Jewish Diaspora in Hellenistic, Roman and Byzantine periods from first to the eighth centuries C.E. is the subject of this work. The author thoroughly investigates origin, symbolism and significance of the mainly synagogal and funerary art forms in the Diaspora. Ancient Jewish Art and Archaeology in the Diaspora is the companion volume to the successful Ancient Jewish Art and Archeaeology in the Land of Israel (1988) by the same author. The geographical area covered includes Syria, Asia Minor, North Africa and Mediterranean Europe. The first section examines the characteristic features of Diaspora Art synagogue architecture and art (including the Torah shrine and mosaic pavements). Another section deals with burial and funerary practices. Of special importance are the sections on the Biblical scenes, designs and iconography of the Dura Europos synagogue, and the Jewish symbols such as the Menorah, ritual objects, the Ark, the conch and the Torah Scrolls. The book is richly illustrated with more than 325 drawings and photographs, some in colour.

In honor of eminent archaeologist and historian of ancient Jewish art, Rachel Hachlili, friends and colleagues offer contributions in this festschrift which span the world of ancient Judaism both in Palestine and the Diaspora. Hachlili's distinctive research interests: synagogues, burial sites, and Jewish iconography receive particular attention in the volume. Archaeologists and historians present new material evidence from Galilee, Jerusalem, and Transjordan, contributing to the honoree’s fields of scholarly study. Fresh analyses of ancient Jewish art, essays on architecture, historical geography, and research history complete the volume and make it an enticing kaleidoscope of the vibrant field of scholarship that owes so much to Rachel.

This volume is a collection of newly published scholarly studies honoring Prof.Dr. David. E. Aune on his 65th birthday. These groundbreaking studies written by prominent international scholars investigate a range of topics in the New Testament and early Christian literature with insights drawn from Greco-Roman culture and Hellenistic Judaism.

The Menorah, the ancient seven-armed candelabrum, was the most important Jewish symbol both in the Land of Israel and the Diaspora. The menorah was the most important of the Temple vessels and it also came to symbolize Judaism, when it was necessary to distinguish synagogues and Jewish tombs from Christian or pagan structures. This book is a continuation of Hachlili's earlier comprehensive study, The Menorah, the Ancient Seven-armed Candelabrum: Origin, Form and Significance. Brill, 2001. It entails the compilation and study of the material of the past two decades, presenting the theme of the menorah, focusing on its development, form, meaning, significance, and symbolism in antiquity.

This survey of ancient Jewish art traces Tabernacle implements and their iconographic development from the Second Temple period until late sixth century CE. It examines appearances of seven-branch menorah, Torah ark, and other motifs found in archeological discoveries of burial art synagogue decorations.

Ancient Synagogues - Archaeology and Art. New Discoveries and Current Research presents archaeological evidence - the architecture, art, Jewish symbols, zodiac, biblical tales, inscriptions, and coins – which attest to the importance of the synagogue. When considered as a whole, all these pieces of evidence confirm the centrality of the synagogue institution in the life of the Jewish communities all through Israel and in the Diaspora. Most importantly, the synagogue and its art and architecture played a powerful role in the preservation of the fundamental beliefs, customs, and traditions of the Jewish people following the destruction of the Second Temple and the loss of Jewish sovereignty in the Land of Israel. The book also includes a supplement of the report on the Qazion excavation.

This volume in the ongoing Late Antique Archaeology series draws on material and textual evidence to explore the diverse religious world of Late Antiquity. Subjects include Jews and Samaritans, orthodoxy and heresy, pilgrimage, stylites, magic, the sacred and the secular.

In the ever increasing volume of Byzantine Studies in recent years there seems to be one very apparent void, namely, the history and culture of the Byzantine Jewry, its presence and impact on the surrounding convoluted Byzantine world between Late Antiquity until the conquest of Byzantium (1453). With the now classic but dated studies by Joshua Starr and Andrew Sharf, the collective volume at hand is an attempt to somewhat fill in this void. The articles assembled in this volume are penned by leading scholars in the field. They present bird's eye views of the cultural history of the Jewish Byzantine minority, alongside a wide array of surveys and in-depth studies of various topics. These topics pertain to the dialectics of the religious, literary, economic and visual representation world of this alien minority within its surrounding Byzantine hegemonic world.

The Dictionary of Early Judaism is the first reference work devoted exclusively to Second Temple Judaism (fourth century b.c.e. through second century c.e.). The first section of this substantive and incredible work contains thirteen major essays that attempt to synthesize major aspects of Judaism in the period between Alexander and Hadrian. The second — and significantly longer — section offers 520 entries arranged alphabetically. Many of these entries have cross-references and all have select bibliographies. Equal attention is given to literary and nonliterary (i.e. archaeological and epigraphic) evidence and New Testament writings are included as evidence for Judaism in the first century c.e. Several entries also give pertinent information on the Hebrew Bible. The Dictionary of Early Judaism is intended to not only meet the needs of scholars and students — at which it succeeds admirably — but also to provide accessible information for the general reader. It is ecumenical and international in character, bringing together nearly 270 authors from as many as twenty countries and including Jews, Christians, and scholars of no religious affiliation.