A vivid portrayal of the 1950s high fashion and expatriate world in Paris and London as seen by a young American, herself a VOGUE and Chanel model.

Fay struggles with her own identity when someone who appears to be her doppelgèanger starts outperforming her at school and engaging with her friends, and she must stop her before the other Fay takes over for good.

A figure from ancient folklore, the doppelganger--in fiction a character's sinister look-alike--continues to appear in literature, television and film. The modern-day version (of the Doppelganger, or "double-goer" in German) is typically depicted in a form adapted to reflect present-day social anxieties. Focusing on a broad range of narratives, the author explores 21st century representations in novels (such as Audrey Niffenegger's Her Fearful Symmetry, Jose Saramago's The Double), television shows (Orphan Black, Battlestar Galactica, Ringer) and movies (The Island, The Prestige, Oblivion).

An Enchanting, Romantic Time Travel Adventure "An entertaining, well-written tale offering intriguing speculations and a heroine of courage and determination." --Kirkus Reviews The Granola Diet promises to turn curvy Sara Rodríguez Bloom García into a svelte, new woman in no time. Once it does, her husband’s rekindled passions will be unstoppable—she hopes. “Holy molé salsa!” When Sara reaches for the box of cereal, she travels back in time to a childhood trip to the grocery store with her beloved grandmother. Seeing her dead grandmother alive and well again is wonderful, but Sara may be losing her mind, or much, much more. What starts out as another fad diet, leads Sara on a time travel journey of perilous twists and turns—fraught with double-agents, lusty redheads, and a deadly serum. Sara’s possibly-magical cat, a sexy former crush, tasty meals, and vivid music enliven the darker moments. Fans of The Time Traveler’s Wife and Diana Gabaldon’s Outlander series will love Time Flash: Another Me.

The Other Me I Seay is the second installment of poems that embrace not only the current state of humanity, but encourages breaking out of the suffocating thoughts that keep us in a cerebral spiral to nothingness.

This book, based on a critical/collective/auto/ethnographic research project, describes an assemblage of theoretically informed, arts-based methods that aim to promote multiplicity and thinking. It explores multiplicities of knowing, sensing, doing and being, generated by analyzing knowing frames, poetry, reading aloud, fableing, playwriting and other inventive, playful and scholarly ways of working with experiences and stories. By offering engaging and inspiring strategies that can disturb standardizations and interrupt cultural normativities, the book sheds light on the conditions that might be present in cultural contexts that enable diversity and creativity. The research project on which this book is based originated from a contradictory set of conditions characterized on the one hand by a marked interest in creative research methods and novel knowledge practices and, on the other hand, by a widespread concern that we live in increasingly standardized times, featuring systems that specify objectives ahead of time, demand compliance and narrow the possibilities for human action. The book takes readers on an arts-based journey designed to enhance the opportunities for imaginative and ethical professional practice in education, human services and the arts.

One of the keys to acquiring a new language is to learn the patterns that make up the language. Simply learning phrases so you can speak "pidgin" Cherokee is not learning Cherokee. You need to learn the fundamentals of the language on how words are put together to be able to understand and communicate in the language. There are many degrees of meaning that different word parts provide and if you don't learn these shades of meaning up front and how they are expressed you will never progress beyond simple memorized phrases and never obtain satisfaction with the language. While each person's skill will differ, one should strive to gain enough understanding of the mechanics of language to be able to comprehend and communicate effectively. The goal of this material is to provide you a solid structural foundation on how Cherokee works. You will learn how words are put together in basic sentences and how to form new words for ideas not listed in the dictionary.

My name is Samson Drake Slayer. I'm twenty years old, a Chicago cop-and a dragon's mage. It's been two years since high school graduation-two unbelievable years of building my new life and running from what I really am. I have Connie, the girl of my dreams. I'm a cop, the job of my dreams. Everything seems to be in order, but I know that it is all just an illusion. Ten years ago, things started happening that no one would believe-the Mage Uprising-and now they're happening again. Warriors are preparing for battle, plots are hatching everywhere I look (and some places I never expected), and the only thing that stands between order and sanity is my girlfriend and her dragon. I'm also the first mage ever to befriend a dragon, and that's made me some pretty brutal enemies along the way. When you try to run from your problems, you may end up running into them all over again. But how long do you have to run until you realize you're only running from yourself?

Following his first book of poetry, 13th of 31st, in his progressive stage of poetry (2010-2017), Deniz experiments with combining aspects of traditional forms in English and Turkish, as he intends to carve the intense hues of love-lost and life-lived in verses.

SUCKED IN Struggling vampire romance novelist Ashley Hawn was living her dream. By day she worked as a clerk at a local grocery store, and by night she immersed herself in the imaginary world of sexy vampires, shirtless men, and endless parties. Between work, her writing, and her best friends- Chloe and Jordan- life was good. She was even dating a mysterious and sexy man (or so she thought) by the name of Isaac. Then in a flash, her whole world changed and she discovered herself turned. Quickly she finds that life as a vampire is less sexy shirtless men, endless parties, and is more running for her life as she tries to dodge the attacks of every mythological creature in the area. SUCKED AWAY Barely surviving the resurrection of the warlock Sedgrave, Ashley has healed in body, if not in mind. As she slowly tries to piece together her mind, sorting past from present and friend from foe, the time of her joining- a ritual designed to bind her to her seethe-comes upon her. Before the ritual can be completed in full, it is interrupted by a ragged pack of werewolves seeking asylum and protection. Meanwhile, a storm is brewing in the mystical world with Ashley at its center, and before she knows it, her calm existence is once more Sucked Away. THAT SUCKED Ashley Hawn's vampire existence has been anything but calm. Turned for the sole purpose of raising a long-dead warlock from the grave, Ashley has spent her new life fighting against those who would use her. Now the warlock is back, and Ashley finds herself connected to him in every way possible. She must work alongside her friends to stop him from enslaving the entire human population. Meanwhile, the men in her life continue to show her romantic inclinations. As Ashley works to break the connection between her and the warlock, she ducks and dodges the attention of her male friends, doing her best to ward them off without ending the friendship. Will Ashley kill Sedgrave, and will she have any friends left when it is all over?