A step-by-step guide for training young actors to audition well by developing acting skills. No other book puts auditioning in the context of acting training-an all-encompassing audition text.

The way some introductory acting books are written, it seems that a literal leg break is your best option. In The Young Actor's Handbook, Jeremy Kruse, an actor, writer, producer, and director who teaches method acting, acting for camera, improvisation, and sketch comedy at The Lee Strasberg Theatre and Film Institute in New York, mends this mangled genre, distilling invaluable lessons and years of experience down to a lean, mean, intuitive hundred page primer. Rather than bludgeoning the uninitiated with dense paragraphs, vague concepts, and opaque examples, The Young Actor's Handbook ignites the beginning actor's creative soul with inspirational acting exercises, acting theory, writing exercises, and insight into what it means to be an actor. This concise and pragmatic manual will guide and inform the young actor, beginning actor, novice acting teacher, or anyone who wants to understand acting through a broad and diverse survey of essential knowledge. The teachings of Richard Boleslavsky, Stella Adler, Sanford Meisner, Uta Hagen, Michael Shurtleff, Lee Strasberg, and Constantin Stanislavsky are eloquently and accessible rendered, as are basics of script analysis, camera technique, the audition mindset, agent acquisition, and the actor's life. Whether you're a curious novice, veteran acting teacher, or even an interested observer, The Young Actor's Handbook will enhance your understanding of this vast and rewarding craft.

This vital resource will steer you through the hugely competitive industry of stage, film and TV acting, offering wise advice on everything from writing an eye-catching résumé to finding an agent. It will give you a clear understanding of how acting careers are built and sustained, and how actors must position themselves in an environment overseen by directors, agents, casting directors and acting unions. Praised for its honest and critical understanding of the industry, the text has retained its status as the leading book in its field since the first edition published in 1972. Acclaimed industry professional authors Robert Cohen and James Calleri offer vast insight and experience as professors, directors, playwrights and casting directors, making the text essential reading for all students and lecturers of acting at universities, drama schools and conservatories, as well as anyone interested in pursuing and developing their career in acting.

While there are many books that attempt to teach people how to act, there are few that show aspiring actors what it takes to succeed as a working professional. The Professional Actor’s Handbook: From Casting Call to Curtain Call provides struggling artists—stage and screen actors, dancers, singers—with strategies that will help them successfully negotiate every stage of their careers. This second edition provides vital updates to reflect the current industry: Post-pandemic shifts in the industry Inclusive language Additional resources specific to various affinity groups Video auditions and self-tapes, including strategies for online auditions Julio Agustin and Kathleen Potts address a myriad of topics such as resumes, headshots, rep books, audition nerves, and marketing plans. Other strategies address how to network, how to finance your early career, and even how to organize a home studio. Featuring sample resumes, insights from industry experts, and a new chapter by audition coach Casey Miko on how to “Generate an Extraordinary Video Submission,” this book offers invaluable industry guidance. Along with audition manuals and repertoire binders, The Professional Actor’s Handbook is a vital reference that belongs on every actor’s bookshelf, from recent college graduates to seasoned professionals.

Whether the art form is theater, dance, music, festival, or the visual arts and galleries, the arts manager is the liaison between the artists and their audience. Bringing together the insights of educators and practitioners, this groundbreaker links the fields of management and organizational management with the ongoing evolution in arts management education. It especially focuses on the new directions in arts management as education and practice merge. It uses cases studies as both a pedagogical tool and an integrating device. Separate sections cover Performing and Visual Arts Management, Arts Management Education and Careers, and Arts Management: Government, Nonprofits, and Evaluation. The book also includes a chapter on grants and raising money in the arts.

Finding good, interesting audition pieces is a demanding and difficult process. This revised edition contains over 40 speeches and includes a wide selection of pieces taken from plays written or produced recently, such as Nathan the Wise, All the Ordinary Angels, The Woman Before (first performed at the Royal Court in 2005), Oleanna, (David Mamet), Pygmalion and New Boy. There are speeches for a variety of accents and ages, taken from both classical and modern plays, to suit all audition requirements. There is also an introductory section containing advice from directors and casting directors on how to audition successfully, advice on attending drama schools and how to audition successfully.