The book is designed as an introduction to the scientific study of speech. No prior knowledge of phonetics is assumed. As far as mathematical knowlege is concerned, all that is assumed is a knowledge of simple arithmetic and as far as possible concepts are dealt with on an intuitive rather than mathematical level. The anatomical material is all fully explained and illustrated. The book is arranged in four parts. Part 1, Basic Principles, provides an introduction to established phonetic theory and to the principles of phonetic analysis and description, including phonetic transcription. Part 2, Acoustic Phonetics, considers the physical nature of speech sounds as they pass through the air between speaker and hearer. It includes sections on temporal measurement, fundamental frequency, spectra and spectrograms. Part 3, Auditory Phonetics, covers the anatomy of the ear and the perception of loudness, pitch and quality. The final part, Part 4, covers the articulatory production of speech, and shows how experimental techniques and tools can enhance our understanding of the complexities of speech production. Though the audience for this book is mainly students and professors in the Speech Sciences, it will also be valuable to any students studying hearing science and acoustics. The book is well supported with figures, tables, and practice boxes with experiments.

The book is designed as an introduction to the scientific study of speech. No prior knowledge of phonetics is assumed. As far as mathematical knowlege is concerned, all that is assumed is a knowledge of simple arithmetic and as far as possible concepts are dealt with on an intuitive rather than mathematical level. The anatomical material is all fully explained and illustrated. The book is arranged in four parts. Part 1, Basic Principles, provides an introduction to established phonetic theory and to the principles of phonetic analysis and description, including phonetic transcription. Part 2, Acoustic Phonetics, considers the physical nature of speech sounds as they pass through the air between speaker and hearer. It includes sections on temporal measurement, fundamental frequency, spectra and spectrograms. Part 3, Auditory Phonetics, covers the anatomy of the ear and the perception of loudness, pitch and quality. The final part, Part 4, covers the articulatory production of speech, and shows how experimental techniques and tools can enhance our understanding of the complexities of speech production. Though the audience for this book is mainly students and professors in the Speech Sciences, it will also be valuable to any students studying hearing science and acoustics. The book is well supported with figures, tables, and practice boxes with experiments.

A Critical Introduction to Phonetics presents core areas of the subject from refreshing new perspectives. It takes a new stance on the presentation of basic phonetic skills for students of linguistics. Using examples drawn from a wide-range of languages Ken Lodge introduces the key aspects of phonetics, examining the difference between speech and writing, the physiology of speech production, basic and detailed articulation, and acoustic phonetics. The book contains a practical guide to transcriptions from sound recordings, and a section on applications of phonetics to fields of study such as language variation and accent. A Critical Introduction to Phonetics provides comprehensive coverage of all the key areas of the subject, and contains chapter summaries to help the reader navigate the text. Critical thinking is prompted throughout, and this will therefore be essential reading for students on introductory phonetics courses both at undergraduate and postgraduate levels.

Introduction to Speech Sound Disorders is a comprehensive textbook for undergraduate speech sound disorders courses in communication sciences and disorders programs. The text covers the major concepts and constructs currently framing the study of speech sound disorders in children, including typical and atypical phonological acquisition and clinical skills regarding assessment and intervention. The text is designed to prepare students for graduate level study of speech sound disorders and early supervised clinical practice with children. The text and associated website are intended to support new and experienced instructors as they strive to facilitate novice-level clinical competencies in their speech-language pathology students. Key Features: Detailed organization that provides foundational knowledge and then leads the student through the logical sequence of clinical activities.Coherent organization that ensures that all new terms are defined and the student's understanding is enriched by repeated application in new contexts throughout.Clear terms and explanations that reflect current research evidence in speech sound disorders.Detailed examples, illustrations, tables and figures throughout to increase comprehension for undergraduate students.Each chapter begins with learning objectives and ends with study questions.Practice activities are included throughout to encourage interactive learning.Key Point boxes encourage review of important content at the end of each section. Introduction to Speech Sound Disorders begins with basic concepts in phonetics and phonology, covers normal phonological development, and then details assessment, interpretation and diagnosis, treatment planning, and finally the selection and implementation of an appropriate intervention. It ends with a description of input, output, and phonological treatment procedures. The text is evidence-based, and includes the most current research on speech sound disorders. Disclaimer: Please note that ancillary content (such as documents, audio, and video, etc.) may not be included as published in the original print version of this book.

This introductory textbook in general phonetics was first published in 1976. It will be of use to all with an interest in the nature and working of the sound substance of human language, such as students of phonetics and linguistics, teachers and students of modern languages, speech therapists and audiologists. The emphasis is on the basics: the organs of speech and hearing, the methods of sound production in the vocal tract, the types of sound used in human languages, and the process of speech perception. The focus of attention is always the tongue and ear of the phonetician as an investigator of speech, rather than his instruments or experiments, with due attention paid to the phoneme and the distinctive feature, the units in that border area where phonetics and the study of languages come together.

