One of the most starkly vivid and detailed accounts of survival in Georgia's notorious Andersonville prison during the American Civil War. John Ransom was only 20 years old at the time of his capture. He kept a nearly daily diary during his year of misery at the Confederate prison. He and his fellow Union prisoners endured lice, starvation, freezing cold, killing heat, theft from other inmates...and Captain Wirtz. "Capt. Wirtz very domineering and abusive. Is afraid to come into camp any more. There are a thousand men in here who would willingly die if they could kill him first." Death was a daily occurrence. Yet Ransom knew if he gave up hope, he would die. He somehow kept his humor and kept on writing. Through two escapes, time in a Rebel hospital, and eventual freedom, you'll read a POW account like none you've ever read before.

The Confederate prison known as Andersonville existed for only the last fourteen months of the Civil War―but its well-documented legacy of horror has lived on in the diaries of its prisoners and the transcripts of the trial of its commandant. The diaries describe appalling conditions in which vermin-infested men were crowded into an open stockade with a single befouled stream as their water source. Food was scarce and medical supplies virtually nonexistent. The bodies of those who did not survive the night had to be cleared away each morning. Designed to house 10,000 Yankee prisoners, Andersonville held 32,000 during August 1864. Nearly a third of the 45,000 prisoners who passed through the camp perished. Exposure, starvation, and disease were the main causes, but excessively harsh penal practices and even violence among themselves contributed to the unprecedented death rate. At the end of the war, outraged Northerners demanded retribution for such travesties, and they received it in the form of the trial and subsequent hanging of Captain Henry Wirz, the prison’s commandant. The trial was the subject of legal controversy for decades afterward, as many people felt justice was ignored in order to appease the Northerners’ moral outrage over the horrors of Andersonville. The story of Andersonville is a complex one involving politics, intrigue, mismanagement, unfortunate timing, and, of course, people - both good and bad. Relying heavily on first-person reports and legal documents, author Catherine Gourley gives us a fascinating look into one of the most painful incidents of U.S. history.

How a single haunting image tells a story about violence, mourning, and memory In 1865, Clara Barton traveled to the site of the notorious Confederate prison camp in Andersonville, Georgia, where she endeavored to name the missing and the dead. The future founder of the American Red Cross also collected their relics—whittled spoons, woven reed plates, a piece from the prison’s “dead line,” a tattered Bible—and brought them back to her Missing Soldiers Office in Washington, DC, presenting them to politicians, journalists, and veterans’ families before having them photographed together in an altar-like arrangement. Relics of War reveals how this powerful image, produced by Mathew Brady, opens a window into the volatile relationship between suffering, martyrdom, and justice in the wake of the Civil War. Jennifer Raab shows how this photograph was a crucial part of Barton’s efforts to address the staggering losses of a war in which nearly half of the dead were unnamed and from which bodies were rarely returned home for burial. The Andersonville relics gave form to these absent bodies, offered a sacred site for grief and devotion, mounted an appeal on behalf of the women and children left behind, and testified to the crimes of war. The story of the photograph illuminates how military sacrifice was racialized as political reconciliation began, and how the stories of Black soldiers and communities were silenced. Richly illustrated, Relics of War vividly demonstrates how one photograph can capture a precarious moment in history, serving as witness, advocate, evidence, and memory.

"The name Andersonville has come to be synonymous with "American death camp." Its horrors have been portrayed in histories, art, television, and movies. The trial of its most famous figure, Captain Henry Wirz, still raises questions about American justice. This work unlocks the secret history of America's deadliest prison camp in ways that will spur debate for many years to come."--BOOK JACKET.

A study of the "plain unvarnished tales" of unschooled beggars, criminals, prisoners, and ex-slaves in the 19th century. Fabian shows how these works illuminate debates over who had the cultural authority to tell and sell their own stories. She gives us the origins of that curious American genre of selling one's tale of woe to make a buck, ala Oprah, et al.