Profiles more than 150 women artists of the nineteenth and twentieth centuries from the American West, offers fifteen interpretive essays, and includes nearly three hundred reproductions of their works.

This encyclopedia is a biographical dictionary of some 1,000 women artists of the American West. The product of a twenty-year, coast-to-coast research project by authors Phil Kovinick and Marian Yoshiki-Kovinick, it offers accurate, concise introductions to women painters, graphic artists, and sculptors, all of whom achieved recognition as depictors of Western subjects between the 1840s and 1980. Their styles range from representationalism to early modernism, while their works depict everything from bold landscapes and scenes of intensive action to studies of Native Americans, pioneers, ranchers, farmers, wildlife, and flora. Each entry in the encyclopedia features the salient facts of the artist's life and career, with attention to her work with Western subject matter. Many of the entries also contain a selected list of the artist's exhibitions, current locations of her work in public collections, pertinent references, and a black-and-white example of her work. An overview of the history of women in western art complements the biographical entries.

Click ′Additional Materials′ for downloadable samples "This is a sound purchase for college and university libraries with women′s studies or American West programs as well as for large public libraries." --BOOKLIST "This is the first encyclopedia to focus on this neglected group. . . . There is a clear need for this encyclopedia . . . recommended for academic and public libraries and all libraries with a special interest in the western region and women′s studies." --LIBRARY JOURNAL "A highly educational and enlightening resource, the Encyclopedia of Women in the American West is a core recommendation for academic and public library American Western History Studies and Women′s Studies reference collections, as well as an invaluable resource for writers and non-specialist general readers with an interest in studying women′s experiences and contributions to American society and culture." --THE MIDWEST BOOK REVIEW Unites the American West and Women′s History American women have followed their "manifest destiny" since the 1800′s, moving West to homestead, found businesses, author novels and write poetry, practice medicine and law, preach and perform missionary work, become educators, artists, judges, civil rights activists, and many other important roles spurred on by their strength, spirit, and determination. Encyclopedia of Women of the American West captures the lives of more than 150 women who made their mark from the mid-1800s to the present, contextualizing their experiences and contributions to American society. Including many women profiled for the first time, the encyclopedia offers immense value and interest to practicing historians as well as students and the lay public. Multidisciplinary and Multicultural Cowgirls, ranchers, authors, poets, artists, judges, doctors, educators, and reformers--although these women took many different paths, they are united in their role in history, fighting not only for women′s rights, but equal rights for all in this rich and promised land. The Encyclopedia of Women in the American West chronicles the work of Native American activists such as Mildred Imach Cleghorn, and Sarah Winnemucca, the champion of rights of indigenous peoples who established Nevada′s first school for Native Americans in 1884. The encyclopedia also explores the stories of early ranchers. Among them is Freda Ehmann, who founded the California Ripe Olive Association where, according to her grandson, "science and chemical exactness failed, the experience and care of a skillful and conscientious housewife succeeded." Women in the American West have long thrived in the arts. This is evidenced by the work of authors such as Pulitzer Prize winner Willa Cather, Amy Tan, and Linda Hasselstrom, poets such as Hildegarde Flanner, and journalist Molly Ivins. All are profiled in this comprehensive work. The arts are used to address both aesthetic and serious societal issues such as Maxine Hong Kingston′s The Woman Warrior, the story of a woman′s struggle with identity as a minority in American culture. Academics will appreciate a study of Ruth Underhill′s Autobiography of a Papago Woman, which deals with the role of feminist ideology in changing the discipline of anthropology during the first part of the twentieth century. Women in the American West have also achieved many "firsts" such as Utah′s Ivy Baker Priest, the first woman to hold the office of Treasurer of the United States, and Georgia Bullock, the first woman judge in the State of California. The Many Roles of Women in the American West The Encyclopedia of Women in the American West covers nine diverse topical categories: Agriculture/Ranching Arts and Letters Education Entrepreneurs Law Pioneers Public Performance Religion Women′s organizations The West is often portrayed as a rough and tumble man′s world, but behind these men--and often independently--were women with the dreams, strength, and determination to make a difference. The Encyclopedia of Women in the American West is a tribute to their independence, intelligence, courage, spirit, perseverance, and daring. Key Features Authoritative and in-depth articles on a wide range of salient issues in women′s history Suggested readings and interpretive materials for every entry Bridges two perennially popular areas of academic and lay interest: the American West and women′s history Developed and priced to appeal to high school and public libraries as well as academic libraries Recommended Libraries Public, school, academic, special, and private/corporate

Addressing everything from the details of everyday life to recreation and warfare, this two-volume work examines the social, political, intellectual, and material culture of the American "Old West," from the California Gold Rush of 1849 to the end of the 19th century. What was life really like for ordinary people in the Old West? What did they eat, wear, and think? How did they raise their children? How did they interact with government? What did they do for fun? This encyclopedia provides readers with an engaging and detailed portrayal of the Old West through the examination of social, cultural, and material history. Supported by the most current research, the multivolume set explores various aspects of social history—family, politics, religion, economics, and recreation—to illuminate aspects of a society's emotional life, interactions, opinions, views, beliefs, intimate relationships, and connections between the individual and the greater world. Readers will be exposed to both objective reality and subjective views of a particular culture; as a result, they can create a cohesive, accurate impression of life in the Old West during the second half of the 1800s.

