Throughout her career, Carole Pope has blazed a trail for the diva and anti-diva in all of us, and here she offers a no-holds-barred look at her adventures in the music scene – on the concert stage, in the recording studio, and in the bedroom. Known for ushering Canada from the punk movement of the 1970s to the new wave sound of the 1980s with Rough Trade, she candidly shares her thoughts on AIDS, sexuality and sexual politics, and the new breed of music divas that dominates the charts today.

From Elizabeth Taylor, Bette Midler, and Diana Ross to Queen Elizabeth I, Julia Child, and Princess Leia, these divas have been sister, alter ego, fairy godmother, or model for survival to gay men and the closeted boys they once were. And anyone—straight or gay, young or old, male or female—who ever needed a muse, or found one, will see their own longing mirrored here as well. These witty and poignant short essays explore reasons for diva-worship as diverse as the writers themselves. My Diva offers both depth and glamour as it pays tribute with joy, intelligence, and fierce, fierce love. Finalist, Lambda Book Award for LGBT Anthology, Lambda Literary Foundation

Focuses on the operatic soprano as the diva and her relationships with technology from the 1820s to the digital age.

When the groom's ex is found dead before the "I Do"s, Sophie Winston vows to catch the killer before her sister's wedding ends in disaster in the second Domestic Diva mystery. Sophie Winston's sister, Hannah, is getting married—again! And if you ask Sophie, her future brother-in-law is no prince. But is he a killer? That's the question on everyone's mind when his ex-wife is found hanging from a pergola. This is one event Sophie and her sister hadn't planned on. As hidden family secrets begin to come to light, Sophie finds the list of suspects is almost as long as the list of wedding guests. Will the real killer be seated on the groom's side or the bride's? Or will he be standing at the altar? Either way, Sophie must solve the murder in time to stop her sister from making the biggest—and possibly the last—mistake of her life. Includes delicious recipes and entertaining tips!

The New York Times bestselling author of The Diva Steals a Chocolate Kiss serves up a new mystery steeped in murder... When The Parlour opens up in town, domestic diva Sophie Winston finally has a place to satisfy her cravings for all things tea and crumpet related. And the shop serves as the perfect place for the ladies of the town to gather and gossip, especially since it’s conveniently located right across the street from the new antique store run by the handsome and charming Robert Johnson. But speculation around Robert really boils over when he’s found dead—a victim of poisoning after attending a literacy fundraiser at The Parlour the night before. What Sophie learns about the man leaves a bitter taste in her mouth, and she’ll have to strain out a killer from a strange brew of suspects... Includes delicious recipes and entertaining tips!

"Roth Family Foundation music in America imprint"--Prelim. p.

Composer John Kander and lyricist Fred Ebb collaborated for more than forty years, longer than any such partnership in Broadway history. Together they wrote over twenty musicals. Their two most successful works, Cabaret and Chicago, had critically acclaimed Broadway revivals and were made into Oscar-winning films. This book, the first study of Kander and Ebb, examines their artistic accomplishments as individuals and as a team. Drawing on personal papers and on numerous interviews, James Leve analyzes the unique nature of this collaboration. Leve discusses their contribution to the concept musical; he examines some of their most popular works including Cabaret, Chicago, and Kiss of the Spider Woman; and he reassesses their flops as well as their incomplete and abandoned projects. Filled with fascinating information, the book is a resource for students of musical theater and lovers of Kander and Ebbs songs and shows.

A comprehensive biography of the life and career of American star of stage and film musicals, Ethel Merman, that chronicles her childhood, family, early film appearances, and success in the entertainment industry.

Kimberly Nichele Brown examines how African American women since the 1970s have found ways to move beyond the "double consciousness" of the colonized text to develop a healthy subjectivity that attempts to disassociate black subjectivity from its connection to white culture. Brown traces the emergence of this new consciousness from its roots in the Black Aesthetic Movement through important milestones such as the anthology The Black Woman and Essence magazine to the writings of Angela Davis, Toni Cade Bambara, and Jayne Cortez.