Vols. for 1871-76, 1913-14 include an extra number, The Christmas bookseller, separately paged and not included in the consecutive numbering of the regular series.

Winner of the Pulitzer Prize for Biography Louisa May Alcott is known universally. Yet during Louisa's youth, the famous Alcott was her father, Bronson—an eminent teacher and a friend of Emerson and Thoreau. He desired perfection, for the world and from his family. Louisa challenged him with her mercurial moods and yearnings for money and fame. The other prize she deeply coveted—her father's understanding—seemed hardest to win. This story of Bronson and Louisa's tense yet loving relationship adds dimensions to Louisa's life, her work, and the relationships of fathers and daughters.

Twenty-five years ago John Hanson Mitchell cut down a 1 1/2-acre stand of seventy-five-year-old white pines and planted a garden in their place. An Eden of Sorts is a history of the plants and animals that lived on the tract over the next decades. In a survey he made before taking down the pines, Mitchell counted no more than five or six flowering plants and shrubs. Over the years he created a series of fanciful garden “rooms” in the Italian style. Now, in addition to an intriguing garden of earthly delights, he has recorded more than one thousand species of plants and animals on the property. This is a paradoxical yet hopeful narrative of what can happen to a plot of land when it is properly managed.

Shelley Saguaro's unique book illustrates the persistent presence of gardens in literature. Gardens in fiction do not simply represent a familiar theme, Saguaro contends, but are bound up with wider aesthetic and ideological issues. As with literary forms, so too are gardens subject to transformations. Encompassing a wide array of twentieth- and twenty-first century authors, including Virginia Woolf, Eudora Welty, Carol Shields, J. M. Coetzee, Toni Morrison, Leslie Marmon Silko, Jamaica Kincaid, Don DeLillo, and Philip K. Dick, this book's preoccupations are signalled in the evocatively titled chapters: Botanical Modernisms; Natural History and Postmodern Grafting; Postcolonial Landscapes; How Does Your Cyber Garden Grow?; and Coevolutionary Histories - the Poetics of a Paradox. Informed by postcolonial, formalist, feminist, and psychoanalytic theories, Garden Plots is a must read for all those alive to the space gardens inhabit in the literary landscape.