New Testament scholars often claim that the interpretative key to Jesus' pronouncement of the words ego eimi in the Gospel of John lies in the use of this phrase in the Septuagint of Isaiah to render the Hebrew expression 'ani hu' . While previous studies have paid particular attention to the New Testament usage of ego eimi, Catrin H. Williams sets this evidence within a broader framework by offering a detailed analysis of the interpretation of 'ani hu' in biblical and Jewish traditions. She examines the role of 'ani hu' as a succinct expression of God's claim to exclusiveness in the Song of Moses and the poetry of Deutero-Isaiah, and attempts to reconstruct its later interpretative history from the substantial body of evidence preserved in the Aramaic Targumim and several midrashic traditions. Biblical 'ani hu' declarations are cited by rabbinic authorities as proof-texts against a variety of heretical claims, particularly the 'two powers' heresy, but new 'ani hu' formulations, not necessarily confined to divine speeches, are also attested. In the concluding chapters Catrin H. Williams considers the role of 'ani hu' when seeking to interpret Jesus' utterance of the words ego eimi in Synoptic and Johannine traditions.

In Mark's Gospel, the Shema language of Deut 6.4 is not merely reiterated in a traditional sense but reinterpreted in a striking way that links Jesus directly and inseparably with Israel's unique God. Such an innovative rereading of the Shema must be understood in light of (a) various elements involved in and surrounding each of the three monotheistic references (Mark 2.7; 10.18; 12.29) relating to their respective literary contexts, and (b) Mark's nuanced, complex, and even paradoxical portrait of Jesus' relationship to God throughout his gospel. John J.R. Lee shows that Mark's use of the one-God language implies that his Jesus is not merely one who, as a Shema-observant Jew, speaks on behalf of God but also one whose status and significance fundamentally correspond to those of Israel's unique deity.

This dictionary is based on old and recent manuscripts, printed texts, literary Midrashic texts, recorded oral Bible translations, folk literature, and diverse spoken registers. It has an extensive introduction, including a brief history of the Jewish dialects and their relations to older Aramaic, detailed observations on orthography, phonology, morphology, semantics, and other related grammatical features, that will serve the users well. The source for each word is indicated, including context quotations when necessary. A special effort was made to trace the origin of each and every word, be it native (classical and Talmudic Aramaic, Syriac etc.), or a loan word (Arabic, Hebrew, Persian, Kurdish, Turkish, general European). The Dictionary includes an index to all the Jewish Babylonian Aramaic words which have cognates or reflexes in Jewish Neo-Aramaic, a very important tool for the history of comparative linguistic studies of Aramaic. The Dictionary will be useful for scholars of Neo-Aramaic as well as classical and Talmudic Aramaic and Syriac, Semitic Languages, Jewish Languages, Languages in Contact, and other Near Eastern Languages in general. It is the first scholarly dictionary of Jewish Neo-Aramaic, and is intended to be a linguistic monument to the community that spoke it for many centuries until its emigration to Israel.

Any treatment of the figurative and symbolic function of animal imagery in biblical literature requires special attention to its contextual meaning and cultural evaluation. The present study aims to demonstrate how this is particularly true of the Book of Proverbs, in which faunal imageries serve as a didactic means for delving into the more obvious truths of human behavior. This book makes a methodological contribution toward understanding the didactic function of Proverb's animal imageries by offering an ongoing three-pronged analysis: a. Zoological identification and literary perception of the animal in the Bible; b. Hermeneutic dynamics between the specific animal simile and its literary adaptation; c. Rhetorical function of the animal imagery within the conceptual framework of the Book of Proverbs.

This wide-ranging handbook presents an overview of our current knowledge on the history of the Bible. Divided into three parts, it shows how the collections of canonical and apocryphal books were formed, explains the transmission and translation of the Biblical texts and describes biblical interpretation in Judaism and Christianity. Incorporating the immense amount of information that has become available since the discovery of the Dead Sea Scrolls, the author sets out to bridge the gaps between widely different areas and trends in the field of Biblical Studies: canonical and apocryphal literature, written and oral traditions, rabbinic and Christian exegesis and modern critical exegesis, and literal and allegorical interpretation, among others. Uniquely, Trebolle Barrera also looks at the Wirkungsgeschichte of the Bible in relation to the Greek and Roman world, the Renaissance and the Enlightenment. Scholars, students and interested lay persons alike will benefit from the wealth of general information found here as well as detailed discussion on many topics currently under debate, from the significance of Qumran to the influence of the Semitic and Greek world on Christianity.

Judaism and Its Bible explores the profoundly deep yet complex relationship between Jews, Judaism, and the Hebrew Bible, describing the extraordinary two-and-a-half-millennia journey of a people and its book that has changed the world.

"How do I know that God is real? Is the Bible really the Word of God, or is it just an ancient book? Why are Christians so exclusive? Is there really only one way to heaven? All of these are tough questions, but in The God Questions, they are addressed head on with hard-hitting facts that tell the truth. The God Questions gives brief, simple, and easy to understand answers to the eight key questions everyone asks about Christianity. Divided in 40 short, readable chapters, this book will help you understand God and the universe He created.'"--Book cover

In this detailed overview of the history of the handmade book, Avrin looks at the development of scripts and styles of illumination, the making of manuscripts, and the technological processes involved in paper-making and book-binding. Readers will have a greater understanding of ancient books and texts with More than 300 plates and illustrations Examples of the different forms of writing from ancient times to the printing press Coverage of cultural and religious books Full bibliography Reference librarians and educators will find this resource indispensable.