George Scithers published AMRA, a leading sword and sorcery fanzine, beginning in 1959. The term "swords and sorcery" first appeared there, and AMRA became a leading proponent of the subgenre. Several of the articles originally published in AMRA were later re-printed as part of two volumes about Conan the Barbarian, which Scithers co-edited with L. Sprague de Camp. Contributors to the magazine included all the leading fantasists of the day: Poul Anderson, L. Sprague de Camp, Fritz Leiber, and many more.

George Scithers published AMRA, a leading sword and sorcery fanzine, beginning in 1959. The term "swords and sorcery" first appeared there, and AMRA became a leading proponent of the subgenre. Several of the articles originally published in AMRA were later re-printed as part of two volumes about Conan the Barbarian, which Scithers co-edited with L. Sprague de Camp. Contributors to the magazine included all the leading fantasists of the day: Poul Anderson, L. Sprague de Camp, Fritz Leiber, and many more. This volume includes work by: Karl Edward Wagner, Harry Warner, Jr., John Boardman, Poul Anderson, and more.

George Scithers published AMRA, a leading sword and sorcery fanzine, beginning in 1959. The term "swords and sorcery" first appeared there, and AMRA became a leading proponent of the subgenre. Several of the articles originally published in AMRA were later re-printed as part of two volumes about Conan the Barbarian, which Scithers co-edited with L. Sprague de Camp. Contributors to the magazine included all the leading fantasists of the day. This issue includes contributions from: Poul Anderson, Lin Carter, L. Sprague de Camp, and Larry Kafka.

Challenging received ideas about the British Poetry Revival, Luke Roberts presents a new account of experimental poetry and literary activism. Drawing on a wide range of contexts and traditions, Living in History begins by examining the legacies of empire and exile in the work of Kamau Brathwaite, J. H. Prynne, and poets associated with the Communist Party and the African National Congress. It then focuses on the work of Linton Kwesi Johnson, Denise Riley, Anna Mendelssohn and others, in the development of liberation struggles around gender, race and sexuality across the 1970s. Tracking the ambivalence between poetic ambition and political commitment, and how one sometimes interferes with the other, Luke Roberts troubles the exclusions of 'British Poetry' as a category and tests the claims made on behalf avant-garde and experimental poetics against the historical record. Bringing together both major and neglected authorships and offering extended close readings, fresh archival research and new contextual evidence, Living in History is an ambitious and exciting intervention in the field.

This magnificent volume explores the epochal transformations and unexpected continuities in the Byzantine Empire from the 7th to the 9th century. At the beginning of the 7th century, the Empire's southern provinces, the vibrant, diverse areas of North Africa and the eastern Mediterranean, were at the crossroads of exchanges reaching from Spain to China. These regions experienced historic upheavals when their Christian and Jewish communities encountered the emerging Islamic world, and by the 9th century, an unprecedented cross- fertilization of cultures had taken place. This extraordinary age is brought vividly to life in insightful contributions by leading international scholars, accompanied by sumptuous illustrations of the period's most notable arts and artifacts. Resplendent images of authority, religion, and trade—embodied in precious metals, brilliant textiles, fine ivories, elaborate mosaics, manuscripts, and icons, many of them never before published— highlight the dynamic dialogue between the rich array of Byzantine styles and the newly forming Islamic aesthetic. With its masterful exploration of two centuries that would shape the emerging medieval world, this illuminating publication provides a unique interpretation of a period that still resonates today.

The massive intentional destruction of cultural heritage during the 1992-1995 Bosnian War targeting a historically diverse identity provoked global condemnation and became a seminal marker in the discourse on cultural heritage. It prompted an urgent reassessment of how cultural property could be protected in times of conflict and led to a more definitive recognition in international humanitarian law that destruction of a people's cultural heritage is an aspect of genocide. Yet surprisingly little has been published on the subject. This wide-ranging book provides the first comprehensive overview and critical analysis of the destruction of Bosnia-Herzegovina's cultural heritage and its far-reaching impact. Scrutinizing the responses of the international community during the war (including bodies like UNESCO and the Council of Europe), the volume also analyses how, after the conflict ended, external agendas impinged on heritage reconstruction to the detriment of the broader peace process and refugee return. It assesses implementation of Annex 8 of the Dayton Peace Agreement, a unique attempt to address the devastation to Bosnia's cultural heritage, and examines the treatment of war crimes involving cultural property at the International Criminal Tribunal for the former Yugoslavia (ICTY). With numerous case studies and plentiful illustrations, this important volume considers questions which have moved to the foreground with the inclusion of cultural heritage preservation in discussions of the right to culture in human rights discourse and as a vital element of post-conflict and development aid.