This book brings fresh perspectives to the anthropology of migration. It focuses on what migrants write and how anthropologists may incorporate insights gained from engagement with this writing into research methods and writing practices. The volume includes a range of contributions from leading scholars in the field, all organized around a striking set of questions about the conditions in which migrant narratives are written and translated, the audiences for which they are intended, the genres and media through which they are disseminated, and what such stories include or leave out. The contributors to this volume demonstrate an innovative shift in anthropological methods by showing how fiction and nonfiction, graphic memoir and autoethnography, song lyrics, as well as social media posts and images unsettle the power dynamics in the study of migration narrative. This book will serve as important supplemental reading for courses on migration, literary anthropology, ethnographic methods, and sociocultural anthropology in general. Its interdisciplinary perspective will appeal to a broad range of scholars and students with interests in migration, narrative, and anthropological writing genres.

This book examines the relationship between migration and socioeconomic status. In particular, it charts a set of middle-class aspirations that lead people to move to a nearby nation that is similar in wealth and social indicators – a type of horizontal relocation that it terms "sideways migration." It chronicles the experiences of a diverse group of French middle-class citizens who moved to London during the late 20th and early 21st centuries. Based on longitudinal ethnographic fieldwork over a ten-year period, this book engages at length with their strategies of emplacement through the lens of Pierre Bourdieu's concept of social space. Against a backdrop of heightened anxieties about immigration, the disruptions of the Brexit process and, more recently, a pandemic, it shows how middle-class migration is affected by processes of dislocation and relocation, settling and unsettling, and the search for belonging. This book points to new directions for understanding transnationalism among middle-class migrants through its consideration of the French emigration apparatus and the role of the multisite French nation in the lives of its citizens living abroad. It will be key reading for scholars and students interested in emigration and migration from anthropology, sociology, geography, political science, history, and international studies.

Zusammenfassung: A Collection of Creative Anthropologies brings together a series of creative work of anthropologists who share the art of writing that arises from 'ordinary' engagement and reveals its potential for the reimagining of anthropological futures and alternative worlds. This is a collection of creative anthropology anchored in experimentality and encouragement. A book that defies imaginaries of academic convention through the cultivation of a mundus imaginalis requiring moments of pause, of introspection, and of discomfort. This centring of creativity at the heart of anthropology subtly conveys how the complex ethical and moral issues around fieldwork and anthropological theorising can be reflected on through writing otherwise, in creative spaces such as this book. A Collection of Creative Anthropologies fits the current call for radical revisions of the academic canon in anthropology, and the social sciences and humanities more broadly. Eva van Roekel is an anthropologist working at Vrije Universiteit Amsterdam. Her work focuses on ethics and violence in Latin America, particularly Argentina and Venezuela. Her scholarly work appeared in various anthropological and regional journals and her monograph Phenomenal Justice (RUP) engages with retributive justice through an affective lens. Feeling unfulfilled with academic genres, she started experimenting with creative writing and filmmaking, which resulted in various short story publications and documentaries screened at international film festivals. Together with Alisse Waterston and Fiona Murphy they launched the Ethnographic Salon in 2022, a novel space to perform creative anthropologies. She is also one of the co-founders of the EASA Creative Anthropologies Network (CAN). Fiona Murphy is an anthropologist based in SALIS in Dublin City University. As an anthropologist of displacement, she works with Stolen Generations in Australia and people seeking asylum and refuge in Ireland, the United Kingdom and Turkey. She has a particular passion for creative and public anthropologies and is always interested in experimenting with new forms and genres. Alongside of her scholarly work, she has published shorts stories, poetry, and creative non-fiction across a number of different forums. She co-organised the successful Ethnographic Salon with Alisse Waterston and Eva van Roekel at EASA2022 in Belfast, which showcased creative work by anthropologists. She is one of the co-founders of the EASA Creative Anthropologies Network (CAN)

This open access book brings together storytelling and self-narrative, creative writing and narrative enquiry to explore a variety of topics in migration from an experiential lens. The volume is hybrid and multi-genre as it contains both scholarly chapters grounded in academic perspectives, as well as personal essays and creative non-fiction. In addition to critical reflections on key migration topics and concepts – like, identity and diversity, integration and agency, transnationalism and return – the scholarly chapters also propose a particular methodology for ‘workshopping’ migration narratives, and writing about (personal) lived experiences through iterations of scientific reflection, narrative enquiry, and creative imagination. The book explores the potential of a new conceptual paradigm and methodological process to learn more, and also `differently,’ about the migration experience. Finally, this volume asks a bigger question too – how do we define the boundaries of research; is it possible to entirely separate the spatial, temporal and methodological parameters in which projects are developed and pursued; and how can the specifics of these multiple contexts contribute to shaping the knowledge being produced?

