John Lydon has secured prime position as one of the most recognizable icons in the annals of music history. As Johnny Rotten, he was the lead singer of the Sex Pistols - the world's most notorious band, who shot to fame in the mid-1970s with singles such as 'Anarchy in the UK' and 'God Save the Queen'. So revolutionary was his influence, he was even discussed in the Houses of Parliament, under the Traitors and Treasons Act, which still carries the death penalty. Via his music and invective he spearheaded a generation of young people across the world who were clamouring for change - and found it in the style and attitude of this most unlikely figurehead. With his next band, Public Image Ltd (PiL) Lydon expressed an equally urgent impulse in his make-up - the constant need to reinvent himself, to keep moving. From their beginnings in 1978 he set the groundbreaking template for a band that continues to challenge and thrive in the 2010s. He also found time for making innovative new dance records with the likes of Afrika Baambaata and Leftfield. Following the release of a solo record in 1997, John took a sabbatical from his music career into other media, most memorably his own Rotten TV show for VH1 and as the most outrageous contestant ever on I'm a Celebrity…. Get Me Out of Here!He then fronted the Megabugsseries and one-off nature documentaries and even turned his hand to a series of much loved TV advertisements for Country Life butter. Lydon has remained a compelling and dynamic figure - both as a musician, and, thanks to his outspoken, controversial, yet always heartfelt and honest statements, as a cultural commentator. The book a fresh and mature look back on a life full of incident from his beginnings as a sickly child of immigrant Irish parents who grew up in post-war London, to his present status as a vibrant, alternative national hero.

Tracing the story of anger from the Buddha to Twitter, Rosenwein provides a much-needed account of our changing and contradictory understandings of this emotion All of us think we know when we are angry, and we are sure we can recognize anger in others as well. But this is only superficially true. We see anger through lenses colored by what we know, experience, and learn. Barbara H. Rosenwein traces our many conflicting ideas about and expressions of anger, taking the story from the Buddha to our own time, from anger's complete rejection to its warm reception. Rosenwein explores how anger has been characterized by gender and race, why it has been tied to violence and how that is often a false connection, how it has figured among the seven deadly sins and yet is considered a virtue, and how its interpretation, once largely the preserve of philosophers and theologians, has been gradually handed over to scientists--with very mixed results. Rosenwein shows that the history of anger can help us grapple with it today.

A guide to the the relationship between the human iris and psychological characteristics. Written by renowned and established iridologist Peter Jackson-Main, this expertly conceived book provides a ground-breaking methodological model of how the iris might be used to understand the energetic, psychological and emotional attributes of a person. The analysis presented in The Mind’s Eye places energy as the central aspect of an individual’s reality. It argues that the physical body is an extension of such energy in the physical realm: a map of one’s intentions in manifesting as a physical being. Jackson-Main situates the irises as this map, which when studied will allow true depth understanding of the human body. The book begins with a brief examination of the epistemological foundations of accepted theory and practice in medicine and healing. It continues as a journey, exploring the development of iris analysis throughout the twentieth century, including information on the possibility of heritable personality traits seen in the iris. Jackson-Main then provides his own perspectives on iris analysis, in a manner which is accessible for both practitioners, and any lay-person looking to learn more about themselves. The book also contains a comprehensive guide to completing an ‘energetic’ iris chart, and suggested exercises of practice. Not only is The Mind’s Eye an indispensable guide for any health practitioners wishing to incorporate behavioural iridology to into their work, but it is also an invitation for all humans to embark on a deeply symbolic journey of self-discovery initiated through the marvels of the eye.

A funny, fierce, and uninhibited musical chronicle of the convulsive recent past from one of our finest cultural critics "A one-of-a-kind guide to rock music's resonance in every aspect of our lives."--David Kirby, Wall Street Journal "A smart set of suggestions for further reading, viewing, and listening by a most trustworthy guide."--Kirkus Reviews For decades, celebrated author Greil Marcus has applied his unmatched critical apparatus to everything from music, television, radio, and politics to overheard comments, advertisements, and happenstance street encounters--an eclectic collection of what he calls "everyday culture and found objects." This book collects hundreds of items from the crisscrossing spectrum of culture and politics throughout the tumultuous past six years of American life, an essential travel guide to the scorched landscape of recent history. Tracking the evolution of national identity during the Trump administration, Marcus spotlights the most whip-smart cultural artifacts to compose a mosaic portrait of American society, replete with unexpected heroes and villains, absurdity and its consequences, humor and despair, terror and defiance--as seen through media, music, and more. Bursting with Marcus's effortless, no-nonsense, unapologetic verve, this book features seventy-three columns from 2014 through February 2021.

