ESSAYS ON THE INTELLECTUAL LIFE OF THE JAPANESE BETWEEN 1600-1870.

This book examines early modern Mito, today an ordinary provincial capital on the outskirts of the Tokyo commuter belt, but once the headquarters of Mito Domain, one of the most consequential places in all of Japan. As one of just three senior branches of the Tokugawa family—which ruled over Japan for 260 years—Mito’s ruling family enjoyed unparalleled status and exerted enormous influence throughout its history. In the seventeenth century, its scholars produced some of early modern Japan’s most important historical scholarship. In the eighteenth century, it developed a robust and pragmatic program of reform to confront depopulation and foreign threats. In the nineteenth century, it became the birthplace of a revolutionary ideology that transformed Japan into a modern, imperial nation. The power of these ideas swept across Japan, inspiring activists everywhere to take up the cause of building a new nation—but they also devastated Mito, leading to a brutal civil war that scarred its people for generations. This book complements existing studies of Mito’s ideas by focusing on the history of Mito as a place and telling the stories of Mito’s politicians, reformers, and ordinary people from the beginning of the domain’s history to its end.

Why are the Japanese fascinated with the Jews? By showing that the modern attitude is the result of a process of accretion begun 200 years ago, this book describes the development behind Japanese ideas of Jews and how these images are reflected in their modern intellectual life

This book explores the Japanese notion of hakanasa - the evanescence of all things. Responses to this idea have been various and even contradictory: asceticism, fatalism, conformism, hedonism, materialism, and careerism. This book examines the ties between an epistemology of constant change and Japan's formal emphasis on etiquette and visuality.

"This study analyzes New Theses (Shinron) by Aizawa Seishisai (1781–1863) and its contribution to Japanese political thought and policy during the early–modern era. New Theses is found to be indispensable to our understanding of Japan’s transformation from a feudal to a modern state. Focusing on Aizawa, Bob Wakabayashi traces the development of xenophobia during the Tokugawa period and examines the basis of anti-Western sentiment. He shows how knowledge of Christianity inspired Aizawa to develop the potent concept of kokutai (“what is essential to a nation”). His analysis explains why the Edobakufu’s policies of national isolation (sakoku) and armed expulsion of Westerners (jōi) gained widespread support in the late Tokugawa. Wakabayashi also describes how information on Western affairs and world conditions decisively altered Tokugawa Confucian conceptions of civilization and barbarism, and how this in turn enabled the Japanese to redefine their nation’s relationship to China and the West. Rather than place Aizawa and his New Theses of 1825 at the beginning of a process leading up to the Meiji Restoration, Wakabayashi discusses New Theses in conjunction with the bakufu’s Expulsion Edict issued in the same year. He concludes that the convergence of the two events in 1825 marks the emergence of modern nationalism in Japan, and therefore should perhaps be seen as more epoch–making than the 1868 Restoration itself. The study also presents a complete translation of New Theses."

The Akita Ranga art school is a by-product of rangaku, 'Dutch learning', an important intellectual movement in eighteenth-century Japan. Akita Ranga artists, highly influenced by illustrations in Western books, created a new direction in Japanese art by using Western techniques such as chiaroscuro (shading) and perspective. Odano Naotake (1750-80), a leading Akita Ranga artist, illustrated Kaitai shinsho, Japan's first anatomy book. Dr. Johnson first analyses how Naotake applied new techniques to traditional Japanese art and created a quasi-Western style of painting. Secondly, she focuses on Lord Satake Shozan (1748-85), who wrote Japan's first art theory and criticism on Western art and whose complete text is translated and incorporated in this book. Shozan also based his three sketchbooks on foreign books, especially the Schouwtoneel der Natuur by Noel A. Pluche, and wrote an encyclopaedia of scientific lore. By focusing on the influence of illustrations in foreign books, Johnson brings a new perspective to Japanese art history.