This collection pushes migration and "the minor" to the fore of literary anthropology. What happens when authors who thematize their “minority” background articulate notions of belonging, self, and society in literature? The contributors use “interface ethnography” and “fieldwork on foot” to analyze a broad selection of literature and processes of dialogic engagement. The chapters discuss German-speaking Herta Müller’s perpetual minority status in Romania; Bengali-Scottish Bashabi Fraser and the potentiality of poetry; vagrant pastoralism and “heritagization” in Puglia, Italy; the self-representation of European Muslims post 9/11 in Zeshan Shakar’s acclaimed Norwegian novel; the autobiographical narratives of Loveleen Rihel Brenna and the artist collective Queendom in Norway; the “immigrant” as a permanent guest in Spanish-language children’s literature; and Slovenian roots-searching in Argentina. This anthology examines the generative and transformative potentials of storytelling, while illustrating that literary anthropology is well equipped to examine the multiple contexts that literature engages. Chapter 4 of this book is available open access under a CC By 4.0 license at link.springer.com.

In Migration as Transnational Leisure: The Japanese Lifestyle Migrants in Australia Jun Nagatomo discusses a new type of migration in which “lifestyle” is at the core of middle class aspirations to migrate. Traditionally, international migration has been commonly seen as resulting from economic, political and religious causes. However, this book studies an intriguing new dynamic between the social transformation and the Japanese engagement with tourism and migration. Since the 1990s, when Japan was struggling with the recession, increasing numbers of young middle class Japanese began to drift from the safe and assured life course model and chose to live abroad. This book explores how lifestyle values affect migration decision of Japanese migrants in Australia and settlement processes in the migration destination.

Human history is the history of migration. Never before, however, have the numbers of people on the move been so large nor the movement as global as it is today. How should Christians respond biblically, theologically, and missiologically to the myriad of daunting challenges triggered by this new worldwide reality? This volume brings together significant scholars from a variety of fields to offer fresh insights into how to engage migration. What makes this book especially unique is that the authors come from across Christian traditions, and from different backgrounds and experiences—each of whom makes an important contribution to current debates. How has the Christian church responded to migration in the past? How might the Bible orient our thinking? What new insights about God and faith surface with migration, and what new demands are placed now upon God’s people in a world in so much need? Global Migration and Christian Faith points in the right direction to grapple with those questions and move forward in constructive ways.

Research Methods in Anthropology is the standard textbook for methods classes in anthropology. Written in Russ Bernard’s unmistakable conversational style, this guide has launched tens of thousands of students into the fieldwork enterprise with a combination of rigorous methodology, wry humor, and commonsense advice. Whether you are coming from a scientific, interpretive, or applied anthropological tradition, you will learn field methods from the best guide in both qualitative and quantitative methods.

This edited collection explores issues that arise when researching "hard-to-reach" groups and those who remain socially excluded and marginalized in society, such as access, the use of gatekeepers, ethical dilemmas, "voice," and how such research contributes to issues of inclusion and social justice. The book uses a wide range of empirical and theoretical approaches to examine the difficulties, dilemmas and complexities surrounding research methodologies with particular groups. It emphasizes the importance of national and international perspectives in such discussions, and suggests innovative methodological procedures.

With the end of apartheid rule in South Africa and the ongoing economic crisis in Zimbabwe, the border between these Southern African countries has become one of the busiest inland ports of entry in the world. As border crossers wait for clearance, crime, violence, and illegal entries have become rampant. Francis Musoni observes that border jumping has become a way of life for many of those who live on both sides of the Limpopo River and he explores the reasons for this, including searches for better paying jobs and access to food and clothing at affordable prices. Musoni sets these actions into a framework of illegality. He considers how countries have failed to secure their borders, why passports are denied to travelers, and how border jumping has become a phenomenon with a long history, especially in Africa. Musoni emphasizes cross-border travelers' active participation in the making of this history and how clandestine mobility has presented opportunity and creative possibilities for those who are willing to take the risk.