The explosive story of the Sex Pistols is now so familiar that the essence of what they represented has been lost in a fog of nostalgia and rock ’n’ roll cliché. In 1976 the rise of the Sex Pistols was regarded in apocalyptic terms, and the punks as visitors from an unwanted future bringing chaos and confusion. In this book, John Scanlan considers the Sex Pistols as the first successful art project of their manager, Malcolm McLaren, a vision born out of radical politics, boredom, and his deep and unrelenting talent for perverse opportunism. As Scanlan shows, McLaren deliberately set a collision course with establishments, both conservative and counter-cultural, and succeeded beyond his highest expectations. Scanlan tells the story of how McLaren’s project—designed, in any case, to fail—foundered on the development of the Pistols into a great rock band and the inconvenient artistic emergence of John Lydon. Moving between London and New York, and with a fascinating cast of delinquents, petty criminals, and misfits, Sex Pistols: Poison in the Machine is not just a book about a band, it is about the times, the ideas, the coincidences, and the characters that made punk; that ended with the Sex Pistols—beaten, bloody, and overdosed—sensationally self-destructing on stage in San Francisco in January 1978; and that transformed popular culture throughout the world.

Here is the story of an often overlooked, one-of-a-kind rock 'n' roll musician and the historic times he lived in. In spite of numerous opportunities for success, he became a tragedy. Jerry Nolan came out of New York in the 1970s as part of two of the most influential and infamous bands of the time, the proto-punk New York Dolls and Johnny Thunders' Heartbreakers. Jerry had what it took to be a star, but his battles with heroin continually stymied his career and ultimately ended his life. Despite this, he is remembered as a cross between a Martin Scorsese film character and jazz legend Gene Krupa: a stylish, urban, wisecracking, trendsetting raconteur, who was also a powerhouse drummer. Stranded in the Jungle: Jerry Nolan's Wild Ride – A Tale of Drugs, Fashion, the New York Dolls, and Punk Rock tells Jerry's story through extensive research and interviews with those closest to him: bandmates, friends, lovers, and family members, including new interviews with members of Rock and Roll Hall of Fame bands the Sex Pistols, the Ramones, Talking Heads, and Blondie. It gives firsthand accounts of not only Jerry's life and struggles but the earliest history of punk rock in both New York and London, highlighting his notorious and incendiary musical partner, Johnny Thunders.

An innovative history of British youth culture during the 1970s and 1980s, charting the full spectrum of punk's cultural development.

A historian's personal journey into the complex questions of immigration, home and nation From Ireland to London in the 1950s, Derry in the Troubles to contemporary, de-industrialised Manchester, Joyce finds the ties of place, family and the past are difficult to break. Why do certain places continue to haunt us? What does it mean to be British after the suffering of Empire and of war? How do we make our home in a hypermobile world without remembering our pasts? Patrick Joyce's parents moved from Ireland in the 1930s and made their home in west London. But they never really left the homeland. And so as he grew up among the streets of Paddington and Notting Hill and when he visited his family in Ireland he felt a tension between the notions of home, nation and belonging. Going to My Father's House charts the historian's attempt to make sense of these ties and to see how they manifest in a globalised world. He explores the places - the house, the street, the walls and the graves - that formed his own identity. He ask what place the ideas of history, heritage and nostalgia have in creating a sense of our selves. He concludes with a plea for a history that holds the past to account but also allows for dynamic, inclusive change.

This book examines the interconnections between punk and alternative comedy (altcom). It explores how punk’s tendency towards humour and parody influenced the trajectory taken by altcom in the UK, and the punk strategies introduced when altcom sought self-definition against dominant established trends. The Punk Turn in Comedy considers the early promise of punk-comedy convergence in Peter Cook and Dudley Moore’s ‘Derek and Clive’, and discusses punk and altcom’s attitudes towards dominant traditions. The chapters demonstrate how punk and altcom sought a direct approach for critique, one that rejected innuendo, while embracing the ‘amateur’ in style and experimenting with audience-performer interaction. Giappone argues that altcom tended to be more consistently politicised than punk, with a renewed emphasis on responsibility. The book is a timely exploration of the ‘punk turn’ in comedy history, and will speak to scholars of both comedy and punk studies.

Punk Beyond the Music: Tracing Mutations and Manifestations of the Punk Virus expands the conversation about punk from a focus on the musical genre to its surrounding cultural manifestations. Focusing on some of the most recurring practices and characteristics of punk culture —DIY, attitude, outsider identities, symbols, and politics—Iain Ellis engages many illustrative examples to investigate punk beyond the music without losing sight of its significance. Early chapters look at arts that have always existed within the punk subculture (writings, visual arts, films, and humor); subsequent sections examine areas rarely recognized as exhibiting punk characteristics (such as education, sports, crafts, and comics). Taken together, the chapters invite readers on an extensive and unpredictable journey through the evolution of punk’s developments and adaptations.