The book situates itself in the fields of philosophy, political theory, aesthetics and theories of art, linking its discussions of fictional dystopias to debates on ongoing crises. It asks: Are dystopias a useful tool for imagining ways out of sombre situations or do they prevent us from engaging in transformative action? The book consists of a thorough introduction and three major sections: 1. Dystopias of Meaninglessness, 2. Techno-Euphoria vs. Terror of Technology, and 3. Dystopias Come True? The individual chapters discuss, among other things, liberalism and conservatism, “luxury communism”, pandemics, technology-induced anxiety, empty speech, ethics, film, literature, architecture and music.

This innovative and important book explores how war imprints on culture and the psychosocial effects of war on individuals and societies, based on the first few months after the outbreak of war in Ukraine in 2022. The book approaches the conflict in Ukraine through the prism of creative and artistic material alongside scholarly analysis to highlight the multiplicity of subjective experiences. Essays are complemented by material from the ‘war diaries’, which comprise day diaries, dream diaries, artistic and poetic material composed by students and academics in February and March 2022. With chapters focusing on fear, ruptures and resistance, the book examines different aspects of subjective, cultural and embodied experiences of war. It examines elements that dominant perspectives of war often overlook; the quotidian, personal and emotive ways that war is registered individually and collectively in societies and cultures. Highlighting different narratives that illuminate the complex effects of war, this book is highly relevant for postgraduate students, researchers and advanced undergraduate students in the fields of cultural psychology, psychosocial studies, peace and conflict studies and cultural history. Chapter 4, Chapter 5, Chapter 7 and Chapter 10 of this book are freely available as downloadable Open Access PDFs at http://www.taylorfrancis.com under a Creative Commons Attribution-Non Commercial-No Derivatives (CC-BY-NC-ND) 4.0 license. To read the online archive of Two Months of War, please visit the Urban Media Archive of the Center for Urban History (Lviv, Ukraine): https://uma.lvivcenter.org/en/collections/178/interviews

The book explores the possibilities and limitations of dystopian imagination, asking if visions of horrific futures help us decide upon the best course of action, or if they paralyse us and prevent us from engaging in social transformation.

DigiCat presents to you this unique SF collection, designed and formatted to the highest digital standards and adjusted for readability on all devices. Contents: Ayn Rand: Anthem Jack London: Iron Heel H. G. Wells: The Time Machine The First Men in the Moon When The Sleeper Wakes Edward Bulwer-Lytton: The Coming Race Hugh Benson: Lord of the World Edward Bellamy: Looking Backward: 2000–1887 Equality Mary Shelley: The Last Man Edgar Allan Poe: The Conversation of Eiros and Charmion Owen Gregory: Meccania the Super-State Jonathan Swift Gulliver's Travels William Hope Hodgson: The Night Land Fred M. White: The Doom of London Series The Four White Days The Four Days' Night The Dust of Death A Bubble Burst The Invisible Force The River of Death Ignatius Donnelly: Caesar's Column Ernest Bramah: The Secret of the League (aka What Might Have Been) Milo Hastings: City of Endless Night Arthur Dudley Vinton: Looking Further Backward Gertrude Barrows Bennett (aka Francis Stevens): The Heads of Cerberus E. M. Forster: The Machine Stops Richard Jefferies: After London Samuel Butler: Erewhon Edwin A. Abbott: Flatland Anthony Trollope: The Fixed Period Fritz Leiber: The Night of the Long Knives Richard Stockham: Perchance to Dream Irving E. Cox: The Guardians Cleveland Moffett: The Conquest of America Richard Jefferies: After London William Dean Howells: A Traveler from Altruria Through the Eye of the Needle Philip Francis Nowlan: Armageddon–2419 A.D. The Airlords of Han (Sequel) Anonymous: The Great Romance Rokeya Sakhawat Hossain: Sultana's Dream George Griffith: The Angel of the Revolution The Syren of the Skies (Sequel)

