Contemporary anthropology is done in a world where social and digital media are playing an increasingly significant role, where anthropological and arts practices are often intertwined in museum and public intervention contexts, and where anthropologists are encouraged to engage with mass media. Because anthropologists are often expected and inspired to ensure their work engages with public issues, these opportunities to disseminate work in new ways and to new publics simultaneously create challenges as anthropologists move their practice into unfamiliar collaborative domains and expose their research to new forms of scrutiny. In this volume, contributors question whether a fresh public anthropology is emerging through these new practices.

Media Anthropology represents a convergence of issues and interests on anthropological approaches to the study of media. The purpose of this reader is to promote the identity of the field of study; identify its major concepts, methods, and bibliography; comment on the state of the art; and provide examples of current research. Based on original articles by leading scholars from several countries and academic disciplines, Media Anthropology provides essays introducing the issues, reviewing the field, forging new conceptual syntheses.

The latest edition of a major literature guide provides citations and informative annotations on a wide range of reference sources, including manuals, bibliographies, indexes, databases, literature surveys and reviews, dissertations, book reviews, conference proceedings, awards, and employment and grant sources. The organization closely follows that of the 1st edition, with some much-needed additions relating to online resources and new areas of interest within the field (such as forensic anthropology, environmental anthropology, and Lesbian, Bisexual, Gay, and Transgendered Anthropology). Separate sections focus on individual subfields, as well as emerging concerns such as ethical issues in cultural heritage preservation. For academic and research library collections, as well as faculty members in anthropology, area studies, and intercultural studies.

The women anthropologists in this book speak frankly about their challenges and successes as they navigated the tensions in their personal and professional lives-- marriage, raising children, caring for families, publishing, conducting research, going into the field, teaching, and mentoring-- during the volatile period when the roles and expectations for women were being constantly reestablished and repositioned.

This book explores the path of news as it moves through the tangled labyrinth of social identities and asserted interests that lie beyond the page or screen.

Art, Observation, and an Anthropology of Illustration examines the role of sketches, drawings and other artworks in our understanding of human cultures of the past. Bringing together art historians and anthropologists, it presents a selection of detailed case studies of various bodies of work produced by non-Western and Western artists from different world regions and from different time periods (from Native North America, Cameroon, and Nepal, to Italy, Solomon Islands, and Mexico) to explore the contemporary relevance and challenges implicit in artistic renditions of past peoples and places. In an age when identities are partially constructed on the basis of existing visual records, the book asks important questions about the nature of observation and the inclusion of culturally-relevant information in artistic representations. How reliable are watercolours, paintings, or sketches for the understanding of past ways of life? How do old images of bygone peoples relate to art historical and anthropological canons? How have these images and technologies of representation been used to describe, illustrate, or explain unknown realities? The book is an essential tool for art historians, anthropologists, and anyone who wants to understand how the observation of different realities has impacted upon the production of art and visual cultures. Incorporating current methodological and theoretical tools, the 10 chapters collected here expand the area of connection between the disciplines of art history and anthropology, bringing into sharp focus the multiple intersections of objectivity, evidence, and artistic licence.

Mom will ask, “What can you do with a degree in anthropology?” If you want the answer, then you need this book. Applied anthropologists Carol Ellick and Joe Watkins present a set of practical steps that will assist you through the transition from your career as a student into a career in a wide range of professions that an anthropology degree can be used. The stories, scenarios, and activities presented in this book are intended to assist you in learning how to plan for the next five years, write your letter of introduction, construct your resume, and best present the knowledge, skills, and abilities learned in class to prospective employers. Ellick and Watkins’ step-by-step approach helps you create a portfolio that you will use time and time again as you build your career.

This book seeks to break new ground, both empirically and conceptually, in examining changing understandings of the physical human body from a variety of anthropological perspectives. In doing so, it interrogates how the body has been and continues to be conceptualised, experienced and interacted with. After an introductory appraisal of recent approaches to understanding the body, the book provides empirically rich accounts from East and Southeast Asia of how cultural, environmental and social norms shape human physicality. The contributions are organised in four broad themes. Part I, ‘Body and Space’, offers two contrasting case studies from Malaysia, both of which examine gender norms associated with marriage and pregnancy, including the taboos associated with these rites of passage. Part II, ‘Imperfect Bodies: Communication and the Body as Media’, analyses two case studies—Deaf people in Japan and masked theatre performance in Bali, Indonesia, to reflect on changing attitudes towards disability, which reflect broader social norms and cultural beliefs about the nature of disability and its place in society. Part III, ‘The Body and Image’, provides a pair of case studies from Singapore, on male fans of the popular manga boys’ love genre and on ways that the Chinese zodiac system is determined from birth and continues to be spiritually embedded in the body of a Chinese individual through ritual practices. Part IV, ‘The Body as Container: Taming the Bodies?’, presents a single case study from Thailand of spirit possession among schoolchildren. Though wide-ranging, all the case studies posit that the body is a site of constant negotiation. The way the body is presented and the way it is seen are shaped by a complex array of social, cultural, political and ideational factors. Anthropology through the Experience of the Physical Body is a valuable interdisciplinary work for advanced students and researchers interested in representations of the body in East and Southeast Asia and for those with wider interests in the field of critical anthropology.

An accessible guide to decoding and understanding the divisive rhetoric implemented by the former president, and to resisting it. Trumpism has not only ushered in a new political regime, but also a new regime of language—one that cries out for intelligent and informed analysis. When Words Trump Politics takes insights from linguistic anthropology and related fields to decode, understand, and ultimately provide non-expert readers with easily digestible tools to resist the politics of division and hate. Adam Hodges’s short essays address Trump’s Twitter insults, racism and white nationalism, “truthiness” and “alternative facts,” #FakeNews and conspiracy theories, Supreme Court politics and #MeToo, Islamophobia, political theater, and many other timely and controversial discussions. Hodges breaks down the specific linguistic techniques and processes that make Trump’s rhetoric successful in our contemporary political landscape. He identifies the language ideologies, word choices, and recurring metaphors that underlie Trumpian rhetoric. Trumpian discourse works in tandem with media discourse—Hodges shows how Trump often induces journalists and social media agents to recycle and strengthen his spectacular and misleading claims. Those who study democracy have long emphasized the need for an informed electorate. But being informed on political issues also demands a keen understanding of the way language is used to convey, discuss, debate, and contest those issues. When Words Trump Politics analyzes the political rhetoric of today. The actionable insights in this book give journalists, politicians, and all Americans the successful tools they need to respond to the politics of hate. When Words Trump Politics is an essential resource for political resistance, for anyone who cares about freeing democracy from the spell of demagoguery. Praise for When Words Trump Politics “This is no ordinary time for language and politics, but Adam Hodges successfully marshals his considerable expertise in linguistic anthropology to bring insight into a political discourse that is often presented by journalists and pundits without this useful framework. Trumpian discourse is overrepresented and yet underanalyzed, and this book highlights the special need to attend to the subversive, anti-democratic use of language Trump has modeled.” —Paul V. Kroskrity, University of California, Los Angeles “A thoroughly insightful account of the president’s rhetorical collusion with the dark strains of American public life—its racism, hypernationalism, xenophobia—and his systematic obstructions of truth. When the histories of the political language of this era are written, Hodges’ book will be a seminal point of reference.” —Geoff Nunberg, University of California, Berkeley