Anna Brownwell Jameson (1794-1869) was a central figure in the London world of letters and art in the early Victorian period, and an important feminist writer. Her friends included such figures as Harriet Martineau, Lady Byron, Robert Browning and Elizabeth Barrett Browning. This study considers her life and works, using a different Jameson work as the central focus of each chapter. The author considers the particular non-fiction discourse in which the work is written, as well as such issues as gender and colonialism. Arranged chronologically, the book also charts the growth and development of a determined feminism in the vital years of the early Victorian period, and compares Jameson to her contemporaries.

A rich and fascinating account of the lives of Victorian governesses, exploring nineteenth-century attitudes to women, family and class. If a nineteenth century lady had neither a husband to support her nor money of her own, almost her only recourse was to live in someone else's household and educate their children - in particular, their daughters. Marooned within the confines of other people's lives, neither servants nor family members, governesses occupied an uncomfortable social limbo. And being poor and insignificant, their papers were mostly lost. But a few journals and letters have come down to us, giving a vivid record of what it was to be a lone professional woman at a time when such a creature officially did not exist.

Between the 1780s and the end of the nineteenth century, an army of sad women took up residence in other people's homes, part and yet not part of the family, not servants, yet not equals. To become a governess, observed Jane Austen in Emma, was to "retire from all the pleasures of life, of rational intercourse, equal society, peace and hope, to penance and mortification for ever." However, in an ironic paradox, the governess, so marginal to her society, was central to its fiction-partly because governessing was the fate of some exceptionally talented women who later wrote novels based on their experiences. But personal experience was only one source, and writers like Wilkie Collins, William Makepeace Thackeray, Henry James, and Jane Austen all recognized that the governess's solitary figure, adrift in the world, offered more novelistic scope than did the constrained and respectable wife. Ruth Brandon weaves literary and social history with details from the lives of actual governesses, drawn from their letters and journals, to craft a rare portrait of real women whose lives were in stark contrast to the romantic tales of their fictional counterparts. Governess will resonate with the many fans of Jane Austen and the Brontës, whose novels continue to inspire films and books, as well as fans of The Nanny Diaries and other books that explore the longstanding tension between mothers and the women they hire to raise their children.

Roy considers the connections Jameson makes between feminism and anti-racism in Winter Studies and Summer Rambles in Canada (1838), Hubbard's insights in A Woman's Way Through Unknown Labrador (1908) into her relationship with First Nations men who had both more and less power than she, and Laurence's awareness of colonial and patriarchical oppression in her African memoir The Prophet's Camel Bell (1963). Roy also examines archival and First Nations accounts of these women's travels, and the sketches, photos, and maps that accompany their writing, to examine contradictions in and question the implied objectivity of travel narratives. She concludes by looking at the myth of getting there first and the ways in which new technologies of representation, including cameras, allow travellers and writers to claim new travel firsts.

This anthology of literary criticism by Victorian women of letters brings together a wealth of difficult-to-find writings. Originally published from the 1830s through the 1890s, the essays concern a range of topics including poetry, fiction, non-fiction prose, the roles of literature and of criticism, topical reviews of major works, and retrospectives of major authors. Together, they demonstrate the impressive depth and breadth of Victorian women’s literary criticism. This Broadview anthology also includes an introduction, textual and explanatory notes, author biographies, and suggestions for further reading.

This anthology combines some of the finest writing by such well-known writers as Leacock, Moodie, Ernest Thompson Seton and Lucy Maud Montgomery with fascinating pieces by lesser-known names such as George Copway (the first Canadian native writer to have his work published in English) and Lady Agnes Macdonald (the wife of Canada’s first prime minister, and a popular writer of great verve and enthusiasm). In addition to three genres of fiction the anthology includes two important varieties of non-fiction in which early Canadians made a strong and distinctive contribution: Travel and Exploration Narratives and Memoirs and Descriptive Sketches.

First published in 1988, this encyclopedia serves as an overview and point of entry to the complex interdisciplinary field of Victorian studies. The signed articles, which cover persons, events, institutions, topics, groups and artefacts in Great Britain between 1837 and 1901, have been written by authorities in the field and contain bibliographies to provide guidelines for further research. The work is intended for undergraduates and the general reader, and also as a starting point for graduates who wish to explore new fields.

Rosalia Baena’s theoretically challenging, analytical volume of essays, explores the diversity of shapes that transcultural life writing takes, demonstrating how it has become one of the most dynamic and productive literary forms of self-inscription and self-representation. Expanding much of the contemporary criticism on life writing, which tends to centre on content, the essays highlight that reading contemporary forms of life writing from a literary perspective is a rich field of critical intervention that has been overlooked because of recent cultural studies’ concerns with material issues. To read life writing as primarily cultural texts undercuts much of its value as a complex dynamic of cultural production, where aesthetic concerns and the choice and manipulation of form serve as signifying aspects to experiences and subjectivities. This book was previously published as a special issue of Prose Studies.

Great Shakespeareans offers a systematic account of those figures who have had the greatest influence on the interpretation, understanding and cultural reception of Shakespeare, both nationally and internationally. In this volume, leading scholars assess the contribution of Anna Jameson, Mary Cowden Clarke, Frances Anne Kemble and Charlotte Cushman to the afterlife and reception of Shakespeare and his plays. Each substantial contribution assesses the double impact of Shakespeare on the figure covered and of the figure on the understanding, interpretation and appreciation of Shakespeare, provide a sketch of their subject's intellectual and professional biography and an account of the wider cultural context, including comparison with other figures or works within the same field.