A gay man who fled his hometown in a cloud of scandal and guilt returns home to his estranged family—and the boy he left behind The first call is from Wally Day’s estranged mother, begging him to come home. The second is from Sebastian Garafolo, a Brown’s Mill cop Wally last spoke to when he confessed to having underage sex in the old apple orchard. Today, Garafolo is calling about something else entirely: Wally’s cousin Kyle is missing. Twenty years ago, Wally fled his hometown in shame. He returns to a place that has barely changed, where he knows who walks the streets by day and who comes out at night. Now, as circumstances force him to confront the events that drove him to leave who he was far behind, Wally must also face dark truths about his family . . . about a shattering night and a crime that still haunts him and shaped the man he has become. If he has any hope of embracing the future, he must first make peace with his past. All American Boy is a stunning novel about forbidden love, forgiveness, and hard-won redemption.

"New Ideas for American Boys" by Daniel Carter Beard is a sports and amusement book for boys. According to the author's knowledge and belief, there is not a thing described in this book that has not been proved practical by the experiments of himself or some boy[vi] or boys. It is the object of the author, in the chapters devoted to animal life, to teach the boys to look upon all animals with the same thoughtful kindness with which they might view their own undeveloped brothers. Excerpt: "Bird's-Nests in Washington's Coat. All boys know that Washington loved his country, but few know that he was a bird-fancier. That the father of our country loved the native birds is attested by the fact that they built nests in the wooden wrinkles of his sleeves and in the hollow ends of the roll of parchment which he held in his hand. His favorite bird was the red-headed woodpecker. He had it on the brain, and although each year a brood of little red-headed birds were hatched in his head, the dear old patriot never made a wry face, but with a benign smile he gazed over the roof of the livery stable across the street."

In the present electronic torrent of MTV and teen flicks, Nintendo and Air Jordan advertisements, consumer culture is an unmistakably important--and controversial--dimension of modern childhood. Historians and social commentators have typically assumed that the child consumer became significant during the postwar television age. But the child consumer was already an important phenomenon in the early twentieth century. The family, traditionally the primary institution of child socialization, began to face an array of new competitors who sought to put their own imprint on children's acculturation to consumer capitalism. Advertisers, children's magazine publishers, public schools, child experts, and children's peer groups alternately collaborated with, and competed against, the family in their quest to define children's identities. At stake in these conflicts and collaborations was no less than the direction of American consumer society--would children's consumer training rein in hedonistic excesses or contribute to the spread of hollow, commercial values? Not simply a new player in the economy, the child consumer became a lightning rod for broader concerns about the sanctity of the family and the authority of the market in modern capitalist culture. Lisa Jacobson reveals how changing conceptions of masculinity and femininity shaped the ways Americans understood the virtues and vices of boy and girl consumers--and why boys in particular emerged as the heroes of the new consumer age. She also analyzes how children's own behavior, peer culture, and emotional investment in goods influenced the dynamics of the new consumer culture. Raising Consumers is a provocative examination of the social, economic, and cultural forces that produced and ultimately legitimized a distinctive children's consumer culture in the early twentieth century.

As Stephen Rojack, a decorated war hero and former congressman who murders his wife in a fashionable New York City high-rise, runs amok through the city in which he was once a privileged citizen, Mailer peels away the layers of our social norms to reveal a world of pure appetite and relentless cruelty. One part Nietzsche, one part de Sade, and one part Charlie Parker, An American Dream grabs the reader by the throat and refuses to let go.

The essays in Anticipating Total War explore the discourse on war in Germany and the United States between 1871 and 1914. The concept of "total war" provides the analytical focus. The essays reveal vigorous discussions of warfare in several forums among soldiers, statesmen, women's groups, and educators on both sides of the Atlantic. Predictions of long, cataclysmic wars were not uncommon in these discussions, while the involvement of German and American soldiers in colonial warfare suggested that future combat would not spare civilians. Despite these "anticipations of total war," virtually no one realized the practical implications in planning for war in the early twentieth century.

An insightful and wide-ranging look at one of America’s most popular genres of music, Walking the Line: Country Music Lyricists and American Culture examines how country songwriters engage with their nation’s religion, literature, and politics. Country fans have long encountered the concept of walking the line, from Johnny Cash’s “I Walk the Line” to Waylon Jennings’s “Only Daddy That’ll Walk the Line.” Walking the line requires following strict codes, respecting territories, and, sometimes, recognizing that only the slightest boundary separates conflicting allegiances. However, even as the term acknowledges control, it suggests rebellion, the consideration of what lies on the other side of the line, and perhaps the desire to violate that code. For lyricists, the line presents a moment of expression, an opportunity to relate an idea, image, or emotion. These lines represent boundaries of their kind as well, but as the chapters in this volume indicate, some of the more successful country lyricists have tested and expanded the boundaries as they have challenged musical, social, and political conventions, often reevaluating what “country” means in country music. From Jimmie Rodgers’s redefinitions of democracy, to revisions of Southern Christianity by Hank Williams and Willie Nelson, to feminist retellings by Loretta Lynn and Dolly Parton to masculine reconstructions by Merle Haggard and Cindy Walker, to Steve Earle’s reworking of American ideologies, this collection examines how country lyricists walk the line. In weighing the influence of the lyricists’ accomplishments, the contributing authors walk the line in turn, exploring iconic country lyrics that have tested and expanded boundaries, challenged musical, social, and political conventions, and reevaluated what “country” means in country music.

Reawakening an American Dream reveals the hidden secrets first-time millionaires have used to gain abundance or achieve financial freedom.