Humanity is taking its first steps out into the universe, but something otherworldly is happening closer to home. For the young Jake Darling, stories of alien experimentation and lights in the sky have become all too real, and what was once the talk of lunatics is now disturbingly true. The seventh installment of Aethertales, An Ascent to Madness blurs the lines between delusion and reality, recounting the struggle of one boy against a family that refuses to believe him, and the sinister beings that have turned his life into a terrible nightmare.

This is the only accurate translation of the main contemporary historical source for the Anabaptist kingdom of Münster (1534-35). Written by Hermann von Kerssenbrock, a young Catholic eyewitness who later became a schoolmaster, the monumental Latin original was never printed during the author’s life, and circulated only in manuscript format until the editio princeps of 1899/1900; the only previous translation was an unreliable German version written in 1771. This work contains a number of documents not otherwise available, and the author’s conceptions have had a profound influence on later interpretations of the lurid events surrounding one of the most unusual occurrences of the German Reformation. The extensive introduction and notes place the text in its historical context.

The 1st in the Dracomantium Collection, featuring 3 codices in 1 tome:* 6. Dracomeroth {Codex Satani}: Written as a result of study and experimentation in The Occult, combining various traditions and "Satanizing" them, truly giving The Devil His due. The rites written therein are a result of both meditation & the application of Greater & Lesser Magical principles which have proven by results to work. Includes The Black Book of Shadows.* 6. The Devil's Scroll {Codex Diaboli}: A collection of misanthropic, Satanically-philosophical essays providing insights into human motivations, social commentary, as well as counter-culture thought.* 6. Satanic Serenades {Codex Noctum}: Infernal Reflections upon both vital existence and mythology, written in a beautiful, sometimes terrifying polemical, imaginative Gothic style, inspiring contemplation & darkest entertainment for those who resonate to The Satanic perspective, and appreciate the sinister aesthetic.Includes previous covers.

In Fantasies of Self-Mourning Ruben Borg describes the formal features of a posthuman, cyborgian imaginary at work in modernism. The book’s central claim is that modernism invents the posthuman as a way to think through the contradictions of its historical moment. Borg develops a posthumanist critique of the concept of organic life based on comparative readings of Pirandello, Woolf, Beckett, and Flann O’Brien, alongside discussions of Alfred Hitchcock, Chris Marker, Béla Tarr, Ridley Scott and Mamoru Oshii. The argument draws together a cluster of modernist narratives that contemplate the separation of a cybernetic eye from a human body—or call for a tearing up of the body understood as a discrete organic unit capable of synthesizing desire and sense perception.

* Written by Guy Waterman, one of the Northeast's most highly respected outdoor writers * Blend of imaginative fiction and nonfiction offers an alternative to today's personality-centered climbing writing * Guy Waterman's last work In this standout collection of the writings Guy Waterman and Laura Waterman readers will discover a rich blend of outdoor adventures great and small. Some fiction, some nonfiction, all these stories explore the basic impulse to climb, its roots, and the underlying drives of remarkable individual climbers. One story, a fictionalized letter exchange between two ambitious female climbers of the Victorian Era-Fanny Bullock Workman and Annie Peck-captures the competitive spirit between them. The true story A Night in Odell Gully demonstrates that serious climbers know, better than almost anyone else in our sheltered modern life, what death and dying means. This collection is certain to be a touchstone for all who are drawn to the mountains.Only the weak fear criticism.

Two hundred years since Rabbi Nachman of Bratslav's demise, his philosophical writings and literary creation remain lively and provocative materials in both Jewish culture and the New-Age movement. Key elements of Rabbi Nachman`s magic and magnetic force are illuminated in this research, which presents Bratslavian mysticism as a unique link in the history of Jewish mysticism. The mystical worldview is the axis of this book, but its branches stretch out to key issues in the Bratslavian world such as belief and imagination, dreams and the land of Israel, melodies and song.

A compulsively readable book about the literary marriage of a great American writer and his talented yet often overlooked wife, who succumbed to madness as her husband rose to worldwide fame.

“An extraordinary life.”—The New York Times Book Review “A fitting homage to one of the great outdoor extremists.”—Kirkus Reviews Legendary climber Scott Fischer found in Mount Everest a perfect landscape for his fearless spirit. Scaling the world’s highest peak tested his skills, his courage, and his endurance. His legendary final expedition—and its tragic outcome—are portrayed in Everest, the 3-D movie adaptation starring Jake Gyllenhaal as Scott Fischer. Robert Birkby, one of Scott’s close friends, captures in this intimate and stirring portrait who Scott Fischer really was and what led him to climb to the top of the world—before he left it altogether. “A personal, uncritical biography that rounds out the portrait of Fischer sketched in Krakauer’s best-seller Into Thin Air.”—The New York Times Book Review “A much fuller picture of a climber widely critiqued in the high-profile coverage after the Everest tragedy.”—Seattle Post Intelligencer “A vivid portrait of a superb athlete whose love of mountain climbing drove everything he did.”—Ed Viesturs, author of No Shortcuts to the Top “Birkby succeeds in illuminating the power mountains can exert over the human soul.—Publishers Weekly Updated with a New Introduction and Epilogue Plus new photos exclusive to the digital edition!

A unique look at how classical notions of ascent and flight preoccupied early modern British writers and artists Between the late sixteenth century and early nineteenth century, the British imagination—poetic, political, intellectual, spiritual and religious—displayed a pronounced fascination with images of ascent and flight to the heavens. Celestial Aspirations explores how British literature and art during that period exploited classical representations of these soaring themes—through philosophical, scientific and poetic flights of the mind; the ascension of the disembodied soul; and the celestial glorification of the ruler. From textual reachings for the heavens in Spenser, Marlowe, Shakespeare, Donne and Cowley, to the ceiling paintings of Rubens, Verrio and Thornhill, Philip Hardie focuses on the ways that the history, ideologies and aesthetics of the postclassical world received and transformed the ideas of antiquity. In England, narratives of ascent appear on the grandest scale in Milton’s Paradise Lost, an epic built around a Christian plot of falling and rising, and one of the most intensely classicizing works of English poetry. Examining the reception of flight up to the Romanticism of Wordsworth and Tennyson, Hardie considers the Whig sublime, as well as the works of Alexander Pope and Edward Young. Throughout, he looks at motivations both public and private for aspiring to the heavens—as a reward for political and military achievement on the one hand, and as a goal of individual intellectual and spiritual exertion on the other. Celestial Aspirations offers an intriguing look at how creative minds reworked ancient visions of time and space in the early modern era.