This book depicts a group of Chicago patrons who sought to shape the city's identity and foster a uniquely American style, by supporting local artists who depicted the West.

Arranged in alphabetical order, these 5 volumes encompass the history of the cultural development of America with over 2300 entries.

Volume I. Quilts and textiles, Ceramics, Silver, Weaponry, Furniture, Vernacular architecture, Native American art -- volume II. Photography, Fine art.

In 1928, the newly organized Denver Artists Guild held its inaugural exhibition in downtown Denver. Little did the participants realize that their initial effort would survive the Great Depression and World War II—and then outlive all of the group’s fifty-two charter members. The guild’s founders worked in many media and pursued a variety of styles. In addition to the oils and watercolors one would expect were masterful pastels by Elsie Haddon Haynes, photographs by Laura Gilpin, sculpture by Gladys Caldwell Fisher and Arnold Rönnebeck, ceramics by Anne Van Briggle Ritter and Paul St. Gaudens, and collages by Pansy Stockton. Styles included realism, impressionism, regionalism, surrealism, and abstraction. Murals by Allen True, Vance Kirkland, John E. Thompson, Louise Ronnebeck, and others graced public and private buildings—secular and religious—in Colorado and throughout the United States. The guild’s artists didn’t just contribute to the fine and decorative arts of Colorado; they enhanced the national reputation of the state. Then, in 1948, the Denver Artists Guild became the stage for a great public debate pitting traditional against modern. The twenty-year-old guild split apart as modernists bolted to form their own group, the Fifteen Colorado Artists. It was a seminal moment: some of guild’s artists became great modernists, while others remained great traditionalists. Enhanced by period photographs and reproductions of the founding members’ works, The Denver Artists Guild chronicles a vibrant yet overlooked chapter of Colorado’s cultural history. The book includes a walking tour of guild members’ paintings and sculptures viewable in Denver and elsewhere in Colorado, by Leah Naess and author Stan Cuba.

Eminent art historian Charles C. Eldredge brings together top scholars to celebrate forgotten artists and create a more inclusive history of American art. Why do some artists become canonical, while others, equally respected in their time, fall into obscurity? This question is central to The Unforgettables, a vibrant collection of essays by leading experts on American art. Each contributor presents a brief for an artist deserving of new or renewed attention, including artists from the colonial era to recent years working in a wide variety of mediums. Histories of American art have traditionally highlighted the work of a familiar roster of artists, largely white and male. The achievements of their peers, notably women and artists of color, have gone uncelebrated. The essays in this volume provide a new and richer understanding of American art, expanding the canon to include many worthy talents. A number of these artists were acclaimed in their day; others, having missed that acclaim, may achieve it now. With contributions from major scholars and museum professionals, The Unforgettables rescues and revises reputations as it enhances and enriches the history of American art.

This truly monumental work maps the literature of women's studies, covering thousands of titles and Web sites in 19 subject areas published between 1985 and 1999. Intended as a reference and collection development tool, this bibliography provides a guide for women's studies information for each title along with a detailed, often evaluative review. The annotations summarize each work's content, its importance or contribution to women's studies, and its relationship to other titles on the subject. Core titles and titles that are out of print are noted, and reviews indicate which titles are appropriate as texts or supplemental texts. This definitive guide to the literature of women's studies is a must-purchase for academic libraries that support women's studies programs, and it is a useful addition to any academic or public library that endeavors to represent the field. A team of subject specialists has taken on the immense task of documenting publications in the area of women's studies in the last decades of the 20th century. The result is this truly monumental work, which maps the field, covering thousands of titles and Web sites in 19 subject areas published between 1985 and 1999. Intended as a reference and collection development tool, this bibliography provides a guide for women's studies information for each title along with a detailed, often evaluative review. The annotations summarize each work's content, its importance or contribution to women's studies, and its relationship to other titles on the subject. Most reviews cite and describe similar and contrasting titles, substantially extending the coverage. Core titles and titles that are out of print are noted, and reviews indicate which titles are appropriate as texts or supplemental texts. Taking up where the previous volume by Loeb, Searing, and Stineman left off, this is the definitive guide to the literature of women's studies. It is a must purchase for academic libraries that support women's studies programs; and a welcome addition to any academic or public library that endeavors to represent the field.