Told more as stories than history lessons, the biographies in American National Biography, Supplement 2 recount the tales of all the different people who shaped America--leaders, composers, entertainers, entrepreneurs, writers, scientists, and outlaws. Each one written by an expert in the field and masterfully woven together to present the most accurate and up-to-date information, the entries bring forth a powerful narrative of America's past and some of the most important figures that went into its formation.As the second in a series, iSupplement 2r includes a fascinating miscellany of 450 lives, ranging from 19th-century eccentric Joshua Abraham Norton who died in 1880, to President Reagan and Rodney Dangerfield, who died in 2004. Supplement 2 includes hundreds of figures of note from the past not included in the original edition of the ANB or Supplement 1.New biographies not in the original set as well as articles first published in the ANB Online are included in the Supplement. The result is hour after absorbing hour spent exploring the literary worlds of Ken Kesey and Eudora Welty, the music of Tito Puente and Perry Como, numerous statesmen and politicians and many, many others.With over 500 new listings, bibliographies after each entry, and a cumulative revised index of occupations and realms of renown, Supplement 2 continues the ANB tradition of bringing the people who have meant so much to this country to the forefront.Visit www.anb.org for more information

American National Biography is the first new comprehensive biographical dicionary focused on American history to be published in seventy years. Produced under the auspices of the American Council of Learned Societies, the ANB contains over 17,500 profiles on historical figures written by an expert in the field and completed with a bibliography. The scope of the work is enormous--from the earlest recorded European explorations to the very recent past.

In Canadian Carnival Freaks and the Extraordinary Body, 1900-1970s, Nicholas offers a sophisticated analysis of the place of the freak show in twentieth-century culture

From Idols to Antiquity explores the origins and tumultuous development of the National Museum of Mexico and the complicated histories of Mexican antiquities during the first half of the nineteenth century. Following independence from Spain, the National Museum of Mexico was founded in 1825 by presidential decree. Nationhood meant cultural as well as political independence, and the museum was expected to become a repository of national objects whose stories would provide the nation with an identity and teach its people to become citizens. Miruna Achim reconstructs the early years of the museum as an emerging object shaped by the logic and goals of historical actors who soon found themselves debating the origin of American civilizations, the nature of the American races, and the rightful ownership of antiquities. Achim also brings to life an array of fascinating characters--antiquarians, naturalists, artists, commercial agents, bureaucrats, diplomats, priests, customs officers, local guides, and academics on both sides of the Atlantic--who make visible the rifts and tensions intrinsic to the making of the Mexican nation and its cultural politics in the country's postcolonial era.

“A compelling, spellbinding examination of a pivotal event in civil rights history . . . a highly readable and dramatic account of a major turning point.” —Journal of African-American History Black Americans in the Jim Crow South could not escape the grim reality of racial segregation, whether enforced by law or by custom. In Freedom’s Main Line: The Journey of Reconciliation and the Freedom Rides, author Derek Charles Catsam shows that courtrooms, classrooms, and cemeteries were not the only front lines in African Americans’ prolonged struggle for basic civil rights. Buses, trains, and other modes of public transportation provided the perfect means for civil rights activists to protest the second-class citizenship of African Americans, bringing the reality of the violence of segregation into the consciousness of America and the world. Freedom’s Main Line argues that the Freedom Rides, a turning point in the Civil Rights Movement, were a logical, natural evolution of such earlier efforts as the Journey of Reconciliation, relying on the principles of nonviolence so common in the larger movement. The impact of the Freedom Rides, however, was unprecedented, fixing the issue of civil rights in the national consciousness. Later activists were often dubbed Freedom Riders even if they never set foot on a bus. With challenges to segregated transportation as his point of departure, Catsam chronicles black Americans’ long journey toward increased civil rights. Freedom’s Main Line tells the story of bold incursions into the heart of institutional discrimination, journeys undertaken by heroic individuals who forced racial injustice into the national and international spotlight and helped pave the way for the landmark Civil Rights Act of 1964.

