'One of the greatest love stories in world literature' Vladimir Nabokov The heroine of Tolstoy's epic of love and self-destruction, Anna Karenina has beauty, wealth, popularity and an adored son, but feels that her life is empty until she encounters the impetuous officer Count Vronsky. Their subsequent affair scandalizes society and family alike, and brings jealousy and bitterness in its wake. Contrasting with this is the vividly observed story of Levin, a man striving to find contentment and a meaning to his life - and also a self-portrait of Tolstoy himself. This award-winning translation has been acclaimed as the definitive English version of Tolstoy's masterpiece. Translated by RICHARD PEVEAR and LARISSA VOLOKHONSKY with a Preface by JOHN BAYLEY

A close reading of this classic novel that explores the subtle psychology in Tolstoy's characterisation.

A Study Guide for Leo Tolstoy's "Anna Karenina," excerpted from Gale's acclaimed Novels for Students.This concise study guide includes plot summary; character analysis; author biography; study questions; historical context; suggestions for further reading; and much more. For any literature project, trust Novels for Students for all of your research needs.

The main thrust of this collection of essays, excluding those on Russian literature, is to visualize the European Holocaust from a number of different vantage points - the historical and cultural, the political and individual, the psychological and social, and the critical and literary. This wider perspective, especially as it relates to the range and extent of human suffering, suggests that a redefinition of the twentieth-century Holocaust is now timely.

Tolstoy’s Anna Karenina is considered by many to be one of the greatest novels ever written. This study of its morally ambiguous protagonist, Anna, discusses Tolstoy’s troubled relation to the feminine in terms of the fantasies, hopes, and fears that she represents. In Reflecting on Anna Karenina, first published in 1989, Mary Evans presents an original, feminist reading of Anna’s life and times for both students and the general audience. She argues that Anna is the embodiment of all those female characteristics that so captivated Tolstoy, and which he felt so compelled to punish in his writing. Evans indicates how author and central character are locked in a contradiction which can only be resolved in the novel by Anna’s death, but which in real life must be overcome by women’s assertion of their moral and sexual autonomy.

Although Anna Karenina has been described as “the European novel” by Frank Leavis, the geographical setting of the novel and, increasingly, its temporal and cultural setting, render it a foreign novel to most readers. A Karenina Companion offers a wealth of information, including a great deal that has previously not been available in English, for the scholarly and literary appreciation of this great novel. Chapter 1 is a biographical introduction and Chapter 2 an examination of the way in which the novel was composed. In Chapter 3 the author brings together Tolstoi’s own substantial comments on his work. Chapter 4 adduces the main differences between the latest edition of the text and what has been the standard edition for over 50 years. Chapter 5 outlines what Tolstoi was reading as he was writing the novel. The final chapter provides a survey of significant secondary literature, with English-language works listed in appendices. A Karenina Companion will facilitate both the reading and understanding of the novel by English speakers and the writing of informed and reliable critical appreciations.

Mandelker's revisionist analysis begins with the contention that Anna Karenina rejects the textual conventions of realism and the stereo-typical representation of women, especially in Victorian English fiction. In Anna Karenina, Tolstoy uses the theme of art and visual representation to articulate an aesthetics freed from gender bias and class discrimination.

This volume gathers together some of F. R. Leavis's earliest work with the things he was working on before his death, as well as a representative sample of pieces reflecting the concerns he developed throughout his writing life. This material, from the whole span of a long writing career, shows both the continuity of his pre-occupations and important respects in which his judgements changed. In an introductory essay Professor Singh discusses each piece and relates it to the development of Leavis's ideas. The reader can trace his concern for standards of critical valuation as it evolved through studies of T. S. Eliot, D. H. Lawrence, William Empson, George Eliot, Henry James, W. B. Yeats, I. A. Richards and others. Leavis's well-known reflections on Marxism are also included.

"Edward Wasiolek, after much valuable work on Dostoevsky, has now written one of the best books on Tolstoy in recent decades. This may be in part because of his preoccupation with Tolstoy's most challenging contemporary, and the resulting sense of their unlikeness in a common pursuit. But there are other, unspeculative reasons. Few studies of Tolstoy have been so carefully pondered and so firmly organized to convince; and not so many show the flexibility and variety of its approach. Wasiolek proposes an essentially simple and consistent reading, but he advances it with subtlety and discretion."—Henry Gifford, Times Literary Supplement