From Steven Spielberg's Lincoln to Clint Eastwood's American Sniper, this fifth edition of this classic film study text adds even more recent films and examines how these movies depict and represent the feelings and values of American society. One of the few authoritative books about American film and society, American Film and Society since 1945 combines accessible, fun-to-read text with a detailed, insightful, and scholarly political and social analysis that thoroughly explores the relationship of American film to society and provides essential historical context. The historical overview provides a "capsule analysis" of both American and Hollywood history for the most recent decade as well as past eras, in which topics like American realism; Vietnam, counterculture revolutions, and 1960s films; and Hollywood depictions of big business like Wall Street are covered. Readers will better understand the explicit and hidden meanings of films and appreciate the effects of the passion and personal engagement that viewers experience with films. This new edition prominently features a new chapter on American and Hollywood history from 2010 to 2017, giving readers an expanded examination of a breadth of culturally and socially important modern films that serves student research or pleasure reading. The coauthors have also included additional analysis of classic films such as To Kill a Mockingbird (1962) and A Face in the Crowd (1957).

Although films rarely act as mirror reflections of everyday reality, they are, nevertheless, powerful cultural expressions of the dreams and desires of the American public. This work provides a complete post-World War II survey of American cinema and its often complex and contradictory values.

American popular culture changed dramatically during the Vietnam era. This book explores the popular culture that shaped the baby boomers and the transformation that generation wrought in movies, television, sports, and music. It looks at the ways in which these cultural elements reflected the upheaval and unrest in Vietnam era America.

A readerʼs guide is provided to assist readers in locating entries on related topics. It classifies entries into 14 general categories: Causes, Cities, Demography and Characteristics, Health issues, History, Housing, Legal issues, Advocacy and policy, Lifestyle issues, Organizations, Perceptions of homelessness, Populations, Research, Service systems and settings, World perspectives and issues.

Ice hockey has featured in North American films since the early days. Hockey's sizable cinematic repertoire explores different views of the sport, including the role of aggression, the business of sports, race and gender, and the role of women in the game. This critical study focuses on hockey themes in more than 50 films and television movies from the U.S. and Canada spanning several decades. Depictions of historical games are discussed, including the 1980 "Miracle on Ice" and the 1972 Summit Series. National myths that inform ideas of the hockey player are examined. Production techniques that enhance hockey as on-screen spectacle are covered.

How can we understand the history of film? Historical facts don’t answer the basic questions of film history. History, as this fascinating book shows, is more than the simple accumulation of film titles, facts and figures. This is a survey of over 100 years of cinema history, from its beginnings in 1895, to its current state in the 21st century. An accessible, introductory text, Movie History: A Survey looks at not only the major films, filmmakers, and cinema institutions throughout the years, but also extends to the production, distribution, exhibition, technology and reception of films. The textbook is divided chronologically into four sections, using the timeline of technological changes Written by two highly respected film scholars and experienced teachers, Movie History is the ideal textbook for students studying film history.

A wide-ranging and idiosyncratic look at sixty years of politics and film that uncovers how American movies have mirrored and even challenged anxieties and paranoid perceptions embedded in American society since the start of the Cold War. The first book to take a sweeping look at 60 years of film and analyze them thematically.

The cinema has been the pre-eminent popular art form of the 20th century. In Cinemas of the World, James Chapman examines the relationship between film and society in the modern world: film as entertainment medium, film as a reflection of national cultures and preoccupations, film as an instrument of propaganda. He also explores two interrelated issues that have recurred throughout the history of cinema: the economic and cultural hegemony of Hollywood on the one hand, and, on the other, the attempts of film-makers elsewhere to establish indigenous national cinemas drawing on their own cultures and societies. Chapman examines the rise to dominance of Hollywood cinema in the silent and early sound periods. He discusses the characteristic themes of American movies from the Depression to the end of the Cold War especially those found in the western and film noir – genres that are often used as vehicles for exploring issues central to us society and politics. He looks at national cinemas in various European countries in the period between the end of the First World War and the end of the Second, which all exhibit the formal and aesthetic properties of modernism. The emergence of the so-called "new cinemas" of Europe and the wider world since 1960 are also explored. "Chapman is a tough-thinking, original writer . . . an engaging, excellent piece of work."—David Lancaster, Film and History

The impact of war on American society has been extensive throughout our nation's history. War has transformed economic patterns, government policy, public sentiments, social trends and cultural expression. SAGE Reference is proud to announce the Encyclopedia of War and American Society. This Encyclopedia is a comprehensive, highly-credentialed multidisciplinary historical work that examines the numerous ways wars affect societies. The three volumes cover a wide range of general thematic categories, issues, and topics that address not only the geopolitical effects of war, but also show how the U.S. engagement in national and international conflicts has affected the social and cultural arena. Key Features Explores and analyzes three types of effects of war—direct effects, interactive relationships, and indirect effects—to illustrate the range of connections between war and American society Probes the correlations between our wartime expeditions and the experiences of the greater American society not limited to just the war years but also demonstrates how the wartime event impacted society after the conflicts ended Offers readers a host of documents including passages from letters, diaries, autobiographies, official documents, novels, poems, songs, and cartoons, as well as images, graphs, and a number of tables of relevant data, surveys, and public opinion polls to extend their research capabilities Concentrates mostly on the last 100 years to give more coverage on this often neglected wartime era Key Themes Arts and Culture Civil-Military Relations Economy and Labor Education (both military and civilian) Environment and Health Journalism and Media Law and Justice Military Leaders and Figures Planning, Command and Control Race, Gender, and Ethnicity Religion Science and Technology Veterans' Issues and Experiences The Wars themselves and their civilian and military leaders The Encyclopedia of War and American Society is a must-have reference for all academic libraries as well as a welcome addition to any social science reference collection.