battlefield. Beyond popular media, the battle rages on during sporting events where Civil War-inspired mascots carry on old traditions. The war erupts on tabletops and computer screens as gamers fight the old fights. Elsewhere, men and women dress in uniforms and home-spun clothes to don the mantel of people long gone. Central to “history” is the idea of “story.” Civil War history remains full of stories. They inspire us, they inform us, they educate us, they entertain us. We all have our favorite books, movies, and songs. We all marvel at the spectacle of a reenactment—and flinch with startled delight when the cannons fire. But those stories can fool us, too. Entertainments can seduce us into forgetting the actual history in favor of a more romanticized version or whitewashed memory. The Civil War and Pop Culture: Favorite Stories and Fresh Perspectives from the Historians at Emerging Civil War explores some of the ways people have imagined and re-imaged the war, at the tension between history and art, and how those visions have left lasting marks on American culture. This collection of essays brings together the best scholarship from Emerging Civil War’s blog, symposia, and podcast—all of it revised and updated—coupled with original piece, designed to shed new light and insight on some of the most entertaining, nostalgic, and evocative connections we have to the war.

Four years of bloodshed in mid-1980s Northern Ireland, in the words of British soldiers who experienced it firsthand. Includes photos. Proceeding month-by-month from 1984 through 1987, this historical project provides a deep and detailed portrait of the British military experience in a period of frequent and unpredictable violence as the Provisional IRA grew in financial and logistical strength. As British Security Forces worked to contain the chaos, the Republican terror group fully embraced Danny Morrison’s mantra— “The Armalite and the ballot box”—as they moved toward a realization that the British military could not be beaten, but that they could at least sit down with them from a position of strength. The goal was to keep up the pressure and force the British government to the bargaining table. But as the Provisionals and Loyalists fought, talked, and then fought again, a further 356 people died. Through oral histories, witness accounts, photos, and commentary, this book covers every major incident of the period, from the ambush of off-duty UDR soldier Robert Elliott to the bombing of Enniskillen. It also looks at the continued interference of the United States and the vast contribution of its citizens through NORAID, which ensured the killing and violence would continue. Lamenting brutality and the targeting of innocents regardless of the perpetrator’s sympathies, veteran Ken Wharton, who has chronicled the Troubles extensively, reminds us of the universal threat, and horrifying toll, of terrorist tactics.

Multiculturalism is one of the most controversial topics in both the United States and Germany.This interdisciplinary collection of essays by German scholars in American Studies and American scholars in German Studies analyze the "other" from this dual perspective and from their respective disciplines such as literary and cultural studies, political science, anthropology,and history. More particularly they examine multiculturalism in terms of national and ethnic identities, as well as gender and race, and look at the disciplines and institutions that produce and legitimize discourses on subjects such as minority literatures, feminism, and the notion of foreignness itself. What becomes clear is the fact that careful attention must be paid to the particular conditions and different ideological concepts that shape this term, i.e., the "national" historical, political, social, and institutional contexts in which it appears, circulates, and accrues meanings. Contributors: G. Welz, T. Brennan, B. Ostendorf, R. Hof, S. Lennox, A. Koenen, F. Hajek, C.Gersdorf, G. H. Lenz, F. Trommler, H. C. Seeba, A. Seyhan, A. Hornung, B. Thomas, G. O. Kvistad, H.-J. Puhle