The subject of this book is limited to the abstract form or "logic" of science (as applied particularly to scientific sociology). The chief aim is to compress, to simplify, and to organize into an easily understood and reasonably well-documented scheme some principal answers to questions such as: What makes a discipline "scientific" in the first place? What are theories, empirical generalizations, hypotheses, and observations; and how are they related to each other? What is meant by "the scientific method?" What roles do induction and deduction play in science? What are the places of measurement, sampling techniques, descriptive statistics, statistical inference, scale construction, tests of significance, "grand" theories, and "middle-range" theories? What parts are played by our ideas concerning logic, causality, and chance? What is the significance of the rule of parsimony? How do verbal and mathematical languages compare in expressing scientific statements? The intended use of this book goes beyond these abstract questions. The discussion presented here may serve a practical role in the sociology and history of science by providing a framework for reducing the enormous variety of scientific researches--both within a given field and across all fields--to a limited number of interrelated formal elements. Such a framework, it is hoped, may prove useful in assessing empirical relationships between the formal aspects of scientific work and its substantive social, economic, political, and historical aspects. Wallace identifies four ways of generating and testing the truth of empirical statements--"authoritarian," "mystical," "logico-rational," and "scientific," and considers each in depth. As he concludes, "In science (as in everyday life') things must be believed to be seen, as well as seen to be believed; and questions must already be answered a little, if they are to be asked at all." This is a work of synthesis that merits close attention. It provides an area for viewing theory as something more than a review of the history of any single social science discipline. Walter L. Wallace is Professor of Sociology Emeritus at Princeton University. He is also the author of Sociological Theory: An Introduction, and Principles of Scientific Sociology, available from AldineTransaction.

Thinking with Sound traces the formation of auditory knowledge in the sciences and humanities in the decades around 1900. When the outside world is silent, all sorts of sounds often come to mind: inner voices, snippets of past conversations, imaginary debates, beloved and unloved melodies. What should we make of such sonic companions? Thinking with Sound investigates a period when these and other newly perceived aural phenomena prompted a far-reaching debate. Through case studies from Paris, Vienna, and Berlin, Viktoria Tkaczyk shows that the identification of the auditory cortex in late nineteenth-century neuroanatomy affected numerous academic disciplines across the sciences and humanities. “Thinking with sound” allowed scholars and scientists to bridge the gaps between theoretical and practical knowledge, and between academia and the social, aesthetic, and industrial domains. As new recording technologies prompted new scientific questions, new auditory knowledge found application in industry and the broad aesthetic realm. Through these conjunctions, Thinking with Sound offers a deeper understanding of today’s second “acoustic turn” in science and scholarship.

The major aim of this book is to introduce the ways in which scientists approach and think about a phenomenon -- hearing -- that intersects three quite different disciplines: the physics of sound sources and the propagation of sound through air and other materials, the anatomy and physiology of the transformation of the physical sound into neural activity in the brain, and the psychology of the perception we call hearing. Physics, biology, and psychology each play a role in understanding how and what we hear. The text evolved over the past decade in an attempt to convey something about scientific thinking, as evidenced in the domain of sounds and their perception, to students whose primary focus is not science. It does so using a minimum of mathematics (high school functions such as linear, logarithmic, sine, and power) without compromising scientific integrity. A significant enrichment is the availability of a compact disc (CD) containing over 20 examples of acoustic demonstrations referred to in the book. These demonstrations, which range from echo effects and filtered noise to categorical speech perception and total more than 45 minutes, are invaluable resources for making the text come alive.

The book explains sound insulation in buildings at a level suitable for both graduate students and expert consultants. Theoretical models are set out for sound transmission in buildings, with an emphasis on thick and heavy constructions. Thus, the description is not restrained by the common assumption of bending waves which is characteristic of thin plates, only. A general description is provided, with the modal density in the structures as a key parameter. At low frequencies statistical energy analysis is replaced by modal energy analysis. Sound transmission through windows and facades is represented by a model that allows any angle on incidence, including the special case of grazing incidence. One chapter is devoted to the subjective evaluation of sound insulation, particularly noise from neighbours, and how this can be applied in a sound classification scheme for dwellings. Measurement methods in building acoustics are presented with emphasis on modern methods using MLS signals or sine sweeps. The analysis and estimation of measurement uncertainty is discussed in detail. In a final chapter examples of experimental buildings with high sound insulation are explained.

Sound is integral to how we experience the world, in the form of noise as well as music. But what is sound? What is the physical basis of pitch and harmony? And how are sound waves exploited in musical instruments? In this Very Short Introduction Mike Goldsmith looks at the science of sound and explores sound in different contexts, covering the audible and inaudible, sound underground and underwater, accoustic and electric, and hearing in humans and animals. He also considers the problem of sound out of place - noise and its reduction. ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable.