American Psychic & Medium Magazine. April 2017.in full colors. Also available in ECONOMY EDITION in black & white. Gracing the cover: Danielle Nijhuis, Psychic of the Month. Contents:Silly jargon of the spirituals. What you should do and should not do when you talk to a psychic. The 4 stages of the afterlife. Where is located the world of spirit, and what dead people do in the afterlife?. How to talk to ghosts. The unimaginable world of Djinn and Afarit. How negative energy destroys people. You are doomed if you live in these areas. The worst spots on Earth and in America. How to understand the Aura. How to eliminate evil thoughts and malicious vibrations targeting your well-being. The stunning beauty of paintings from the afterlife. Prediction: Ivanka Trump will be elected vice president.

American Psychic & Medium Magazine. January 2017. In full colors. Deluxe EditionAmerican Psychic & Medium Magazine. January 2016. In full colors. Deluxe Edition. Published by the American Federation of Certified Psychics and Mediums, New York. Also available in "Economy Edition" black and white interior. Contents: COVER STORY: Patrice Cole, the most influential and prettiest astrologer in the universe. Every Witch Way by Patti Negri. Reiki by Sunanda Sharma.The world of spirit and beyond by Angeline Kim-Kyna Tan. The disgraceful Cold Reading and Hot Reading! How to spot a fake psychic.Interviews with Chat with Patti Negri, Jennifer Wallens, Melissa Stamps, Vickie Gay. The whole truth about the afterlife by Maximillien de Lafayette. The etheric-astral body. Description of the geographical location and different zones and levels of life afterlife. New York 6th international vote: The United State and the world's best lightworkers. By name, category and rank.

American Psychic & Medium Magazine. January 2017. Published by the American Federation of Certified Psychics and Mediums, New York. Also available in "Economy Edition" black and white interior. Contents: COVER STORY: Patrice Cole, the most influential and prettiest astrologer in the universe. Every Witch Way by Patti Negri. The whole truth about the afterlife by Maximillien de Lafayette. The Near-Death Experience. Landscape of the afterlife. Description of the geographical location and different zones and levels of life afterlife. Materialization of the spirit of Ahmad Chawki. The awful existence of souls in the lower parts of the afterlife. Apparitions and materialization of dead people (Materialized spirits). New York 6th international vote: The United State and the world's best lightworkers. By name, category and rank.

WeChat (the international version of Weixin), launched in 2012, has rapidly become the most favoured Chinese social media. Globally available, equally popular both inside and outside China and widely adopted by Chinese migrants, WeChat has fundamentally changed the ways in which Mandarin-speaking migrants conduct personal messaging, engage in group communication and community business activities, produce and distribute news, and access and share information. This book explores a wide range of issues connected to the ways in which WeChat works and is used, across the world among the newest members of the Chinese diaspora. Arguing that digital/social media afford a great degree of individual agency, as well as a collective capacity for sustaining an ‘imagined community’, the book shows how WeChat’s assemblage of infrastructure and regulatory frameworks, technical capabilities, content and sense of community has led to the construction of a particular kind of diasporic Chinese world, at a time marked both by China’s rise, and anxiety about Chinese influence in the West. Chapter 2 of this book is freely available as a downloadable Open Access PDF at http://www.taylorfrancis.com under a Creative Commons Attribution-Non Commercial-No Derivatives (CC-BY-NC-ND) 4.0 license.

This two-volume encyclopedia explores representations of people of color in American television. It includes overview essays on early, classic, and contemporary television and the challenges for, developments related to, and participation of minorities on and behind the screen. Covering five decades, this encyclopedia highlights how race has shaped television and how television has shaped society. Offering critical analysis of moments and themes throughout television history, Race in American Television shines a spotlight on key artists of color, prominent shows, and the debates that have defined television since the civil rights movement. This book also examines the ways in which television has been a site for both reproduction of stereotypes and resistance to them, providing a basis for discussion about racial issues in the United States. This set provides a significant resource for students and fans of television alike, not only educating but also empowering readers with the necessary tools to consume and watch the small screen and explore its impact on the evolution of racial and ethnic stereotypes in U.S. culture and beyond. Understanding the history of American television contributes to deeper knowledge and potentially helps us to better apprehend the plethora of diverse shows and programs on Netflix, Hulu, YouTube, and other platforms today.

This study analyzes the impact of color-making technologies on the visual culture of nineteenth-century France, from the early commercialization of synthetic dyes to the Lumière brothers’ perfection of the autochrome color photography process. Focusing on Impressionist art, Laura Anne Kalba examines the importance of dyes produced in the second half of the nineteenth century to the vision of artists such as Edgar Degas, Pierre-Auguste Renoir, and Claude Monet. The proliferation of vibrant new colors in France during this time challenged popular understandings of realism, abstraction, and fantasy in the realms of fine art and popular culture. More than simply adding a touch of spectacle to everyday life, Kalba shows, these bright, varied colors came to define the development of a consumer culture increasingly based on the sensual appeal of color. Impressionism—emerging at a time when inexpensively produced color functioned as one of the principal means by and through which people understood modes of visual perception and signification—mirrored and mediated this change, shaping the ways in which people made sense of both modern life and modern art. Demonstrating the central importance of color history and technologies to the study of visuality, Color in the Age of Impressionism adds a dynamic new layer to our understanding of visual and material culture.

Drawing from mindfulness education and social justice teaching, this book explores an effective Anti-Oppression pedagogy for university and college classrooms. Authentic classroom discussions about oppression and diversity can be difficult; a mindful approach allows students to explore their experiences with compassion and to engage in critical inquiry to confront their deeply held beliefs and value systems. This engaging book is full of practical tips for deepening learning, addressing challenging situations, and providing mindfulness practices in anti-oppression classrooms. In this fully revised edition, Dr. Berila positions discussion in the current context and expands exploration of power and implicit bias, transformative learning, and trauma. Integrating Mindfulness into Anti-Oppression Pedagogy is for all higher education professionals interested in and teaching Social Justice pedagogy that empowers and engages students in the complex unlearning of oppression.

The fascinating story of the transformation of American watercolor practice between 1866 and 1925 The formation of the American Watercolor Society in 1866 by a small, dedicated group of painters transformed the perception of what had long been considered a marginal medium. Artists of all ages, styles, and backgrounds took up watercolor in the 1870s, inspiring younger generations of impressionists and modernists. By the 1920s many would claim it as "the American medium." This engaging and comprehensive book tells the definitive story of the metamorphosis of American watercolor practice between 1866 and 1925, identifying the artist constituencies and social forces that drove the new popularity of the medium. The major artists of the movement - Winslow Homer, John Singer Sargent, William Trost Richards, Thomas Moran, Thomas Eakins, Charles Prendergast, Childe Hassam, Edward Hopper, Charles Demuth, and many others - are represented with lavish color illustrations. The result is a fresh and beautiful look at watercolor's central place in American art and culture.

In 2007, an unlikely troupe of 1500 Filipino prisoners became Internet celebrities after their YouTube video of Michael Jackson's ground-breaking hit 'Thriller' went viral. Taking this spectacular dance as a point of departure, Dangerous Mediations explores the disquieting development of prisoners performing punishment to a global, online audience. Combining analysis of this YouTube video with first-hand experiences from fieldwork in the Philippine prison, Áine Mangaoang investigates a wide range of interlocking contexts surrounding this user-generated text to reveal how places of punishment can be transformed into spaces of spectacular entertainment, leisure, and penal tourism. In the post-YouTube era, Dangerous Mediations sounds the call for close readings of music videos produced outside of the corporate culture industries. By connecting historical discussions on postcolonialism, surveillance and prison philosophy with contemporary scholarship on popular music, participatory culture and new media, Dangerous Mediations is the first book to ask critical questions about the politics of pop music and audiovisual mediation in early 21st-century detention centres.

Plan and deliver a curriculum to help your students connect with the humanity of others! In the wake of 2020, we need today’s young learners to be prepared to develop solutions to a host of entrenched and complex issues, including systemic racism, massive environmental problems, deep political divisions, and future pandemics that will severely test the effectiveness and equity of our health policies. What better place to start that preparation than with a social studies curriculum that enables elementary students to envision and build a better world? In this engaging guide two experienced social studies educators unpack the oppressions that so often characterize the elementary curriculum—normalization, idealization, heroification, and dramatization—and show how common pitfalls can be replaced with creative solutions. Whether you’re a classroom teacher, methods student, or curriculum coordinator, this is a book that can transform your understanding of the social studies disciplines and their power to disrupt the narratives that maintain current inequities.