Experimentalisms in Practice explores the multiple sites in which experimentalism emerges and becomes meaningful beyond Eurocentric interpretative frameworks. Challenging the notion of experimentalism as defined in conventional narratives, contributors take a broad approach to a wide variety of Latin@ and Latin American music traditions conceived or perceived as experimental. The conversation takes as starting point the 1960s, a decade that marks a crucial political and epistemological moment for Latin America; militant and committed aesthetic practices resonated with this moment, resulting in a multiplicity of artistic and musical experimental expressions. Experimentalisms in Practice responds to recent efforts to reframe and reconceptualize the study of experimental music in terms of epistemological perspective and geographic scope, while also engaging traditional scholarship. This book contributes to the current conversations about music experimentalism while providing new points of entry to further reevaluate the field.

This account of the Morgan family’s social and economic circles and Wall Street’s unspoken rules “greatly enriches our understanding of the entire era.” —The Wall Street Journal Gentlemen Bankers investigates the social and economic circles of one of America’s most renowned and influential financiers to uncover how the Morgan family’s power and prestige stemmed from its unique position within a network of local and international relationships. At the turn of the twentieth century, private banking was a personal enterprise in which business relationships were a statement of identity and reputation. In an era when ethnic and religious differences were pronounced and anti-Semitism was prevalent, Anglo-American and German-Jewish elite bankers lived in their respective cordoned communities, seldom interacting with one another outside the business realm. Ironically, the tacit agreement to maintain separate social spheres made it easier to cooperate in purely financial matters on Wall Street. But as Susie Pak demonstrates, the Morgans’ exceptional relationship with the German-Jewish investment bank Kuhn, Loeb & Co., their strongest competitor and also an important collaborator, was entangled in ways that went far beyond the pursuit of mutual profitability. Delving into the archives of many Morgan partners and legacies, Gentlemen Bankers draws on never-before published letters and testimony to tell a closely focused story of how economic and political interests intersected with personal rivalries and friendships among the Wall Street aristocracy during the first half of the twentieth century.

After a patrol lasting 139 years, the Confederate States Submarine H.L. Hunley has returned home. "The Long Patrol" describes how the world's first operational submarine was designed and built. As this part of the story is methodically unveiled, the characters of Horace Lawson Hunley and the Confederate military officers who backed him come to life and step off the pages of the book. On another level, this book is an indispensable social history of the Confederacy during its slow death. It concludes with a description of the burial of the crew of the H.L. Hunley, . In his discussion of the likely causes for the loss of the Hunley, Mike Kozlowski's description of exhaustion, exposure, cold, ever-decreasing oxygen levels and the multiplying factors of ill-health, concussion and long tern malnutrition all strike a resonant chord. His is the most likely and well-substantiated explanation for the loss of the Hunley and one that fits well with information gained during the recovery of the sunken submarine.

By November of 1895, it is estimated that Schlatter was treating thousands of people every day, and the neighborhood in which he was staying was overrun with the sick and lame, their families, reporters from across the country, and hucksters hoping to make a quick buck off the local attention. Then, one night, Schlatter simply vanished. Eighteen months later, his skeleton was reportedly found on a mountainside in Mexico's Sierra Madre range, finally bringing Schlatter's great healing ministry to an end. Or did it? Within hours of the announcement of Schlatter's found remains, a long-haired man emerged in Cleveland to say that he was Francis Schlatter, and the next twenty-five years, several others claimed to be Denver's great healer.

Betty Boop is an iconic figure that will endure through the decades. Recognizable from cartoons and film shorts, she can be found adorning almost everything from motorcycle merchandise to household items and clothing. Just about anything you can think of, her sexy little figure can be seen on it. But few people know the voice that helped make her into the icon she is.Mae Questel was an American actress and vocal artist who put the boop in the boop boop a doop. It was because of Mae Questel that Betty Boop has a characteristic voice heard and remembered by millions. Historian James D. Taylor provides a look into the life of a wonderful woman and the contributions she made to American pop culture. She was dedicated to her work and remained active until the last ten years of her long life.Woody Allen, Lou Hirsch, Doris Roberts and Bob Newhart shared their accounts of Mae Questel with the author, and he listened to hundreds of hours of old audio recordings and viewed many hours of film to accumulate material for this biography. With every hour, he says, his respect grew for this admirable and talented woman who entertained millions of people.