The Ultimate SF Collection: 140 Stories of Dystopias, Space Adventures & Lost Worlds is a monumental anthology that showcases the remarkable diversity and profound depth of speculative fiction. Within its pages, readers will embark on journeys through meticulously crafted dystopias, uncharted galaxies, and forgotten realms, brought to life by a range of writing stylesfrom the elegantly simple to the wonderfully complex. This collection not only spans a broad spectrum of themes but also includes seminal works that have shaped the genre, making it an indispensable volume for both novices and connoisseurs of science fiction. The inclusion of landmark tales from early speculative fiction pioneers alongside lesser-known gems offers a unique tapestry of narratives that challenge, entertain, and provoke thought. The authors represented in this collection are a veritable whos who of the speculative fiction genre, featuring luminaries such as H.G. Wells, Mary Shelley, and H.P. Lovecraft, among others. Collectively, their backgroundsranging from scientists, philosophers, and historians to adventurers and storytellersmirror the eclectic mix of stories presented. This anthology not only pays homage to the rich historical and cultural roots of the genre but also reflects the evolution of speculative fiction through various literary movements. The diversity of authors ensures a rich constellation of perspectives, making each story a distinct exploration of humanitys deepest fears and grandest dreams. This anthology is recommended for readers eager to dive into the vast expanses of speculative fiction. The Ultimate SF Collection offers an unparalleled opportunity to explore the genre's breadth and depth, presenting stories that interrogate the human condition, stretch the imagination, and provide profound insights into our past, present, and possible futures. It serves as both an educational resource and a gateway to the endless possibilities that speculative fiction offers, encouraging dialogues between epochs, ideas, and visions. Engaging with this collection promises not only a journey through the outer reaches of space and time but a deeper understanding of the complexities and potentials of the human spirit.

The 'SCIENCE FICTION Ultimate Collection: 140+ Intergalactic Adventures, Dystopian Novels, Lost World Classics & Post-Apocalyptic Stories' anthology presents an unparalleled journey through the imagination of some of literature's most visionary minds. With a rich diversity of narrative styles, this collection spans the gamut from early speculative tales to proto-science fiction and full-blown intergalactic sagas. The anthology encapsulates an array of overarching themes, including human resilience in the face of unknown cosmos, dystopian societies as a reflection of our own, and the timeless quest for knowledge beyond the earthly confines. Each story, whether it's a lost world classic or a post-apocalyptic scenario, serves as a standalone masterpiece while contributing to the volume's cohesive exploration of humanity's place in the universe. The esteemed roster of authors, including pioneers like Jules Verne and H.G. Wells alongside literary giants such as Edgar Allan Poe and Mary Shelley, brings together a multiplicity of backgrounds and perspectives. This assembly underscores rich, historical, and cultural undertones influencing the science fiction genre, from Enlightenment-era optimism about human progress to 20th-century anxieties about technological advancement and its implications. The anthology resonates with major literary movements, revealing the evolution of speculative fiction through diverse narrative lenses. 'SCIENCE FICTION Ultimate Collection' is an essential compendium for readers eager to explore the breadth and depth of the science fiction realm. It offers an extraordinary opportunity to engage with the speculative wonders and imaginative worlds crafted by a constellation of authors whose collective vision transcends time and space. This anthology not only celebrates the legacy of science fiction as a genre but also serves as an educational tool, inviting readers to contemplate the myriad ways in which literature mirrors, critiques, and shapes our understanding of the future. Embarking on this literary odyssey promises a rich dialogue with the past, present, and potential futures of human civilization.

'Biopunk Dystopias' contends that we find ourselves at a historical nexus, defined by the rise of biology as the driving force of scientific progress, a strongly grown mainstream attention given to genetic engineering in the wake of the Human Genome Project (1990-2003), the changing sociological view of a liquid modern society, and shifting discourses on the posthuman, including a critical posthumanism that decenters the privileged subject of humanism. The book argues that this historical nexus produces a specific cultural formation in the form of "biopunk", a subgenre evolved from the cyberpunk of the 1980s. Biopunk makes use of current posthumanist conceptions in order to criticize contemporary reality as already dystopian, warning that a future will only get worse, and that society needs to reverse its path, or else destroy all life on this planet.

In what ways does political trauma influence the art arising from it? Is there an aesthetic of war and exile in theatrical works that emerge from such experiences? Are there cultural markers defining such works from areas like Eastern Europe and Israel? This book considers these questions in an examination of plays, performances and theater artists that speak from a place of political violence and displacement. The author's critical inquiry covers a variety of theatrical experimentations, including Brechtian distancing, black humor, pastiche, surreal and hyper-real imagery, reversed chronologies and disrupted narratives. Drawing on postmodern theories and performance studies as well as interviews and personal statements from the artists discussed, this study explores the transformative power of the theater arts and their function as catalysts for social change, healing and remembrance.

"These four volumes cover 791 books or series, 238 of them published during the 1980s and 1990s. the entries are 1,000 words long for single books and 1,500 for series, with a one-sentence summary beginning each entry followed by bibliographical information ... Volume 4 contains an extensive bibliography of critical works on science fiction and fantasy, a list of major award winners, a genre index." Booklist