In the ancient Greek-speaking world, writing about the past meant balancing the reporting of facts with shaping and guiding the political interests and behaviours of the present. Ancient Historiography on War and Empire shows the ways in which the literary genre of writing history developed to guide empires through their wars. Taking key events from the Achaemenid Persian, Athenian, Macedonian and Roman ‘empires’, the 17 essays collected here analyse the way events and the accounts of those events interact. Subjects include: how Greek historians assign nearly divine honours to the Persian King; the role of the tomb cult of Cyrus the Founder in historical narratives of conquest and empire from Herodotus to the Alexander historians; warfare and financial innovation in the age of Philip II and his son, Alexander the Great; the murders of Philip II, his last and seventh wife Kleopatra, and her guardian, Attalos; Alexander the Great’s combat use of eagle symbolism and divination; Plutarch’s juxtaposition of character in the Alexander-Caesar pairing as a commentary on political legitimacy and military prowess, and Roman Imperial historians using historical examples of good and bad rule to make meaningful challenges to current Roman authority. In some cases, the balance shifts more towards the ‘literary’ and in others more towards the ‘historical’, but what all of the essays have in common is both a critical attention to the genre and context of history-writing in the ancient world and its focus on war and empire.

Brill’s Companion to War in the Ancient Iranian Empires examines military structures and methods from the Elamite period through the Achaemenid, Seleucid, Arsacid, and Sasanian empires. War played a critical role in Iranian state formation and dynastic transitions, imperial ideologies and administration, and relations with neighbouring states and peoples from Central Asia to the Mediterranean. Twenty chapters by leading experts offer fresh approaches to the study of ancient Iranian armies, strategy, diplomacy, and battlefield methods, and contextualise famous conflicts with Greek and Roman opponents.

Alexander the Great and Propaganda explores the use of propaganda - whether literature, coinage, or iconography – in the court of Alexander the Great, as well as those of his Successors, demonstrating that it was as integral to Hellenistic courts as it was to Imperial Rome. This volume brings together ten essays from leading international scholars in Alexander studies. There is currently no equivalent collection which has a specialist focus of themes or issues relating to the use of propaganda in the courts of Alexander or his Successors. This book will be an invaluable resource for students and scholars of Alexander studies, as well as those studying the use of propaganda across the ancient world, and to the more general reader with an interest in Alexander the Great and his reign.

This book is a study of the various claims to authority made by the ancient Greek and Roman historians throughout their histories and is the first to examine all aspects of the historian's self-presentation. It shows how each historian claimed veracity by imitating, modifying, and manipulating the traditions established by his predecessors. Beginning with a discussion of the tension between individuality and imitation, it then categorises and analyses the recurring style used to establish the historian's authority: how he came to write history; the qualifications he brought to the task; the inquiries and efforts he made in his research; and his claims to possess a reliable character. By detailing how each historian used the tradition to claim and maintain his own authority, the book contributes to a better understanding of the complex nature of ancient historiography.

This is a collection of studies on ancient (especially Latin) poetry and historiography, concentrating especially on the impact of rhetoric on both genres, and on the importance of considering the literature to illuminate the historical Roman context and the historical context to illuminate the literature. It takes the form of a tribute to Tony Woodman, Gildersleeve Professor of Classics at the University of Virginia, for whom twenty-one scholars have contributed essays reflecting the interests and approaches that have typified Woodman's own work. The authors that he has continuously illuminated - especially Velleius, Horace, Virgil, Sallust, and Tacitus - figure particularly prominently.

In a famous statement, Ulrich Wilcken argues that each historian has his own Alexander. A critical examination of the traditions in Historiographic Alexander allows to reconsider both our ideas of alterity and success, and how great can be a human being, or to what extent what was great in the past still has to be accepted as such in our present days. To sum up, to revisit Alexander from the eyes of the historians in the Contemporary Age offers a genuine opportunity to rethink History as such, and to evaluate how can we imagine new ways to explain the past in order to build a rich appreciation of the present in order to imagine brand new futures. The aim of the following pages is to review Alexander’s portraits and concerns in the works and scopes of the more recent historical traditions of the nineteenth and twentieth centuries.

This volume aims to provide an interdisciplinary examination of various facets of being alone in Greco-Roman antiquity. Its focus is on solitude, social isolation and misanthropy, and the differing perceptions and experiences of and varying meanings and connotations attributed to them in the ancient world. Individual chapters examine a range of ancient contexts in which problems of solitude, loneliness, isolation and seclusion arose and were discussed, and in doing so shed light on some of humankind’s fundamental needs, fears and values.

The role of warfare is central to our understanding of the ancient Greek world. In this book and the companion work, War and Society in the Roman World, the wider social context of war is explored. This volume examines its impact on Greek society from Homeric times to the age of Alexander and his successors and discusses the significance of the causes and profits of war, the links between war, piracy and slavery, and trade, and the ideology of warfare in literature and sculpture.

In a radical change of approach, Cassius Dio’s Forgotten History of Early Rome illuminates the least explored and understood part of Cassius Dio’s enormous Roman History: the first two decads, which span over half a millennium of history and constitute a quarter of Dio’s work. Combining literary and historiographical perspectives with source-criticism and textual analysis for the first time in the study of Dio’s early books, this collection of chapters demonstrates the integral place of ‘early Rome’ within the text as a whole and Dio’s distinctive approach to this semi-mythical period. By focussing on these hitherto neglected portions of the text, this volume seeks to further the ongoing reappraisal of one of Rome’s most significant but traditionally under-appreciated historians.