This volume investigates the plots of the Genesis stories. Rather than fragmenting Genesis into hypothetical sources and reading each in isolation from the others, as has often been the case in scholarship, this final-form reading exposes the coherence and complexity of the book. In particular, the initial "announcements of plot", prefacing each major block of the book are shown to exercise an intimate yet surprising influence over the narratives they govern. The seemingly naive stories of Genesis, when read wholistically, offer profound insights into the interplay between divine providence and human free will.

In The Plot-structure of Genesis Todd L. Patterson argues that Genesis is organized by a development from complication to dénouement. The question 'Will the righteous seed survive?' drives the narrative to climax. Gen 4 sets up the complication. Cain and Abel are the seed of the woman who should lead humanity back to God's creation-sanctuary. Because Cain does not master sin, his unrighteousness threatens the survival of the seed. Each narrative tôlĕdôt division develops this theme until dénouement in the Joseph narrative when God ensures the survival of the promised seed. By showing how plot integrates with the widely recognized tôlĕdôt structure, prominent motifs, and enigmatic features of the text, Todd L. Patterson provides a surprisingly novel interpretation of Genesis.

Throughout the Bible, divine interaction with humanity is portrayed in almost embarrassingly human terms. He sees, hears, thinks, feels, runs, rides chariots, laughs, wields weapons, gives birth, and even repents. Many of these expressions, taken at face value, seem to run afoul of much classical theology, including divine simplicity, transcendence, omniscience, omnipotence, omnipresence, and especially immutability. Traditionally, these texts have been seen as "accommodations" to human intellectual and moral limitations. That is, they were deemed as giving God a more approachable feel, but not as representing any "real" part of his character, being, or interaction with humanity. For example, references to God seeing or hearing are not deemed to represent real acts, as God already knows everything. However, this view is largely based on an Aristotelian conception of metaphors as rhetorical devices, not vehicles that carry any truth content. Since the 1970s, the understanding of how metaphors convey meaning has taken great strides. These advances can help unlock how divine action--often inadvertently flattened under theological presuppositions--functions within a text. This book aims to explore the biblical metaphor of divine sight and how current understandings of metaphorical function can enrich our reading of the text and its theology.

After creating man and woman, God's first recorded blessing upon them is "be fruitful and multiply." Like the blessings of food and health, the human experience of procreation is so common that we may overlook its importance within the biblical narrative. However, I Will Surely Multiply Your Offspring, a comprehensive examination of the progeny blessing, demonstrates that this motif is both prevalent and significant within the Old Testament by tracing its development throughout the redemptive-historical narrative. Viands identifies different progeny blessing traditions associated with the Abrahamic covenant, the Sinai covenant, and the new covenant, and describes their interrelationships as well as their relationship to the universal blessing first found in Genesis 1. This study lays the foundation for a biblical worldview of human proliferation, contributing to contemporary discussions concerning whether humans are obligated to bear children as well as procreation ethics.

This volume is a collection of essays written by former students and colleagues of the late John H. Sailhamer. It includes scholarly treatments of compositional and canonical issues across the Tanakh. These essays are presented in honor of the memory and the legacy of Dr. Sailhamer.

This volume contains extensive bibliographies of works on rhetorical criticism of both the Old and New Testaments. Introductory chapters treat the development of rhetorical criticism and its influence on contemporary biblical interpretation.

Karalina Matskevich examines the structures that map out the construction of gendered and national identities in Genesis 2–3 and 12–36. Matskevich shows how the dominant 'Subject' – the androcentric ha'adam and the ethnocentric Israel – is perceived in relation to and over against the 'Other', represented respectively as female and foreign. Using the tools of narratology, semiotics and psychoanalysis, Matskevich highlights the contradiction inherent in the project of dominance, through which the Subject seeks to suppress the transforming power of difference it relies on for its signification. Thus, in Genesis 2-3 ha'adam can only emerge as a complex Subject in possession of knowledge with the help of woman, the transforming Other to whom the narrator (and Yahweh) attributes both the agency and the blame. Similarly, the narratives of Genesis 12–36 show a conflicted attitude to places of alterity: Egypt, the fertile and seductive space that threatens annihilation, and Haran, the 'mother's land', a complex metaphor for the feminine. The construction of identity in these narratives largely relies on the symbolic fecundity of the Other.

Includes various reports of the Association.

Throughout his academic career Robert Crouse has insisted that the patristic and medieval philosophical and theological traditions, which have so profoundly shaped western culture, cannot be understood apart from the subtle and complex dialogue between Christianity and Hellenic culture out of which these traditions emerged. In this volume in Father Crouse’s honour, twenty-two eminent scholars from across North America and Europe examine various moments within the emergence of the doctrine of creation in the patristic and medieval periods, the Hebraic and Hellenic pre-history of this movement, as well as modern reactions to the partristic and medieval syntheses. Student and specialist alike will appreciate not only the depth of scholarly research clearly evident in the individual essays, but also the broad scope of the volume as a whole. Contributors include: Stephen Andrews, Stephen F. Brown, Mary T. Clark, RSCJ, Kevin Corrigan, Lawrence Dewan, Robert Dodaro, OSA, Wayne J. Hankey, Walter A. Hannam, Michael Harrington, Paige E. Hochschild, Dennis House, Edouard Jeauneau, Angus Johnston, Torrance Kirby, Terence J. Kleven, Marguerite Kussmaul, Matthew L. Lamb, D. Gregory MacIsaac, Ralph McInerny, Luca Obertello, Willemien Otten, Neil G. Robertson, Horst Seidl, and Michael Treschow.

Working from the conviction that Genesis can be read as a coherent whole, this commentary foregrounds the sophistication of Hebrew narrative art, in particular its depiction of plot and character, and the interpretative possibilities raised by its intertextuality. Apparently simple and independent episodes emerge as complex and interconnected, constantly challenging readers to readjust their assessments of characters and expectations of plot development. Approaching the text predominantly from a 'first-time' reader's perspective, the narrative's surprises, ironies and innovations are underscored.